September 2004 Issue 173

1 JOHN CONOMOS :Antonioni Still from Blow Up , 1966, directed by Michelangelo Antonioni, with Vanessa Regrave and Davind Hemmings. Courtesy of the Sydney Film Festival2 Sonnets from the Portuguese, JOHN MATEER — 1 JOHN CONOMOS :*Antonioni*
Still from *Blow Up* , 1966, directed by Michelangelo Antonioni, with Vanessa Regrave and Davind Hemmings. Courtesy of the Sydney Film Festival
**2 Sonnets from the Portuguese, JOHN MATEER**

3 Book Review - The Bird Man: The Extraordinary Story of John Gould by Isabella Tree: ELIZABETH LAWSONEbury Press, 2003 246 pp $49.95 RRP, $23.95 paperback (An earlier edition of this book was published by Barrie & Johnson in 1991 as The Ruling … — **3 Book Review - *The Bird Man: The Extraordinary Story of John Gould* by Isabella Tree: ELIZABETH LAWSON**
Ebury Press, 2003 246 pp $49.95 RRP, $23.95 paperback
(An earlier edition of this book was published by Barrie & Johnson in 1991 as *The Ruling Passion of John Gould: A Biography of the Bird Man*)
**4 Book Review - *Uncharted Waters* by Daniel Connell (Ed): ANN McMAHON:**

5 stripTEASE: Max Pam Photography from Perth to Sydney: KATE DAVIDSONMax Pam, Baker's children, Kashmir,1977, silver gelatin photograph. Collection of the Art Gallery of Western Australia6 Anti-Archibald: Doing the Doug Moran: DANIEL THOMAS — **5 *stripTEASE: Max Pam Photography* from Perth to Sydney: KATE DAVIDSON**
Max Pam, *Baker's children, Kashmir*,1977, silver gelatin photograph. Collection of the Art Gallery of Western Australia
**6 Anti-Archibald: Doing the Doug Moran: DANIEL THOMAS**

7 MARY EAGLE: The man who looked after everyone: No ordinary place: The art of David Malangi IN CanberraDavid Malangi Daymirringu, Dhamala Story (Sea Eagle, Catfish and King Brown Snake), 1983, natural pigments on eucalyptus bark. Collection of the … — **7 MARY EAGLE: The man who looked after everyone: *No ordinary place: The art of David Malangi* IN Canberra**
David Malangi Daymirringu, *Dhamala Story (Sea Eagle, Catfish and King Brown Snake)*, 1983, natural pigments on eucalyptus bark. Collection of the Art Gallery of New south Wales, Sydney. Photo Brenton McGeachie for AGNSW

8 Penetralia: Art and psychoanalysis in Melbourne 1940 – 2004: JANINE BURKEAlbert Tucker, Psycho, Heidelberg Military Hospital, 27 September 1942, 1942, carabon pencil, coloured wax crayons, brown pastel, gouache on paper. Collection of the Australi… — **8 *Penetralia: Art and psychoanalysis in Melbourne 1940 – 2004:* JANINE BURKE**
Albert Tucker, *Psycho, Heidelberg Military Hospital, 27 September 1942*, 1942, carabon pencil, coloured wax crayons, brown pastel, gouache on paper. Collection of the Australian War Memorial, Canberra

9 Woodchipping the spirit of Tasmania: TIM BONYHADY Peter Dombrovskis, Lake Oberon, Western Arthur Range, southwest Tasmania, 1988, colour photograph. Courtesy of Liz Dombrovskis, West Wind Press, Hobart, and the National Library of Australia, Canbe… — **9 Woodchipping the spirit of Tasmania: TIM BONYHADY**
Peter Dombrovskis, *Lake Oberon, Western Arthur Range, southwest Tasmania*, 1988, colour photograph. Courtesy of Liz Dombrovskis, West Wind Press, Hobart, and the National Library of Australia, Canberra

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Art Monthly Australasia is Australasia’s flagship visual arts publication, providing a critical platform for its artists. Published since 1987 under six full-time editors (Peter Townsend, Peter Timms, Philippa Kelly, Deborah Clark, Maurice O’Riordan and, from 2014, Michael Fitzgerald), it is Australasia’s only monthly visual arts magazine placing visual arts in a contemporary, historical and regional context.

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