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Issue 279, May, 2015


   01 ‘#madeforinstagram’: Art Basel Hong Kong 2015 by Alison Kubler

MyeongBeom Kim’s untitled deer taxidermy at Gallery IHN, Art Basel Hong Kong 2015; © Art Basel

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   02 Robert Gober’s ‘The Heart Is Not a Metaphor’ by Julie Ewington

Robert Gober: The Heart Is Not a Metaphor, installation view, the Museum of Modern Art (MoMA), New York; image courtesy and © MoMA; photo: Jonathan Muzikar; © 2014 Robert Gobermore >


   03 A room of one’s own: Australia’s new pavilion in Venice by Michael Fitzgerald

Australian Pavilion entry, southern elevation; image courtesy the Australia Council for the Arts; photo: John Gollings

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   04 Expanding the horizon: Future Perfect and the Singapore scene by Lucy Rees

Future Perfect Directors David Teh, Nina Miall and Jasper Knight; image courtesy Future Perfect, Singapore

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   05 Anecdote and theme: Reflections on curating contemporary art from Southeast Asia by Lee Weng Choy

Simryn Gill, Hugging the Shore, exhibition view, NTU Centre for Contemporary Art Singapore (NTU CCA Singapore), 2015, with Dalam, 2001; photo: NTU CCA Singapore

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   06 What can institutions do? The IMA’s Aileen Burns and Johan Lundh in conversation by Tim Walsh

Aileen Burns and Johan Lundh; image courtesy the Institute of Modern Art, Brisbane; photo: Carl Warner

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   07 To the fore: The growing legacy of QCA’s Bachelor of Contemporary Australian Indigenous Art by Ellie Buttrose

Dale Harding, his legacy to the Colony; their ongoing privilege, 2015, mixed-media installation, 100 x 140 x 40cm; image courtesy the artist

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   08 Michael Zavros: Beyond beauty? by Peter McKay

Michael Zavros, Medusa Discus, 2015, archival ink on hahnemuhle photo rag, 60 x 60cm; image courtesy the artist, Starkwhite, Auckland, and Philip Bacon Galleries, Brisbane ... more >


   09 Colin Lanceley 1938 – 2015 by Barry Pearce

Colin Lanceley; image courtesy Australian Galleries, Melbourne and Sydney; photo: Paul Green

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   10 Robert Jacks 1943 – 2014 by Kirsty Grant

Robert Jacks, Bendigo Art Gallery, November 2009; image courtesy Ian H. Hill; photo: Ian H. Hill

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