March 2013 Issue 257

1 Emerging Artists at the End of Their Era: ALEXIE GLASS-KANTOR & EMILY CORMACKBridie Lunney and Torie Nimmervoll, performance documentation from Propositions, installation view, Gertrude Contemporary, Melbourne, 2013; photo: Jake Walker — **1 Emerging Artists at the End of Their Era: ALEXIE GLASS-KANTOR & EMILY CORMACK**
Bridie Lunney and Torie Nimmervoll, performance documentation from *Propositions*, installation view, Gertrude Contemporary, Melbourne, 2013; photo: Jake Walker

2 The Bar Has Been Raised: BRIANNA MUNTINGClaudine Marzik and Tijn Mellendijk, Seed to Seed, 2012, installation view, KickArts Contemporary Arts, Cairns; image courtesy the artists and KickArts; photo: Michael Marzik; a recent example of a governmen… — **2 The Bar Has Been Raised: BRIANNA MUNTING**
Claudine Marzik and Tijn Mellendijk, *Seed to Seed*, 2012, installation view, KickArts Contemporary Arts, Cairns; image courtesy the artists and KickArts; photo: Michael Marzik; a recent example of a government-funded contemporary space allowing artists the opportunity to collaborate towards experimental and ephemeral rather than solely commercial aims

3 Emergency Ward: EDWARD COLLESSJonathan Crowther, A Silent Revelation, oil on canvas, 122 x 84cm; From Pages of History, Lethbridge Gallery, Brisbane, 22 February to 7 March 2013; image courtesy the artist and Lethbridge Gallery, Brisbane. Crowther… — **3 Emergency Ward: EDWARD COLLESS**
Jonathan Crowther, *A Silent Revelation*, oil on canvas, 122 x 84cm; From *Pages of History*, Lethbridge Gallery, Brisbane, 22 February to 7 March 2013; image courtesy the artist and Lethbridge Gallery, Brisbane. Crowther is the 2009 winner of the Churchie National Emerging Art Award, and about to embark on a Masters in Contemporary Art at the Victorian College of Art, Melbourne

4 Emerging Artists & the New Collectivisation: OLIVER WATTSGregory and Watts, Cocktail Hour, 2012, Chalk Horse, Sydney — **4 Emerging Artists & the New Collectivisation: OLIVER WATTS**
Gregory and Watts, *Cocktail Hour*, 2012, Chalk Horse, Sydney

5 Artist-Run = Emerging/A Bad Equation: ALEX GAWRONSKIAdam Norton, The Martian Chronicles, 2012, acrylic on canvas, 192 x 126cm, courtesy the artist and Gallery 9, Sydney; showing in MOP’s 10th Anniversary show, Ten out of 10, 7 to 24 March 2013, al… — **5 Artist-Run = Emerging/A Bad Equation: ALEX GAWRONSKI**
Adam Norton, *The Martian Chronicles*, 2012, acrylic on canvas, 192 x 126cm, courtesy the artist and Gallery 9, Sydney; showing in MOP’s 10th Anniversary show, *Ten out of 10*, 7 to 24 March 2013, also including the work of Newell Harry, Mitch Cairns, Christopher Hanrahan, Ms & Mr, Emma White, Gemma Smith, Rob McHaffie, Justin Trendall and Daniel Mudie Cunningham

6 Through the cracks: the emergence of Kittey Malarvie: MAURICE O'RIORDANKitty Malarvie, Luga (Cracked Mud), 2011-12, natural ochre and pigment on canvas, 76 x 76cm. Image courtesy the artist and Waringarri Arts, Kununurra — **6 Through the cracks: the emergence of Kittey Malarvie: MAURICE O'RIORDAN**
Kitty Malarvie, *Luga (Cracked Mud)*, 2011-12, natural ochre and pigment on canvas, 76 x 76cm. Image courtesy the artist and Waringarri Arts, Kununurra

