August 2016 Issue 291

1 Playful allegories and powerful gestalts: A conversation with Ian North: Christine Nicholls, AdelaideIan North, Harbinger, 2015, digital type-C print, 72 x 180cm; image courtesy the artist and GAGPROJECTS / Greenaway Art Gallery, Adelaid — 1 Playful allegories and powerful gestalts: A conversation with Ian North: Christine Nicholls, *Adelaide*
Ian North, *Harbinger*, 2015, digital type-C print, 72 x 180cm; image courtesy the artist and GAGPROJECTS / Greenaway Art Gallery, Adelaid

2 Territorial encounters by James Tylor, AdelaideJames Tylor, 1836 Adelaide#1 Kaurna Nation, 2016, from ‘Territorial Encounters’, daguerreotype with scratches, 10.16 x 12.7cm; image courtesy the artist, GAGPROJECTS / Greenaway Art Gallery, Adelaide;… — 2 Territorial encounters by James Tylor, *Adelaide*
James Tylor, *1836 Adelaide#1 Kaurna Nation*, 2016, from ‘Territorial Encounters’, daguerreotype with scratches, 10.16 x 12.7cm; image courtesy the artist, GAGPROJECTS / Greenaway Art Gallery, Adelaide; Vivien Anderson Gallery, Melbourne; and Stills Gallery, Sydney

3 His mortal eye: Stanley Spencer at Carrick Hill: Geoff Gibbons, AdelaideStanley Spencer, Zermatt, 1934, oil on canvas, 51.2 x 61.5cm; Carrick Hill Trust, Adelaide, Hayward Bequest — 3 His mortal eye: Stanley Spencer at Carrick Hill: Geoff Gibbons, *Adelaide*
Stanley Spencer, *Zermatt*, 1934, oil on canvas, 51.2 x 61.5cm; Carrick Hill Trust, Adelaide, Hayward Bequest

4 Dark lament: Fiona Hall’s All the King’s Men : Jenna McKenzie, AdelaideFiona Hall, All the King’s Men, 2014–15, installation view; image courtesy the artist and Roslyn Oxley9 Gallery, Sydney; photo: Clayton Glen — 4 Dark lament: Fiona Hall’s *All the King’s Men* : Jenna McKenzie, *Adelaide*
Fiona Hall, *All the King’s Men*, 2014–15, installation view; image courtesy the artist and Roslyn Oxley9 Gallery, Sydney; photo: Clayton Glen

5 ‘Anangu culture is family culture’: Collaborative painting in the APY Lands: Nyurpaya Kaika-Burton and Hannah Kothe, KaltjitiProduction view of Kungkarangkalpa – Seven Sisters, 2016, Kaltjiti Arts, Fregon community, 23 May 2016; image courtesy Ern… — 5 ‘Anangu culture is family culture’: Collaborative painting in the APY Lands: Nyurpaya Kaika-Burton and Hannah Kothe, *Kaltjiti*
Production view of *Kungkarangkalpa – Seven Sisters*, 2016, Kaltjiti Arts, Fregon community, 23 May 2016; image courtesy Ernabella Arts, Pukatja communitY

6 Open space: National Gallery Singapore: Julie Ewington, SingaporeNational Gallery Singapore redevelopment by Studio Milou Singapore and CPG Consultants Pte Ltd; image courtesy the National Gallery Singapore — 6 Open space: National Gallery Singapore: Julie Ewington, *Singapore*
National Gallery Singapore redevelopment by Studio Milou Singapore and CPG Consultants Pte Ltd; image courtesy the National Gallery Singapore

7 A vast universe within: Nasreen Mohamedi at The Met: Ellie Buttrose, New YorkNasreen Mohamedi, exhibition view, The Met Breuer, New York, 2016; image courtesy and © The Metropolitan Museum of Art, 2016 — 7 A vast universe within: Nasreen Mohamedi at The Met: Ellie Buttrose, *New York*
*Nasreen Mohamedi*, exhibition view, The Met Breuer, New York, 2016; image courtesy and © The Metropolitan Museum of Art, 2016

