September 2010 Issue 233

1 Curious Colony: a twenty first century Wunderkammer: DAVID HANSEN 2 Littoral: MARY EAGLE 3 Art for History’s Sake: PATTI MILLER 4 The Art of the Possible: Negotiating Paths to Abstraction: DIANA KOSTYRKO 5 Brian Blanchflower: Space-Matter-Colour: … — **1 Curious Colony: a twenty first century Wunderkammer: DAVID HANSEN**
**2 Littoral: MARY EAGLE**
**3 Art for History’s Sake: PATTI MILLER**
**4 The Art of the Possible: Negotiating Paths to Abstraction: DIANA KOSTYRKO**
**5 Brian Blanchflower: Space-Matter-Colour: JOHN MATEER**
**6 COLOUR COUNTRY: art from Roper River: UNA REY**
**7 Slow Art: Recent fictions by Michael Zavros LOUISE: MARTIN-CHEW**
**8 ‘Motika’ Dreaming: JACQUELINE HEALY**
**9 Art, Labour, Love*: PAT HOFFIE**
**10 NEW10: People with Pacemakers are Advised Not To Enter Gallery 4: Peter Hill**
**11 Book: *From The Hands of Our Ancestors*: JAMES BENNETT**
**12 Book: Tony Twigg: *Encountering the object*: PRUE GIBSON**
**13 Em Files: James Lieutenant's total football: CHRISTOPHER CHAPMAN**
**14 Letter from Madrid: Love - Picture un-perfect: PhotoEspana 2010: MATTHIAS KRUG**

Art Monthly Australasia

Art Monthly Australasia is Australasia’s flagship visual arts publication, providing a critical platform for its artists. Published since 1987 under six full-time editors (Peter Townsend, Peter Timms, Philippa Kelly, Deborah Clark, Maurice O’Riordan and, from 2014, Michael Fitzgerald), it is Australasia’s only monthly visual arts magazine placing visual arts in a contemporary, historical and regional context.

Based at the ANU School of Art in Canberra since 1992, Art Monthly Australasia is a non-profit charitable organisation whose income is derived from sales of the magazine, advertising, sponsorship and government funding. Its board comprises leaders in their fields of visual arts scholarship, practice and curating, along with business and finance.

Since 2015, Art Monthly has also fostered critical discourse across the Asia-Pacific region with a new International Council, which, along with increased participation at international art fairs and biennales, is helping to provide a meaningful new context for its artists.