March 2008 Issue 207

1 From The Chair; New year, New editor: David Williams2 Editorial: Maurice O’Riordan — **1 From The Chair; New year, New editor: David Williams**
**2 Editorial: Maurice O’Riordan**

3 Andy Warhol: WESLEY HILL, BRISBANEAndy Warhol, Skull, 1976, Acrylic and silkscreen ink on linen, The Andy Warhol Museum, Pittsburgh Founding Collection, Contribution Dia Center for the Arts © The Andy Warhol Foundation for the Visual Arts, Inc — 3 Andy Warhol: WESLEY HILL, *BRISBANE*
Andy Warhol, *Skull,* 1976, Acrylic and silkscreen ink on linen, The Andy Warhol Museum, Pittsburgh Founding Collection, Contribution Dia Center for the Arts © The Andy Warhol Foundation for the Visual Arts, Inc

4 Political Kunst - Postcard from Germany, JENNY FRASERBeds at concentration camp, Dachau, 2008. Photograph by Jenny Fraser — 4 **Political Kunst - Postcard from Germany, JENNY FRASER**
Beds at concentration camp, Dachau, 2008. Photograph by Jenny Fraser

5 Sigmund Freud’s Collection: DIANA SIMMONDS, SydneyEdmund Engelman, View of the writing desk in the study (detail), 1938, silver gelatin print. Courtesy Thomas Engelman — 5 Sigmund Freud’s Collection: DIANA SIMMONDS, *Sydney*
Edmund Engelman, View of the writing desk in the study (detail), 1938, silver gelatin print. Courtesy Thomas Engelman

6 Rarrk – London: JEREMY ECCLESGround view of the Level 3 room at the Bargehouse Gallery with barks by John Mawurndjul (front left) and Timothy Wulanjbirr. Courtesy Maningrida Arts and Culture and Josh Lilley Fine Art. Photograph by Sam Green — **6 Rarrk – London: JEREMY ECCLES**
Ground view of the Level 3 room at the Bargehouse Gallery with barks by John Mawurndjul (front left) and Timothy Wulanjbirr. Courtesy Maningrida Arts and Culture and Josh Lilley Fine Art. Photograph by Sam Green

**7 Andrea Stretton (1952 – 2007): BILL WRIGHT**

8 ‘We mean business’: John Stringer (1937 – 2007): FRANCES LINDSAYJohn Stringer, at the opening of Australian Impressionism at the National Gallery of Victoria (NGV), March 2007. Courtesy NGV — **8 ‘We mean business’: John Stringer (1937 – 2007): FRANCES LINDSAY**
John Stringer, at the opening of *Australian Impressionism* at the National Gallery of Victoria (NGV), March 2007. Courtesy NGV

9 Peep — TarraWarra Museum of Art: ANDREW GAYNORCecile Williams, Peep (detail), 2001, paper, cardboard, cellophane, string, glue and adhesive tape (dioramas), flattened heavy cardboard, pine stud panels, halogen lights, transformers, electric fan, e… — **9 Peep — TarraWarra Museum of Art: ANDREW GAYNOR**
Cecile Williams, *Peep* (detail), 2001, paper, cardboard, cellophane, string, glue and adhesive tape (dioramas), flattened heavy cardboard, pine stud panels, halogen lights, transformers, electric fan, electric cable, insulation tape, construction adhesive, heavy grade staples. Kerry Stokes Collection, Perth, © Cecile Williams, 2001. Courtesy the artist. Photograph by Adrian Lambert, Acorn Photo Agency, Perth

10 Letter: Masters of the Dancing Brush: Peter Upward 1932 – 1983: PENELOPE UPWARDPeter Upward in his Brougham St studio, Woolloomooloo, Sydney, 1961, before his painting New Reality (now in the Art Gallery of NSW). An old friend, Howard Smith, owne… — **10 Letter: Masters of the Dancing Brush: Peter Upward 1932 – 1983: PENELOPE UPWARD**
Peter Upward in his Brougham St studio, Woolloomooloo, Sydney, 1961, before his painting *New Reality* (now in the Art Gallery of NSW). An old friend, Howard Smith, owned this place

11 South Korea, democracy and art, EN YOUNG AHNKim Joon, tattooress-stitch, 2005, C print. Courtesy and collection of the artist — **11 South Korea, democracy and art, EN YOUNG AHN**
Kim Joon, *tattooress-stitch*, 2005, C print. Courtesy and collection of the artist

12 To see or not to see: is that the question? John Hayward at the South Australian Museum: RAY TYNDALE, AdelaideJohn Hayward, Mouse cutter, 2007, computer mouse, kangaroo bone (scapula). Photograph by Michal Kluvanek — 12 To see or not to see: is that the question? John Hayward at the South Australian Museum: RAY TYNDALE, *Adelaide*
John Hayward, *Mouse cutter,* 2007, computer mouse, kangaroo bone (scapula). Photograph by Michal Kluvanek

13 South light: JUDE RAEJude Rae, Victoria Chambers, installation view, Silvershot, Melbourne, 2006. Courtesy of the artist and Helen Maxwell Gallery, Canberra — **13 South light: JUDE RAE**
Jude Rae, *Victoria Chambers,* installation view, Silvershot, Melbourne, 2006. Courtesy of the artist and Helen Maxwell Gallery, Canberra

14 Diary of a Fortunate Man: Ray Cook photographs: ANNE KIRKERDiary of a Fortunate Man: Ray Cook photographs, Queensland Centre for Photography, Brisbane, 2007, 72 pages, $55 rrp — **14 Diary of a Fortunate Man: Ray Cook photographs: ANNE KIRKER**
Diary of a Fortunate Man: Ray Cook photographs, Queensland Centre for Photography, Brisbane, 2007, 72 pages, $55 rrp

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