8 Signifiers of lost times: Chen Qiulin at SAM: Jacqui Durrant, SheppartonChen Qiulin, One Hundred Names for Kwong Wah Chong, 2015, installation detail, Shepparton Art Museum, 2016; 25-channel video installation, mural, dimensions variable, commissi… — 8 Signifiers of lost times: Chen Qiulin at SAM: Jacqui Durrant, *Shepparton*
Chen Qiulin, *One Hundred Names for Kwong Wah Chong*, 2015, installation detail, Shepparton Art Museum, 2016; 25-channel video installation, mural, dimensions variable, commissioned by 4A Centre for Contemporary Asian Art, Sydney; © the artist; photo: Diana Spriggs

9 In every direction: ‘OVERUNDERSIDEWAYSDOWN’ at Manly: Toni Warburton, SydneyOVERUNDERSIDEWAYSDOWN, exhibition view, Manly Art Gallery and Museum, Sydney, 2016, with the work of (from left) Jenny Orchard, Angela Brennan and Lynda Draper; photo: Gre… — 9 In every direction: ‘OVERUNDERSIDEWAYSDOWN’ at Manly: Toni Warburton, *Sydney*
*OVERUNDERSIDEWAYSDOWN*, exhibition view, Manly Art Gallery and Museum, Sydney, 2016, with the work of (from left) Jenny Orchard, Angela Brennan and Lynda Draper; photo: Greg Piper

10 William Yaxley: An authentic innocence: Mark Svendsen, RockhamptonWilliam Yaxley, The mangrove monster no. 2, 1986, wood, mandarin skins, shell and resin, 90 x 87 x 146cm; Queensland Art Gallery / Gallery of Modern Art, Brisbane, purchased throug… — 10 William Yaxley: An authentic innocence: Mark Svendsen, *Rockhampton*
William Yaxley, *The mangrove monster no. 2*, 1986, wood, mandarin skins, shell and resin, 90 x 87 x 146cm; Queensland Art Gallery / Gallery of Modern Art, Brisbane, purchased through the Queensland Art Gallery Foundation, 1987

11 Awesome: Cameron Robbins at MONA: Peter Hill, HobartCameron Robbins, Solar Loggerheads, 2016, installation view, ‘Field Lines’, MONA, Hobart, 2016; drawing and erasing instrument – solar and mains power; steel, timber, electric motors, solar pane… — 11 Awesome: Cameron Robbins at MONA: Peter Hill, *Hobart*
Cameron Robbins, *Solar Loggerheads*, 2016, installation view, ‘Field Lines’, MONA, Hobart, 2016; drawing and erasing instrument – solar and mains power; steel, timber, electric motors, solar panel, stainless steel, brass, aluminium, eraser, marker pen, stone, bearings, glass; image courtesy the artist and MONA, Hobart; photo: MONA/Rémi Chauvin

12 Jan Senbergs: Melbourne brutal: Rex Butler, MelbourneJan Senbergs, Melbourne, 1998–99, synthetic polymer paint on canvas, 183 x 274cm; State Library of Victoria, Melbourne, gift of the Gualtiero Vaccari Foundation in recognition of services provi… — 12 Jan Senbergs: Melbourne brutal: Rex Butler, *Melbourne*
Jan Senbergs, *Melbourne*, 1998–99, synthetic polymer paint on canvas, 183 x 274cm; State Library of Victoria, Melbourne, gift of the Gualtiero Vaccari Foundation in recognition of services provided by the State Library to the Italian community; © Jan Senbergs, administered by Viscopy, Sydney

13 Inge King 1915 – 2016: Jane Eckett, MelbourneInge King in her studio at Warrandyte, 2013, working on a balsa-wood maquette for the ‘Celestial Rings’ series; photo: Jacqui Henshaw — 13 Inge King 1915 – 2016: Jane Eckett, *Melbourne*
Inge King in her studio at Warrandyte, 2013, working on a balsa-wood maquette for the ‘Celestial Rings’ series; photo: Jacqui Henshaw

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