September 2006 Issue 193

1 Dora and the Minotaur Picasso: Love and war 1935–1945: DAVID HANSEN, MELBOURNEBéatrice Hatala, Dora Maar’s apartment at 6 rue de Savoie, Paris, November 1997, gelatin silver print. Library Musée Picasso, Paris. © Béatrice Hatala — 1 Dora and the Minotaur Picasso: Love and war 1935–1945: DAVID HANSEN, *MELBOURNE*
Béatrice Hatala, *Dora Maar’s apartment at 6 rue de Savoie, Paris, November 1997*, gelatin silver print. Library Musée Picasso, Paris. © Béatrice Hatala

2 Louise Weaver: Taking a chance on love Selected works 1990–2006: MARIE SIERRA, MELBOURNELouise Weaver, Sweeper (Racoon), 2005, hand crocheted lambs wool and embroidered Japanese silk thread over high density foam, artificial fur fabric, cotton cr… — 2 Louise Weaver: Taking a chance on love Selected works 1990–2006: MARIE SIERRA, *MELBOURNE*
Louise Weaver, *Sweeper (Racoon)*, 2005, hand crocheted lambs wool and embroidered Japanese silk thread over high density foam, artificial fur fabric, cotton crochet thread, Swarovski crystals. Private collection, Melbourne. Photo David Callow

3 Captain Cool: MARTIN TERRY, CANBERRAJohn Sherwin, after Nathaniel Dance, Captain James Cook, c 1779, engraving. Rex Nan Kivell Collection, National Library of Australia, Canberra — 3 Captain Cool: MARTIN TERRY, *CANBERRA*
John Sherwin, after Nathaniel Dance, *Captain James Cook*, c 1779, engraving. Rex Nan Kivell Collection, National Library of Australia, Canberra

4 Bronwyn Oliver 1959–2006: HANNAH FINKBronwyn Oliver, with her Wave installation at Gordon's Bay, December 19805 Art LoversAdvertisers can download the art lovers classifieds form or find more information from our website: www.artmonthly.org.au. To… — **4 Bronwyn Oliver 1959–2006: HANNAH FINK**
Bronwyn Oliver, with her Wave installation at Gordon's Bay, December 1980
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6 A tribute to Peter Townsend: Introduction: DEBORAH CLARKPeter Townsend, c 1994. Photo Johanna Macnaughtan — **6 A tribute to Peter Townsend: Introduction: DEBORAH CLARK**
Peter Townsend, c 1994. Photo Johanna Macnaughtan

7 Peter Townsend in China and Canberra: The Peter Townsend Collection of Chinese woodcuts in the National Gallery of Australia: CHRISTINE DIXONArtist unknown (Mai Gan?), Woman with baby, child with toy gun, c1940, woodcut. National Gallery of Austra… — **7 Peter Townsend in China and Canberra: The Peter Townsend Collection of Chinese woodcuts in the National Gallery of Australia: CHRISTINE DIXON**
Artist unknown (Mai Gan?), *Woman with baby, child with toy gun, c1940*, woodcut. National Gallery of Australia, Peter Townsend Collection, purchased with the assistance of the Australia-China Council 1985

8 Peter Townsend and Studio International: Notes from inside the archive: JO MELVINCover of Studio International, July/August 1972 — **8 Peter Townsend and Studio International: Notes from inside the archive: JO MELVIN**
Cover of *Studio International*, July/August 1972

9 Peter Townsend in London: ANDREW BRIGHTONPeter Townsend, 1983. Photo Denise Ferris — **9 Peter Townsend in London: ANDREW BRIGHTON**
Peter Townsend, 1983. Photo Denise Ferris

10 Peter Townsend in Australia: JACQUELINE MACNAUGHTANPeter Townsend working, 1994. Photos Johanna Macnaughtan11 PETER TOWNSEND AND ART MONTHLY AUSTRALIA: CHRISTOPHER HEATHCOTECOVER OF THE FIRST ISSUE OF ART MONTHLY AUSTRALIAN AND INTERNATIONAL, JUN… — **10 Peter Townsend in Australia: JACQUELINE MACNAUGHTAN**
Peter Townsend working, 1994. Photos Johanna Macnaughtan
**11 PETER TOWNSEND AND ART MONTHLY AUSTRALIA: CHRISTOPHER HEATHCOTE**
COVER OF THE FIRST ISSUE OF ART MONTHLY AUSTRALIAN AND INTERNATIONAL, JUNE 1987

14 Peter Townsend A view from the bar: DAMIAN SMITHPeter Townsend in a hotel in Balmain in 1983. Photos Denise Ferris — **14 Peter Townsend A view from the bar: DAMIAN SMITH**
Peter Townsend in a hotel in Balmain in 1983. Photos Denise Ferris

15 All my own work: PETER TOWNSENDPeter Townsend c1940, just before leaving for Burma. Photo courtesy of Catherine TownsendIn 1994 Peter Townsend was a writer-in-residence at the Canberra School of Art. At the end of his stay, as was the custom, Pet… — **15 All my own work: PETER TOWNSEND**
Peter Townsend c1940, just before leaving for Burma. Photo courtesy of Catherine Townsend
In 1994 Peter Townsend was a writer-in-residence at the *Canberra School of Art.* At the end of his stay, as was the custom, Peter wrote in David Williams’s School of Art Visitors Book – fifteen closely-written pages of memories, anecdotes and observations in an apparent stream-of-consciousness wherein he frequently castigates himself for writing too much. He called it ‘*All my own work*’, and here are a few extracts

16 The most delightful thing on earth: The art of Gladys Reynell: JUDITH HEAVEN, ADELAIDEGladys Reynell, Emu beaker, 1917, London, earthenware, sgraffito decoration. South Australian Government Grant, assisted by the Crafts Board of the Australia Co… — **16 The most delightful thing on earth: The art of Gladys Reynell: JUDITH HEAVEN, ADELAIDE**
Gladys Reynell, *Emu beaker,* 1917, London, earthenware, sgraffito decoration. South Australian Government Grant, assisted by the Crafts Board of the Australia Council 1980, Art Gallery of South Australia, Adelaide

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Art Monthly Australasia is Australasia’s flagship visual arts publication, providing a critical platform for its artists. Published since 1987 under six full-time editors (Peter Townsend, Peter Timms, Philippa Kelly, Deborah Clark, Maurice O’Riordan and, from 2014, Michael Fitzgerald), it is Australasia’s only monthly visual arts magazine placing visual arts in a contemporary, historical and regional context.

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