7 Micro-niche: JANE O'NEILLClaire Anna Watson, Sortie, 2009, still from video work; HD 1920 x 1080, 4.42min; image courtesy the artist — **7 Micro-niche: JANE O'NEILL**
Claire Anna Watson, *Sortie*, 2009, still from video work; HD 1920 x 1080, 4.42min; image courtesy the artist

8 There is a light that never goes out: MIMI KELLYClaire Anna Watson, Sortie, 2009, still from video work; HD 1920 x 1080, 4.42min; image courtesy the artist — **8 There is a light that never goes out: MIMI KELLY**
Claire Anna Watson, *Sortie*, 2009, still from video work; HD 1920 x 1080, 4.42min; image courtesy the artist

9 The QCA School: REX BUTLEREileen Abood, Leo King performance, 2012-ongoing; image courtesy the artist — **9 The QCA School: REX BUTLER**
Eileen Abood, *Leo King* performance, 2012-ongoing; image courtesy the artist

10 The ARI Experiment15 articles include: Firstdraft AMELIA WALLIN; Boomalli Aboriginal Artists Co-operative AMY GRIFFITHS; Gaffa KELLY ROBSON; FELTspace LOGAN MCDONALD; Seedling Art Space ZOE MARR; West Space KELLY FLIEDNER; Blindside SHAE NAGORKA;… — **10 The ARI Experiment**
15 articles include: Firstdraft AMELIA WALLIN; Boomalli Aboriginal Artists Co-operative AMY GRIFFITHS; Gaffa KELLY ROBSON; FELTspace LOGAN MCDONALD; Seedling Art Space ZOE MARR; West Space KELLY FLIEDNER; Blindside SHAE NAGORKA; Paper Mountain ANNA DUNNILL; ANCA JANICE FALSONE; Constance ARI LAURA HINDMARSH; Sawtooth FERNANDO DO CAMPO; Accidentally Annie Street Space LOUISE BENNETT; Artspaced Inc. LEANNE HUTCHINSON; Watch This SPACE ALICE BUSCOMBE; Darwin Visual Arts Association LEANNE WATERHOUSE
Jordan Grant, *Discomfort in your own damn skin*, 2010, acrylic on canvas, 80 x 120cm; private collection; from *Undergrind* exhibition, Artspaced Inc, 2010; image courtesy the artist

11 From Albany to Kalumburu: Revealed 2013: MAURICE O'RIORDANHelen Dale Samson, Untitled painting; image courtesy the artist and Martumili Artists; Samson will show in her secondRevealed exhibition — **11 From Albany to Kalumburu: Revealed 2013: MAURICE O'RIORDAN**
Helen Dale Samson, *Untitled* painting; image courtesy the artist and Martumili Artists; Samson will show in her secondRevealed exhibition

12 em files: SimmerRaewyn Briggs, Broken Line, 2010, kitchen, chair, yarn, dimensions variable; image courtesy the artist; photo: Michael Marzik — **12 em files: Simmer**
Raewyn Briggs, *Broken Line*, 2010, kitchen, chair, yarn, dimensions variable; image courtesy the artist; photo: Michael Marzik

13 em files: TheatricitySara Sweet, images from the photographic series The Rose Garden which is influenced by Sweet’s interest in the Baroque and 18th century Western notions of ‘the sublime’ — **13 em files: Theatricity**
Sara Sweet, images from the photographic series *The Rose Garden* which is influenced by Sweet’s interest in the Baroque and 18th century Western notions of ‘the sublime’

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Art Monthly Australasia is Australasia’s flagship visual arts publication, providing a critical platform for its artists. Published since 1987 under six full-time editors (Peter Townsend, Peter Timms, Philippa Kelly, Deborah Clark, Maurice O’Riordan and, from 2014, Michael Fitzgerald), it is Australasia’s only monthly visual arts magazine placing visual arts in a contemporary, historical and regional context.

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