July 2014 Issue 271

1 Double take: The choreographic (re)turn in contemporary art: BREE RICHARDSAlexandra Pirici and Manuel Pelmuş, An Immaterial Retrospective of The Venice Biennale, 2013, performance view, 2013; enactment of drawing depicting two tigers exhibited in … — **1 Double take: The choreographic (re)turn in contemporary art: BREE RICHARDS**
Alexandra Pirici and Manuel Pelmuş, *An Immaterial Retrospective of The Venice Biennale*, 2013, performance view, 2013; enactment of drawing depicting two tigers exhibited in the Japanese room at the 14th International Art Exhibition of the City of Venice, 1924; image courtesy Venice Biennale; photo: Italo Rondinella

2 Tehching Hsieh: An ‘untimely’ contemporary: KON GOURIOTISTehching Hsieh, One Year Performance 1980–1981, installation view at Carriageworks, Sydney, 2014; image courtesy Carriageworks. photo: Zan Wimberley — **2 Tehching Hsieh: An ‘untimely’ contemporary: KON GOURIOTIS**
Tehching Hsieh, *One Year Performance 1980–1981*, installation view at Carriageworks, Sydney, 2014; image courtesy Carriageworks. photo: Zan Wimberley

3 Fiona Connor: In and out of the museum: PATRICE SHARKEYFiona Connor, box of wall labels found in collection storage, Monash University Museum of Art, Melbourne; photo: Andrew Curtis — **3 Fiona Connor: In and out of the museum: PATRICE SHARKEY**
Fiona Connor, box of wall labels found in collection storage, Monash University Museum of Art, Melbourne; photo: Andrew Curtis

4 Translating emotion: Annette Messager in Australia: CAROLINE HANCOCKAnnette Messager in front ofChimères/Chimaeras, 1982–84; image courtesy the artist and Marian Goodman Gallery, Paris and New York; © Annette Messager — **4 Translating emotion: Annette Messager in Australia: CAROLINE HANCOCK**
Annette Messager in front ofChimères/Chimaeras, 1982–84; image courtesy the artist and Marian Goodman Gallery, Paris and New York; © Annette Messager

5 Guy Grey-Smith: Modern visions of the West: SALLY QUINGuy Grey-Smith, Little black bowl, 1962, oil and beeswax emulsion on gauze over hardboard, 89 x 65cm; private collection; © Susanna Grey-Smith and Mark Grey-Smith; photo: Robert Frith, Acorn — **5 Guy Grey-Smith: Modern visions of the West: SALLY QUIN**
Guy Grey-Smith, *Little black bowl*, 1962, oil and beeswax emulsion on gauze over hardboard, 89 x 65cm; private collection; © Susanna Grey-Smith and Mark Grey-Smith; photo: Robert Frith, Acorn

6 Feast or famine? Art in Queensland: ALISON KUBLERJohn Gollings, Not titled, 1982–83, pigment dye, inkjet print on Hahnemuhle photo rag paper; proposed gift of the artist under the Australian Government’s Cultural Gifts Program, 2013; image courtes… — **6 Feast or famine? Art in Queensland: ALISON KUBLER**
John Gollings, *Not titled*, 1982–83, pigment dye, inkjet print on Hahnemuhle photo rag paper; proposed gift of the artist under the Australian Government’s Cultural Gifts Program, 2013; image courtesy the artist and Rockhampton Art Gallery

7 Celebrating art and commerce: LOUISE MARTIN-CHEW, BrisbaneRupert Bunny, Madame Sadayakko as Kesa, c. 1907, oil on canvas, 175 x 95cm; Philip Bacon Collection, Brisbane; image courtesy Philip Bacon Galleries, Brisbane — 7 Celebrating art and commerce: LOUISE MARTIN-CHEW, *Brisbane*
Rupert Bunny, *Madame Sadayakko as Kesa*, c. 1907, oil on canvas, 175 x 95cm; Philip Bacon Collection, Brisbane; image courtesy Philip Bacon Galleries, Brisbane

8 The Johnstones: A local history of art: ZOË DE LUCAInstallation view of Guy Boyd exhibition at The Johstone Gallery, Brisbane, 23 November – 20 December 1969; The Johnstone Gallery Archive, Australian Library of Art, State Library of Queensland; s… — **8 The Johnstones: A local history of art: ZOË DE LUCA**
Installation view of Guy Boyd exhibition at The Johstone Gallery, Brisbane, 23 November – 20 December 1969; The Johnstone Gallery Archive, Australian Library of Art, State Library of Queensland; scrapbook, p.6. RBHARC. 7/1/12. ALA/SLQ

9 Tribute: Alan Sisley: CHARLES COOPERAlan Sisley 1952-2014, Image courtesy Orange Regional Gallery — **9 Tribute: Alan Sisley: CHARLES COOPER**
Alan Sisley 1952-2014, Image courtesy Orange Regional Gallery

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