September 2007 Issue 203

1 Ecstasy and melancholy from the Masters of emotion at the Mornington Peninsula Regional Gallery: Victoria HUGH HUDSONLouise Bourgeois, St Sébastienne, 1992, drypoint, edn 36/50, private collection, Melbourne — **1 Ecstasy and melancholy from the Masters of emotion at the Mornington Peninsula Regional Gallery: Victoria HUGH HUDSON**
Louise Bourgeois, *St Sébastienne*, 1992, drypoint, edn 36/50, private collection, Melbourne

2 The arts of Islam: Treasures from the Nasser D Khalili CollectioN: MICHAEL DESMOND, SydneyPart 8 of a 30-part Qur’an, Iran, perhaps Azerbaijan, c. 1175-1225 AD, ink, gold and opaque watercolour on paper, 92 folios, 3 lines to the page — 2 The arts of Islam: Treasures from the Nasser D Khalili CollectioN: MICHAEL DESMOND, *Sydney*
Part 8 of a 30-part *Qur’an*, Iran, perhaps Azerbaijan, c. 1175-1225 AD, ink, gold and opaque watercolour on paper, 92 folios, 3 lines to the page

3 Kant in a lab coat: Visual Animals: MARGOT OSBORNE, AdelaideErica Seccombe, Cephalopoda nano-plastica, 2006, microcomputed x-ray CT data — 3 Kant in a lab coat: Visual Animals: MARGOT OSBORNE, *Adelaide*
Erica Seccombe, *Cephalopoda nano-plastica*, 2006, microcomputed x-ray CT data

4 Katharina Grosse’s Picture park: CHRISTOPHER CHAPMAN, BrisbaneKatharina Grosse, Picture park, 2007, installation at the Gallery of Modern art, Brisbane (detail). Photo John Gollings — 4 Katharina Grosse’s Picture park: CHRISTOPHER CHAPMAN, *Brisbane*
Katharina Grosse, *Picture park,* 2007, installation at the Gallery of Modern art, Brisbane (detail). Photo John Gollings

5 Kitty Kantilla: MARIELLE SCHWERIN, MelbourneKutuwalumi Purawarrumpatu Kitty Kantilla, Tiwi, Untitled, 2002, earth pigments on canvas, private collection, NSW. © The artist’s estate, courtesy of Jilamara Arts & Crafts6 Interference problems? Co… — 5 Kitty Kantilla: MARIELLE SCHWERIN, *Melbourne*
Kutuwalumi Purawarrumpatu Kitty Kantilla, Tiwi, *Untitled,* 2002, earth pigments on canvas, private collection, NSW. © The artist’s estate, courtesy of Jilamara Arts & Crafts
**6 Interference problems? Comments on the recent reception of Howard Arkley: JOHN GREGORY**

7 The battle of the Bogside Artists in Derry, Northern Ireland: CHRIS HOLMESBogside Artists, Bloody Sunday, 1997, mural, Bogside, Derry — **7 The battle of the Bogside Artists in Derry, Northern Ireland: CHRIS HOLMES**
Bogside Artists, *Bloody Sunday*, 1997, mural, Bogside, Derry

8 Letter from Seoul: VERONICA TELLONam June Paik, The more the better, 1988, three-channel video installation with 1003 monitors and steel structure, colour, sound — **8 Letter from Seoul: VERONICA TELLO**
Nam June Paik, *The more the better*, 1988, three-channel video installation with 1003 monitors and steel structure, colour, sound

9 A tribute to Eric Westbrook 1915–2005: GERARD VAUGHANEric Westbrook. Courtesy of the National Gallery of Vicotria — **9 A tribute to Eric Westbrook 1915–2005: GERARD VAUGHAN**
Eric Westbrook. Courtesy of the National Gallery of Vicotria

Art Monthly Australasia

Art Monthly Australasia is Australasia’s flagship visual arts publication, providing a critical platform for its artists. Published since 1987 under six full-time editors (Peter Townsend, Peter Timms, Philippa Kelly, Deborah Clark, Maurice O’Riordan and, from 2014, Michael Fitzgerald), it is Australasia’s only monthly visual arts magazine placing visual arts in a contemporary, historical and regional context.

Based at the ANU School of Art in Canberra since 1992, Art Monthly Australasia is a non-profit charitable organisation whose income is derived from sales of the magazine, advertising, sponsorship and government funding. Its board comprises leaders in their fields of visual arts scholarship, practice and curating, along with business and finance.

Since 2015, Art Monthly has also fostered critical discourse across the Asia-Pacific region with a new International Council, which, along with increased participation at international art fairs and biennales, is helping to provide a meaningful new context for its artists.