April 2009 Issue 218

1 Remaking Fashion: SALLY GRAYJohn Galliano, Dress no.39 (detail), 2000 (made 2003), fromThe Tramp collection, silk, paint, lacquer, metal, viscose, nylon, paint. Presented through the NGV Foundation by Norma and Stuart Leslie, Governors, 2002 — **1 Remaking Fashion: SALLY GRAY**
John Galliano, *Dress no.39* (detail), 2000 (made 2003), fromThe Tramp collection, silk, paint, lacquer, metal, viscose, nylon, paint. Presented through the NGV Foundation by Norma and Stuart Leslie, Governors, 2002

2 Walking with Spirits: Ghosts, Gods and Men at the National Gallery of Australia: JACQUI DURRANTThe Ambum Stone, c. 3500 BP, greywacke stone. From Ambum Valley, Western Highlands, Papua New Guinea. Purchased 1977. Image courtesy the National Galler… — **2 Walking with Spirits: Ghosts, Gods and Men at the National Gallery of Australia: JACQUI DURRANT**
The Ambum Stone, c. 3500 BP, greywacke stone. From Ambum Valley, Western Highlands, Papua New Guinea. Purchased 1977. Image courtesy the National Gallery of Australia

3 Reasserting customary Indigenous Australian and Asian inheritance through contemporary printmaking: JOANNA BARRKMANReproduction of crayon drawing by Gumuk Gumana (1947) in Garma Festival’s Gapan Gallery (2008), Gulkula NT. Photograph courtesy arti… — **3 Reasserting customary Indigenous Australian and Asian inheritance through contemporary printmaking: JOANNA BARRKMAN**
Reproduction of crayon drawing by Gumuk Gumana (1947) in Garma Festival’s Gapan Gallery (2008), Gulkula NT. Photograph courtesy artist, Buku-Larrŋgay Mulka and Yothu Yindi Foundation

4 Shooting from the hip: an interview with Tony Albert: ODETTE KELADATony Albert, Butterscotch Tribesman, 2009, acrylic on Belgian linen, 174 x 126cm. Photograph by Carl Warner — **4 Shooting from the hip: an interview with Tony Albert: ODETTE KELADA**
Tony Albert, *Butterscotch Tribesman*, 2009, acrylic on Belgian linen, 174 x 126cm. Photograph by Carl Warner

5 Kumanjayi Cherel c. 1920 – 2009: JEREMY ECCLESKumanjayi Cherel, Thirrwi (Hill Kangaroo), 2000, polymer paint on paper. Image courtesy Mangkaja Arts resource Agency — **5 Kumanjayi Cherel c. 1920 – 2009: JEREMY ECCLES**
Kumanjayi Cherel, *Thirrwi (Hill Kangaroo)*, 2000, polymer paint on paper. Image courtesy Mangkaja Arts resource Agency

6 Spirits of Progress: Exhibiting Art Deco and Modernism in Australia: ANDREW MONTANAThe Victorian Railways present The Spirit of Progress, 1937, cover image for booklet: colour photolithographs, letterpress, 12 pages, cardboard cover, stapled bindi… — **6 Spirits of Progress: Exhibiting Art Deco and Modernism in Australia: ANDREW MONTANA**
The Victorian Railways present The Spirit of Progress, 1937, cover image for booklet: colour photolithographs, letterpress, 12 pages, cardboard cover, stapled binding, 20.8 x 26.8cm (closed), published by Victorian Railways. Museum Victoria, Melbourne. Purchased, 2005. Image courtesy National Gallery of Victoria

7 The heart of martyrdom: First International Fajr, Tehran: HELEN MUSAHossein Hamedani, The Battle of Khaybar, pre-1979, oil on canvas. An example of the ‘Teahouse’ school of painting, this scene depicts a battle fought in the year 629 AD between th… — **7 The heart of martyrdom: First International Fajr, Tehran: HELEN MUSA**
Hossein Hamedani, *The Battle of Khaybar,* pre-1979, oil on canvas. An example of the ‘Teahouse’ school of painting, this scene depicts a battle fought in the year 629 AD between the Prophet Muhammad and his opponents. Exhibited in the second edition of the Tehran Art Expo at the Vahdat Hall, Tehran, December 2008. Image courtesy Tehran Times

8 Social fabric: the art of Anna Eggert: MEREDITH HINCHLIFFEAnna Eggert, Dwelling Amongst Others, 2008, comprising a group of five works: Samra; Amina; Fatemah; Laila; Ula;stainless steel mesh, stainless steel rivets and washers, compatible paint, i… — **8 Social fabric: the art of Anna Eggert: MEREDITH HINCHLIFFE**
Anna Eggert, *Dwelling Amongst Others*, 2008, comprising a group of five works: *Samra; Amina; Fatemah; Laila; Ula;*stainless steel mesh, stainless steel rivets and washers, compatible paint, installation dimensions variable

9 Building bridges in the desert, Museum of Islamic Art bedazzles: MATTHIAS KRUGThe Museum of Islamic Art’s main building entrance façade through the palm tree alley — **9 Building bridges in the desert, Museum of Islamic Art bedazzles: MATTHIAS KRUG**
The Museum of Islamic Art’s main building entrance façade through the palm tree alley

10 Alan Peascod: influences and dialogue: PAUL DONNELLYAlan Peascod, Notebook, Glasgow, Wombarra, 1987. Collection of Ellen Peascod — **10 Alan Peascod: influences and dialogue: PAUL DONNELLY**
Alan Peascod, *Notebook*, Glasgow, Wombarra, 1987. Collection of Ellen Peascod

11 Growing Histories: the influence of the Bayeux Tapestry on Elizabeth Paterson’s Growing Home: ZSUZSANNA SOBOSLAYElizabeth Paterson, Growing Home - the street trees of Canberra (detail), 2008, end panel: papier-mâche, cardboard, inks and gloss med… — **11 Growing Histories: the influence of the Bayeux Tapestry on Elizabeth Paterson’s Growing Home: ZSUZSANNA SOBOSLAY**
Elizabeth Paterson, *Growing Home - the street trees of Canberra* (detail), 2008, end panel: papier-mâche, cardboard, inks and gloss medium. Image courtesy the artist. Photograph by Stuart Hay

12 Dismay at the display: David Marr, The Henson Case, PAUL RAPOPORTBook cover from David Marr, The Henson Case, Text Publishing, Melbourne, 2008, 157 pages, 8 plates, $24.95 rrp — **12 Dismay at the display: David Marr, The Henson Case, PAUL RAPOPORT**
Book cover from David Marr, *The Henson Case,* Text Publishing, Melbourne, 2008, 157 pages, 8 plates, $24.95 rrp

13 Rachel Power, The Divided Heart: Art and Motherhood: DENISE FERRISBook cover: Rachel Power The Divided Heart: Art and Motherhood, Red Dog, Melbourne, 2008, 352pp, $29.99 rrp — **13 Rachel Power, The Divided Heart: Art and Motherhood: DENISE FERRIS**
Book cover: Rachel Power *The Divided Heart: Art and Motherhood,* Red Dog, Melbourne, 2008, 352pp, $29.99 rrp

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Art Monthly Australasia is Australasia’s flagship visual arts publication, providing a critical platform for its artists. Published since 1987 under six full-time editors (Peter Townsend, Peter Timms, Philippa Kelly, Deborah Clark, Maurice O’Riordan and, from 2014, Michael Fitzgerald), it is Australasia’s only monthly visual arts magazine placing visual arts in a contemporary, historical and regional context.

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