August 1989 Issue 23

1 A Russian’s view of modern painting: timothy foster2 the making of the australian national gallery: james mollison with rosalie gascoigne, david mcneill and peter townsend3 the pipers’ pay, the tunes they play: funded art magazines and the bonnin … — **1 A Russian’s view of modern painting: timothy foster**
**2 the making of the australian national gallery: james mollison with rosalie gascoigne, david mcneill and peter townsend**
**3 the pipers’ pay, the tunes they play: funded art magazines and the bonnin review: michael denholm**
**4 the continuing tradition: jenny isaacs**
**5 initiating the uninitiated: morag fraser**
**6 black and white: cultures of the print: nigel lendon**
7 janet laurence; bill henson; ‘paradise lost’: christopher heathcote, *melbourne*
8 Almost anything goes: isobel johnston, *london*
9 twists and turns in an airless freezer: the 1989 whitney Biennial: memory Holloway, *new york*
10 artnotes - adelaide plaza sculpture, artists creative fellowships, dobell art prize, scotchmans hill prize, critic capped, casting a new line, cigar boxes, 9 x 5 foundation, asean artist exchange, raw vision, eyeline changes, moca moves, second melbourne art fair
**11 correspondence**
**12 salerooms: rip-offs and write-ups: charles Nodrum**
**13 Arts Law: Sharing the proceeds: *droit de suite* for australia: michael mcmahon and margo fraser**
**14 book review: a long-awaited perspective of minimal art: alan r. dodge**

Art Monthly Australasia

Art Monthly Australasia is Australasia’s flagship visual arts publication, providing a critical platform for its artists. Published since 1987 under six full-time editors (Peter Townsend, Peter Timms, Philippa Kelly, Deborah Clark, Maurice O’Riordan and, from 2014, Michael Fitzgerald), it is Australasia’s only monthly visual arts magazine placing visual arts in a contemporary, historical and regional context.

Based at the ANU School of Art in Canberra since 1992, Art Monthly Australasia is a non-profit charitable organisation whose income is derived from sales of the magazine, advertising, sponsorship and government funding. Its board comprises leaders in their fields of visual arts scholarship, practice and curating, along with business and finance.

Since 2015, Art Monthly has also fostered critical discourse across the Asia-Pacific region with a new International Council, which, along with increased participation at international art fairs and biennales, is helping to provide a meaningful new context for its artists.