September 2016 Issue 292

1 Connection and belonging: The 33rd NATSIAAs at MAGNT: Luke Scholes, DarwinHarold Joseph Thomas (Bundoo), Tribal abduction, 2016, synthetic polymer paint on canvas, 134 x 214cm; image courtesy the artist and the Museum and Art Gallery of the Northe… — 1 Connection and belonging: The 33rd NATSIAAs at MAGNT: Luke Scholes, *Darwin*
Harold Joseph Thomas (Bundoo), *Tribal abduction*, 2016, synthetic polymer paint on canvas, 134 x 214cm; image courtesy the artist and the Museum and Art Gallery of the Northern Territory (MAGNT), Darwin

2 Quick, raw and physical: Franck Gohier’s monoprints: Joanna Barrkman, DarwinFranck Gohier, Self portrait 1, 1991, monoprint, 50 x 34cm (print), 58.3 x 45.5cm (paper); Charles Darwin University (CDU) Art Collection, Darwin, acquired 1991; image cou… — 2 Quick, raw and physical: Franck Gohier’s monoprints: Joanna Barrkman, *Darwin*
Franck Gohier, *Self portrait 1*, 1991, monoprint, 50 x 34cm (print), 58.3 x 45.5cm (paper); Charles Darwin University (CDU) Art Collection, Darwin, acquired 1991; image courtesy the artist and CDU Art Collection and Art Gallery, Darwin

3 Angela Cavalieri: Narrative tones: Wendy Garden, DarwinAngela Cavalieri, Il Ritorno, 2015, hand-printed linocut, acrylic and oil paint on canvas, 180 x 415cm; image courtesy the artist; photo: Greg Wallis — 3 Angela Cavalieri: Narrative tones: Wendy Garden, *Darwin*
Angela Cavalieri, *Il Ritorno*, 2015, hand-printed linocut, acrylic and oil paint on canvas, 180 x 415cm; image courtesy the artist; photo: Greg Wallis

4 Angelina Pwerle: An artist from Utopia: Chrischona Schmidt, UtopiaAngelina Pwerle, Bush plum, 2007, acrylic on linen, 117 x 61cm; © the artist, licensed by Aboriginal Artists Agency Ltd — 4 Angelina Pwerle: An artist from Utopia: Chrischona Schmidt, *Utopia*
Angelina Pwerle, *Bush plum*, 2007, acrylic on linen, 117 x 61cm; © the artist, licensed by Aboriginal Artists Agency Ltd

5 ‘Everywhen there is time for Aboriginal art in America: An interview with Stephen Gilchrist: Khadija von Zinnenburg Carroll, HarvardStephen Gilchrist, the Australian Studies Visiting Curator at the Harvard Art Museums, in front of Vernon Ah Kee’s … — 5 ‘Everywhen there is time for Aboriginal art in America: An interview with Stephen Gilchrist: Khadija von Zinnenburg Carroll, *Harvard*
Stephen Gilchrist, the Australian Studies Visiting Curator at the Harvard Art Museums, in front of Vernon Ah Kee’s *many lies* (2004), during preparation for ‘Everywhen: The Eternal Present in Indigenous Art from Australia’, Harvard Art Museums, 2016; image courtesy and © President and Fellows of Harvard College, Cambridge, Massachusetts; photo: Kris Snibbe/Harvard University

6 All our relations: Art from Moananui a Kiwa at the NGV: Léuli Eshraghi, Narrm MelbourneRuha Fifita performing traditional Tongan dance in the exhibition ‘Siu i Moana: Reaching Across the Ocean’, NGV International, Narrm Melbourne, June 2016; photo… — 6 All our relations: Art from Moananui a Kiwa at the NGV: Léuli Eshraghi, *Narrm Melbourne*
Ruha Fifita performing traditional Tongan dance in the exhibition ‘Siu i Moana: Reaching Across the Ocean’, NGV International, Narrm Melbourne, June 2016; photo: Wayne Taylor

7 Tautai Matagofie, The Wonderful Navigator: 30 years of Tautai Contemporary Pacific Arts Trust: Nina Tonga, AucklandSiliga David Setoga leading the ‘ava ceremony to mark Tautai’s 30-year celebrations at Studio One Toi Tū, Auckland, March 2016; phot… — 7 Tautai Matagofie, The Wonderful Navigator: 30 years of Tautai Contemporary Pacific Arts Trust: Nina Tonga, *Auckland*
Siliga David Setoga leading the ‘ava ceremony to mark Tautai’s 30-year celebrations at Studio One Toi Tū, Auckland, March 2016; photo: Robert George

8 Material presence: ‘Emanations’ at Govett-Brewster: Daniel Palmer, New PlymouthWalead Beshty, Two Sided Picture (RY), January 11, 2007, Valencia, California, Fujicolor Crystal Archive, 2007, installation view, Govett-Brewster Art Gallery, New Plym… — 8 Material presence: ‘Emanations’ at Govett-Brewster: Daniel Palmer, *New Plymouth*
Walead Beshty, *Two Sided Picture (RY), January 11, 2007, Valencia, California, Fujicolor Crystal Archive*, 2007, installation view, Govett-Brewster Art Gallery, New Plymouth, 2016; chromogenic photograph; image courtesy Govett-Brewster Art Gallery, New Plymouth

9 Spaces for reflection: Natasha Johns-Messenger at Heide: Sophie Knezic, MelbourneNatasha Johns-Messenger, Enfolder, 2016, installation view, Heide Museum of Modern Art, Melbourne, 2016; image courtesy the artist and Heide Museum of Modern Art, Mel… — 9 Spaces for reflection: Natasha Johns-Messenger at Heide: Sophie Knezic, *Melbourne*
Natasha Johns-Messenger, *Enfolder*, 2016, installation view, Heide Museum of Modern Art, Melbourne, 2016; image courtesy the artist and Heide Museum of Modern Art, Melbourne; photo: Christian Capurro

10 Fragile environments: The ‘Sea Pearl White Cloud’ project: Minerva Inwald, GuangzhouTrevor Yeung, Ten Suns and The Saddest Sunrise (Byron Bay), 2016, installation view, Observation Society, Guangzhou, 2016; image courtesy the artist; photo: Trevo… — 10 Fragile environments: The ‘Sea Pearl White Cloud’ project: Minerva Inwald, *Guangzhou*
Trevor Yeung, *Ten Suns and The Saddest Sunrise (Byron Bay)*, 2016, installation view, Observation Society, Guangzhou, 2016; image courtesy the artist; photo: Trevor Yeung

Art Monthly Australasia

Art Monthly Australasia is Australasia’s flagship visual arts publication, providing a critical platform for its artists. Published since 1987 under six full-time editors (Peter Townsend, Peter Timms, Philippa Kelly, Deborah Clark, Maurice O’Riordan and, from 2014, Michael Fitzgerald), it is Australasia’s only monthly visual arts magazine placing visual arts in a contemporary, historical and regional context.

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