March 2010 Issue 227

1 Has the APT lost its way?: SASHA GRISHINKibong Rhee, There is no place –Shallow cuts, 2008, glass, fog machine, artificial leaves, wood, steel, sand, motor, timer. Image courtesy the artist and Kukje Gallery — **1 Has the APT lost its way?: SASHA GRISHIN**
Kibong Rhee, *There is no place –Shallow cuts*, 2008, glass, fog machine, artificial leaves, wood, steel, sand, motor, timer. Image courtesy the artist and Kukje Gallery

2 The Masks of Merlam & the Shining Swords of Australian Art Awards: DARREN JORGENSONRicardo Idagi, Malo Mask, 2008, turtle shell, cowrie shells, mussel shells, feathers, raffia grass, wicker cane, saimi saimi seeds, natural earth pigment, 157 x… — **2 The Masks of Merlam & the Shining Swords of Australian Art Awards: DARREN JORGENSON**
Ricardo Idagi, *Malo Mask*, 2008, turtle shell, cowrie shells, mussel shells, feathers, raffia grass, wicker cane, saimi saimi seeds, natural earth pigment, 157 x 120 x 70cm. Image courtesy the artist and Vivien Anderson Gallery, Melbourne

3 Making it New: ADAM GECZYBob Jenyns, Suit… dedicated to my dad who waited for forty years for me to buy a suit and then he died so that I might have somewhere to wear it, 1995, polychromed wood, 60 x 240 x 23cm. Installation view, Museum of Contem… — **3 Making it New: ADAM GECZY**
Bob Jenyns, *Suit… dedicated to my dad who waited for forty years for me to buy a suit and then he died so that I might have somewhere to wear it*, 1995, polychromed wood, 60 x 240 x 23cm. Installation view, Museum of Contemporary Art, Sydney. Collection the artist. Image courtesy and © the artist

4 Dark Days – closure, not completion: STEPHENIE CAHALANJohn Cale, Dyddiau Du (Dark Days), 2009, still images from 5-channel video installation. Image courtesy the artist and MONA FOMA 2010, Hobart — **4 Dark Days – closure, not completion: STEPHENIE CAHALAN**
John Cale, *Dyddiau Du (Dark Days)*, 2009, still images from 5-channel video installation. Image courtesy the artist and MONA FOMA 2010, Hobart

5 Bravura: 21st Century Australian Craft: MARGOT OSBORNEStephen Benwell, Large flared vase, 2008, earthenware, 40 x 48 x 48.5cm. Maude Vizard-Wholohan Art Purchase Award 2009, Art Gallery of South Australia, Adelaide. Image courtesy and © the artist… — **5 Bravura: 21st Century Australian Craft: MARGOT OSBORNE**
Stephen Benwell, *Large flared vase*, 2008, earthenware, 40 x 48 x 48.5cm. Maude Vizard-Wholohan Art Purchase Award 2009, Art Gallery of South Australia, Adelaide. Image courtesy and © the artist, and Niagara Galleries, Melbourne

6 Educating for Art & Society: Rupert MyerEleanor Orchard, Jackson, 2009, pencil, 29.7 x 21cm (image and sheet). School: Warrnambool College, Warrnambool. Image courtesy the artist and Top Arts, Victoria — **6 Educating for Art & Society: Rupert Myer**
Eleanor Orchard, *Jackson*, 2009, pencil, 29.7 x 21cm (image and sheet). School: Warrnambool College, Warrnambool. Image courtesy the artist and Top Arts, Victoria

7 Nicholas (Nick) Waterlow 1941-2009: MARGARET FARMErNick Waterlow, 2008. Photograph by Olivia Martin-McGuire — **7 Nicholas (Nick) Waterlow 1941-2009: MARGARET FARMEr**
Nick Waterlow, 2008. Photograph by Olivia Martin-McGuire

8 Sue Ford 1943–2009: HELEN ENNIS1/ Self-Portrait, 1961. 2/ Self Portrait with camera, 2004, 120 x 190cm — **8 Sue Ford 1943–2009: HELEN ENNIS**
1/ *Self-Portrait,* 1961. 2/ *Self Portrait with camera*, 2004, 120 x 190cm

9 Shane Pickett 1957–2010: HENRY SKERRITTShane Pickett at the opening of his exhibition Shane Pickett: Art and Healing, Mossenson Galleries, Collingwood, October 2008. Image courtesy Mossenson Galleries — **9 Shane Pickett 1957–2010: HENRY SKERRITT**
Shane Pickett at the opening of his exhibition Shane Pickett: Art and Healing, Mossenson
Galleries, Collingwood, October 2008. Image courtesy Mossenson Galleries

10 Re-Thinking John Brack: CHRISTOPHER HEATHCOTEStill-life with self-portrait, 1963, oil on canvas, 149.2 x 78.6cm. James & Diana Ramsay Fund 1999, Art Gallery of South Australia, Adelaide — **10 Re-Thinking John Brack: CHRISTOPHER HEATHCOTE**
*Still-life with self-portrait*, 1963, oil on canvas, 149.2 x 78.6cm. James & Diana Ramsay Fund 1999, Art Gallery of South Australia, Adelaide

11 Art under Intervention: the radical ordinary of June Walkutjukurr Richards: JENNIFER BIDDLEJune Walkutjukurr Richards, New Idea, 2006, acrylic on canvas, 45.9 x 61cm. Courtesy and © June Richards, and Warburton Collection — **11 Art under Intervention: the radical ordinary of June Walkutjukurr Richards: JENNIFER BIDDLE**
June Walkutjukurr Richards, *New Idea*, 2006, acrylic on canvas, 45.9 x 61cm. Courtesy and © June Richards, and Warburton Collection

12 TS2: art intercepting waste: ADAM BROINOWSKISlow Art Collective, Transfer Station 2, 2009, installation view, Incinerator Arts Complex, Melbourne. Image courtesy Slow Art Collective — **12 TS2: art intercepting waste: ADAM BROINOWSKI**
Slow Art Collective, *Transfer Station 2,* 2009, installation view, Incinerator Arts Complex, Melbourne. Image courtesy Slow Art Collective

13 Braille, littorally: ANNE WALTONAnne Walton, Braille on Manly Beach, 2009, installation views, Manly Cove. Images courtesy the artist — **13 Braille, littorally: ANNE WALTON**
Anne Walton, *Braille on Manly Beach*, 2009, installation views, Manly Cove. Images courtesy the artist

14 Bacon ‘n’ Eggs: JOHN KELLYPhotograph of Francis Bacon by John Deakin. Collection of Dublin City Gallery The Hugh Lane. © The Estate of Francis Bacon. All rights reserved/ DACS, London — **14 Bacon ‘n’ Eggs: JOHN KELLY**
Photograph of Francis Bacon by John Deakin. Collection of Dublin City Gallery The Hugh Lane. © The Estate of Francis Bacon. All rights reserved/ DACS, London

15 A History: Joachim Froese: GORDON CRAIGArchive #7, 2008, 4 archival pigment inkjet prints, 144 x 66.5cm — **15 A History: Joachim Froese: GORDON CRAIG**
*Archive #7*, 2008, 4 archival pigment inkjet prints, 144 x 66.5cm

16 Letter from Art Forum Berlin: WES HILLMichael Sailstorfer, 1:43 - 48, 2009, iron, aluminum, electronic units, popcorn. Courtesy the artist and Galerie Johann König, Berlin — **16 Letter from Art Forum Berlin: WES HILL**
Michael Sailstorfer, *1:43 - 48*, 2009, iron, aluminum, electronic units, popcorn. Courtesy the artist and Galerie Johann König, Berlin

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