November 2009 Issue 225

2 Can someone please turn the work up? The Exhibition of Sound in Contemporary Australian Art: CALEB KELLYMel O’Callaghan, The Fall, 2004, video still from DVD PAL, 4.15min duration. Image courtesy the artist and GRANTPIRRIE, Sydney — **2 Can someone please turn the work up? The Exhibition of Sound in Contemporary Australian Art: CALEB KELLY**
Mel O’Callaghan, *The Fall*, 2004, video still from DVD PAL, 4.15min duration. Image courtesy the artist and GRANTPIRRIE, Sydney

3 Potatoes, antennas & autofocus: three sound installations for Heidegger: ANN FINEGAN

Mark Brown, part of the artistic team (with Vincent and Vaughan O’Connor) for Desertion, a sound installation held in a vacant shop in Parramatta’s Brand Smart building as part of Parramatta’s (biennial) Riverbeats festival, November 7 to 24, 2008

4 Super Tweeter: HOLLIS TAYLORPied butcherbird at Wogarno Station, WA. Photograph by Chris Tate — **4 Super Tweeter: HOLLIS TAYLOR**
Pied butcherbird at Wogarno Station, WA. Photograph by Chris Tate

5 Sound Artists In Extremis, PHILLIP SAMARTZISDouglas Quin at Swiss Camp on the Greenland ice sheet. Photograph by Ryan Vachon. Quin’s latest release (vinyl),Fathom (due out later this year on Taiga Records), features underwater soundscapes from Ant… — **5 Sound Artists In Extremis, PHILLIP SAMARTZIS**
Douglas Quin at Swiss Camp on the Greenland ice sheet. Photograph by Ryan Vachon. Quin’s latest release (vinyl),*Fathom* (due out later this year on Taiga Records), features underwater soundscapes from Antarctica and Alaska.

6 Re-Wiring a Postcolonial Culture: CARLA TEIXEIRAOutback fences (‘salt fence’ and ‘classic corrugated’) in the course of Hollis Taylor and Jon Rose’s Great Fences of Australia Project — **6 Re-Wiring a Postcolonial Culture: CARLA TEIXEIRA**
*Outback fences* (‘salt fence’ and ‘classic corrugated’) in the course of Hollis Taylor and Jon Rose’s Great Fences of Australia Project

7 Can we post gig announcements here? Community connections in the Audio Foundation mailing list: ZITA JOYCELines of Flight Festival, Chick’s Hotel, Port Chalmers, Dunedin, March 28, 2009. Photograph by Tim Coster — **7 Can we post gig announcements here? Community connections in the Audio Foundation mailing list: ZITA JOYCE**
Lines of Flight Festival, Chick’s Hotel, Port Chalmers, Dunedin, March 28, 2009. Photograph by Tim Coster

8 Sustainable Sonic Art in a 360° World: LEAH BARCLAYLeah Barclay recording at Lake Cootharaba, Noosa, Floating Land 2009. Photograph by Adam Sebastian West — **8 Sustainable Sonic Art in a 360° World: LEAH BARCLAY**
Leah Barclay recording at Lake Cootharaba, Noosa, Floating Land 2009. Photograph by Adam Sebastian West

9 Artist-Run INITIATIVES & Sound Art in Australia: DANNI ZUVELAExperimental expanded projections at Audiopollen, West End, Brisbane, 2007 — **9 Artist-Run INITIATIVES & Sound Art in Australia: DANNI ZUVELA**
Experimental expanded projections at Audiopollen, West End, Brisbane, 2007

10 Sound Garden: addressing social & ecological sustainability: KUMI KATORoma St Parkland Sound Garden, 2009. The Japanese water harp is encircled by a glass mosaic path of the Turrbul Dreaming Freshwater Eel. Photograph by Hideki Okubo. This im… — **10 Sound Garden: addressing social & ecological sustainability: KUMI KATO**
Roma St Parkland Sound Garden, 2009. The Japanese water harp is encircled by a glass mosaic path of the *Turrbul Dreaming Freshwater Eel*. Photograph by Hideki Okubo. This image will be featured in a postage stamp

11 A ‘game of nomenclature’? Performance-based sonic practice in Australia: BEN ELTHAMJoel Stern, live performance at Liquid Architecture (with latex covered tube), 10, July 2009. Image courtesy the artist. Photograph by Bryan Spencer — **11 A ‘game of nomenclature’? Performance-based sonic practice in Australia: BEN ELTHAM**
Joel Stern, live performance at Liquid Architecture (with latex covered tube), 10, July 2009. Image courtesy the artist. Photograph by Bryan Spencer

12 The Wonderment of the Bleak – Sculpting the Static: CAT HOPELisa MacKinney during the filming of Mystic Eyes. Photograph by Natasha Blankfield13 Recent Sound Writing: JOHN POTTS — **12 The Wonderment of the Bleak – Sculpting the Static: CAT HOPE**
Lisa MacKinney during the filming of Mystic Eyes. Photograph by Natasha Blankfield
**13 Recent Sound Writing: JOHN POTTS**

14 Severed Heads, Adenoids 1977–1985: SHANNON O’NEILLCover image for Severed Heads’ Blubberknife release (cassette), 1982. Collection of Tom Ellard15 Don’t look back: an artist’s story: Ray Young, 1951-200916 Emil Goh, 1966-2009 — **14 Severed Heads, Adenoids 1977–1985: SHANNON O’NEILL**
Cover image for Severed Heads’ Blubberknife release (cassette), 1982. Collection of Tom Ellard
**15 Don’t look back: an artist’s story: Ray Young, 1951-2009**
**16 Emil Goh, 1966-2009**

Art Monthly Australasia

Art Monthly Australasia is Australasia’s flagship visual arts publication, providing a critical platform for its artists. Published since 1987 under six full-time editors (Peter Townsend, Peter Timms, Philippa Kelly, Deborah Clark, Maurice O’Riordan and, from 2014, Michael Fitzgerald), it is Australasia’s only monthly visual arts magazine placing visual arts in a contemporary, historical and regional context.

Based at the ANU School of Art in Canberra since 1992, Art Monthly Australasia is a non-profit charitable organisation whose income is derived from sales of the magazine, advertising, sponsorship and government funding. Its board comprises leaders in their fields of visual arts scholarship, practice and curating, along with business and finance.

Since 2015, Art Monthly has also fostered critical discourse across the Asia-Pacific region with a new International Council, which, along with increased participation at international art fairs and biennales, is helping to provide a meaningful new context for its artists.