Issue 284, October, 2015

   01 The Tasmanian effect by Fernando do Campo, Hobart

Marina Abramović: Private Archaeology, exhibition entrance view, Museum of Old and New Art (MONA), Hobart; image courtesy MONA, Hobart; photo: MONA/Rémi Chauvin

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   02 World-in-a-world: ‘The Shadows Calling’ at Detached by Rachel Kent, Hobart

Patricia Piccinini and Peter Hennessey, Kami, 2015, installation view, Detached Cultural Organisation, Old Mercury Building, Hobart, 2015; Formply, chairs, rope, ABS plastic; imag... more >

   03 Embodying culture: Lola Greeno and Marina Abramović by Gabriella Coslovich, Hobart

Lola Greeno’s necklace of 143 Bungana (king) maireener shells threaded on stainless steel with human hair clasp, 25cm; commissioned by the Museum of Old and New Art (MONA), Hobart, in Ja... more >

   04 In the moment: Marina Abramović’s ‘Private Archaeology’ at MONA by Diane Soumilas, Hobart

Marina Abramović and Ulay, AAA–AAA, 1978, performance for video, RTB Television Studio, Liège, 15 mins duration; black-and-white video, sound, 9:54 mins duration; Museum of O... more >

   05 A growing medium: The garden in art and design by Julia Jones, Sydney

Janet Laurence, Treelines Track, Bundanon NSW, 2014–16, detail views; linear passage of trees forming a walking track; stones scripted with text; dimensions variable; images court... more >

   06 Suspending disbelief: ‘The photograph and Australia’ by Claire Capel-Stanley, Sydney

The photograph and Australia, exhibition view, Art Gallery of New South Wales (AGNSW), Sydney, 2015, with archival display and artworks by Tracey Moffatt; photo © AGNSW: Jenni Car... more >

   07 Against the grain: Melinda Harper’s ‘Colour Sensation’ at Heide by Carolyn Barnes, Melbourne

Colour Sensation: The Works of Melinda Harper, exhibition view with 10 objects, each Untitled, 2006, private collection, Melbourne; Heide Museum of Modern Art, Melbourne, 2... more >

   08 Coincident lines: Ruark Lewis and Barayuwa Mununggurr at the Northern Centre for Contemporary Art by James Paull, Darwin

Rambangi: Together as Equals, exhibition views, Northern Centre for Contemporary Art (NCCA), Darwin, 2015; images courtesy the NCCA; photos: Fiona Morrison

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   09 Closing the temporal distance: Khadija von Zinnenburg Carroll’s Art in the Time of Colony by Stephen Gilchrist, Sydney

Image courtesy and © Bob Newman

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   10 Connecting threads: Go East, Chinese Bible and Jitish Kallat by Chloé Wolifson, Sydney

Covers and pages from Go East, Chinese Bible and Jitish Kallat; photos: © and courtesy Bob Newman

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Copyright 2003 Art Monthly.