March 2007 Issue 197
1 Where to now? The 5th Asia-Pacific Triennial of Contemporary Art: CHAITANYA SAMBRANI
Gussie R Bento [Hawai’I, United States, b1932], Na kalaunu a me na kahili o Kamehameha IV [The crown and the kahili of Kamehameha IV], c1980, kapa kuiki quilt: commercial cotton cloth, synthetic batting with hand appliqué and contour quilting. Collection of the artist
2 Cinema (and post-cinema) effects in APT5: ADRIAN MARTIN
Beck Cole [Australia, b1975, Warramungu/Luritja people] Production still from The Lore of Love, 2005, Digital Betacam, 25 minutes, colour, stereo, Australia, Pintupi, Warlpiri, Luritja and English. Image courtesy of CAAMA Productions and the artist
3 The Queensland Art Gallery & its Gallery of Modern Art: DANIEL THOMAS
Installation view in December 2006 of the Gallery of Modern Art, Indigenous Australian Art Collection display, GoMA level 3, Gallery 3.2. The photograph shows work by artists including Thancoupie [Australia, b1937, Thainakuith people]; Emily Evans [Australia, b1975, Lardil language group]; Queenie McKenzie [Australia 1915-1998, Kija (Gidja)/Nakarra language group]; Ron Yunkaporta [Australia b1956, Wik-Ngathan language group]; Joe Ngallametta [Australia 1945-2005, Kugu Muminh/Kugu Uwanh language group]; Michael Boiyool Anning [Australia, b1955, Yidinyji language group]; and Desley Henry [Australia 1951-2005, Jirrbal language group]
4 Impressionism to Pop Art: The international art rehang at the National Gallery of Australia: JOHN MCPHEE
Pablo Picasso, Nature morte au masque, 4 mars 1937 [Still-life with mask, 4 March 1937],1937, cardboard, metal, wood, string, oil paint and sand on canvas. National Gallery of Australia, Canberra
5 Art from the future: Alberto Giacometti and James Angus: CHRISTOPHER CHAPMAN
Alberto Giacometti, Project for a book IV [Projet pour un livre IV], 1951, lithographic crayon. Marguerite and Aimé Maeght Foundation, Saint-Paul. Gift of Marguerite and Aimé Maeght, 1974. © Alberto Giacometti/ADAGP. Licensed by Viscopy, Sydney, 2006
6 The Singapore Biennale 2006: Belief: GINA FAIRLEY
mran Qureshi, Wuzu 2, 2006, painting installation, at Masjid Sultan, Singapore Biennale 2006 (detail). Photo: courtesy of Gina Fairley
7 Getting to know the Latin neighbours: The South Project: KEVIN MURRAY
8 Book review: CLIVE FARO
Jill Julius Matthews, Dance Hall and Picture Palace: Sydney’s romance with modernity