December 2003 Issue 166

1 Story place: Indigenous art of Cape York and the rainforest at the Queensland Art Gallery: Susan Rothnie2 Arts alive in the West: The National Review of Live Art, Midland, Perth: John Mateer3 Does size matter?: Geoffrey Batchen4 Love, death and wi… — **1 Story place: Indigenous art of Cape York and the rainforest at the Queensland Art Gallery: Susan Rothnie**
**2 Arts alive in the West: The National Review of Live Art, Midland, Perth:** **John Mateer**
**3 Does size matter?: Geoffrey Batchen**
**4 Love, death and wilderness photography: Peter Timms**
**5 Patrick McCaughey The Bright Shapes and the True Names: Angus Trumble**
**6 Photographic Proof: Portraits from the Movement 1978 - 2003 by Juno Gemes: Catherine De Lorenzo + Jennifier Isaacs**
**7 Roger Benjamin: Orientalist Aesthetics: Ted Gott**
**8 The curatorship of historical material: David Hansen**
**9 The sculpture of Donna Marcus: Elizabeth McMahon**
**10 The secret life of us: Jeanette Winterson**
**11 Writing archives: The book, *At Home in Australia* (NGA), and the exhibition, In a new light (NLA): Martyn Jolly**

Art Monthly Australasia

Art Monthly Australasia is Australasia’s flagship visual arts publication, providing a critical platform for its artists. Published since 1987 under six full-time editors (Peter Townsend, Peter Timms, Philippa Kelly, Deborah Clark, Maurice O’Riordan and, from 2014, Michael Fitzgerald), it is Australasia’s only monthly visual arts magazine placing visual arts in a contemporary, historical and regional context.

Based at the ANU School of Art in Canberra since 1992, Art Monthly Australasia is a non-profit charitable organisation whose income is derived from sales of the magazine, advertising, sponsorship and government funding. Its board comprises leaders in their fields of visual arts scholarship, practice and curating, along with business and finance.

Since 2015, Art Monthly has also fostered critical discourse across the Asia-Pacific region with a new International Council, which, along with increased participation at international art fairs and biennales, is helping to provide a meaningful new context for its artists.