March 1989 Issue 18

1 the return of cultural property: des griffin2 penguins on the rocks: david bromfield3 john berger: interviewed by janine burke in paris late last year4 melancholy europe: christopher allen5 australians in france: ian howard, paris6 johnson at 50: … — **1 the return of cultural property: des griffin**
**2 penguins on the rocks: david bromfield**
**3 john berger: interviewed by janine burke in paris late last year**
**4 melancholy europe: christopher allen**
5 australians in france: ian howard, *paris*
**6 johnson at 50: jacques delaruelle**
7 smorgon etc: christopher allen, *sydney*
8 summer famine: christopher heathcote, *melbourne*
**9 australian photography: the 1980s: charles green**
10 tucker drawings: barry pearce, *canberra*
**11 artnotes - dr wilson departs, noel sheridan to head pica, letter from los angeles, great balls of art, new gallery in canberra, nava**
**12 correspondence**
**13 book review: no women: Julie ewington**
**14 book review: work in place: julie ewington**
**15 dreamings: a conversation between peter sutton and peter timms**
**16 print plague in canberra: helen maxwell**
**17 salerooms: hunt’s still on: tony palmer**
**18 arts law: helping artists to protect themselves in 1988: natasha serventy**

Art Monthly Australasia

Art Monthly Australasia is Australasia’s flagship visual arts publication, providing a critical platform for its artists. Published since 1987 under six full-time editors (Peter Townsend, Peter Timms, Philippa Kelly, Deborah Clark, Maurice O’Riordan and, from 2014, Michael Fitzgerald), it is Australasia’s only monthly visual arts magazine placing visual arts in a contemporary, historical and regional context.

Based at the ANU School of Art in Canberra since 1992, Art Monthly Australasia is a non-profit charitable organisation whose income is derived from sales of the magazine, advertising, sponsorship and government funding. Its board comprises leaders in their fields of visual arts scholarship, practice and curating, along with business and finance.

Since 2015, Art Monthly has also fostered critical discourse across the Asia-Pacific region with a new International Council, which, along with increased participation at international art fairs and biennales, is helping to provide a meaningful new context for its artists.