October 2017 Issue 302

1 Dispatches: Andrew StephensTjala Arts women's collaborative painting for the APY Art Centre Collective and Purple House Fundraiser auction in Adelaide on 15 October 2017; image courtesy the artists and Ernabella Arts, Pukatja — **1 Dispatches: Andrew Stephens**
Tjala Arts women's collaborative painting for the APY Art Centre Collective and Purple House Fundraiser auction in Adelaide on 15 October 2017; image courtesy the artists and Ernabella Arts, Pukatja

2 October in The Galleries: Chloé WolifsonCaz Haswell, Drinker of White Wine, 2017, velvet, cotton and metallic thread, steel rod, 129 x 120cm; image courtesy the artist and Flinder's Street Gallery, Sydney — **2 October in The Galleries: Chloé Wolifson**
Caz Haswell, *Drinker of White Wine*, 2017, velvet, cotton and metallic thread, steel rod, 129 x 120cm; image courtesy the artist and Flinder's Street Gallery, Sydney

3 THE intimacy of Shared Stories: A South Australian Roundtable: Liz Nowell, AdelaideAli Gumillya Baker, sovereignGODDESSnotdomestic #1, 2017, digital photograph on lightbox, 120 x 83cm; image courtesy the artist — 3 THE intimacy of Shared Stories: A South Australian Roundtable: Liz Nowell, *Adelaide*
Ali Gumillya Baker, sovereignGODDESSnotdomestic #1, 2017, digital photograph on lightbox, 120 x 83cm; image courtesy the artist

4 States of Commonality and correspondence: 'The Drawing Exchange': Joe Frost, AdelaideThe Drawing Exchange, installation view with artist Liz Bradshaw, National Art School (NAS), Sydney, August 2017; Image courtesy NAS, Sydney: Steven Cavanagh — 4 States of Commonality and correspondence: 'The Drawing Exchange': Joe Frost, *Adelaide*
*The Drawing Exchange*, installation view with artist Liz Bradshaw, National Art School (NAS), Sydney, August 2017; Image courtesy NAS, Sydney: Steven Cavanagh

5 Every Face has a Story, Every Story has a Face: Kulila!: Marlene Rubuntja, LarapintaTrudy Inkamala, Roxanne Petrick, Dulcie Raggett, Marlene Rubuntja, Rosabella Ryder, Dulcie Sharpe, Roxanne Sharpe and Valerie Stafford, Every Face has a Story, Eve… — 5 Every Face has a Story, Every Story has a Face: Kulila!: Marlene Rubuntja, *Larapinta*
Trudy Inkamala, Roxanne Petrick, Dulcie Raggett, Marlene Rubuntja, Rosabella Ryder, Dulcie Sharpe, Roxanne Sharpe and Valerie Stafford, *Every Face has a Story, Every Story has a Face: Kulila!* 2016, 9-piece soft sculpture, 228 x 120 x 100cm; Art Gallery of South Australia; image courtesy the artists and Yarrenyty Altere Artists, Larapinta

6 Clay Bosses: Indigenous Potters at the JamFactory: Hannah Kothe, PukatjaDerek Jungarrayi Thompson in the Studio; iage courtesy the artist and ernabella Arts, Pukatja — **6 Clay Bosses: Indigenous Potters at the JamFactory: Hannah Kothe, Pukatja**
Derek Jungarrayi Thompson in the Studio; iage courtesy the artist and ernabella Arts, Pukatja

7 Pepai Jangala Carroll's Journey Home: Luke Scholes, WalungurruPepai Jengala Carroll, Mu Mu, 2017, synthetic polymer paint on linen, 175 x 280cm; image courtesy theartist and Ernabella Arts, Pukatja; photo: Rhett Hammerton — 7 Pepai Jangala Carroll's Journey Home: Luke Scholes, *Walungurru*
Pepai Jengala Carroll, *Mu Mu*, 2017, synthetic polymer paint on linen, 175 x 280cm; image courtesy theartist and Ernabella Arts, Pukatja; photo: Rhett Hammerton

8 Hossein Valamanesh: in his Mother's hands: Andrew Purvis, AdelaideHossein Valamanesh, Passing Time, 2011, MDF, MONITOR AND Media Player, 61 x 52 x 52cm, 4 minute loop; image courtesy the artist and GAGPROJECTS, Adelaide; Photo: M. Kluvenek — 8 Hossein Valamanesh: in his Mother's hands: Andrew Purvis, *Adelaide*
Hossein Valamanesh, *Passing Time*, 2011, MDF, MONITOR AND Media Player, 61 x 52 x 52cm, 4 minute loop; image courtesy the artist and GAGPROJECTS, Adelaide; Photo: M. Kluvenek

9 Making a Splash: 'Skulptur Projecte Münster 2017': En Young Ahn, MünsterNicole Eisenman, Sketch for a Fountain, 2017, installation view, 'Skulptur Projekte Münster 2017', 2017; Bronze, plaster, basin; Photo: En Young Ahn — 9 Making a Splash: 'Skulptur Projecte Münster 2017': En Young Ahn, *Münster*
Nicole Eisenman, *Sketch for a Fountain*, 2017, installation view, 'Skulptur Projekte Münster 2017', 2017; Bronze, plaster, basin; Photo: En Young Ahn

10 Solidarity: live your greece myth: Audrey Schmidt, Athens and GreeceGordon Hookey, Solidarity, 2017, installation view, 'documenta 14', Athens School of Fine Art, 2017; acrylic paint on concrete; image courtesy and © Gordon Hookey/VG Bild-Kunst, … — **10 Solidarity: live your greece myth: Audrey Schmidt, Athens and Greece**
Gordon Hookey, *Solidarity*, 2017, installation view, 'documenta 14', Athens School of Fine Art, 2017; acrylic paint on concrete; image courtesy and © Gordon Hookey/VG Bild-Kunst, Bonn 2017; Photo: Stathis Mamalakis

11 Venice 2017: The Good, the Bad and the Ugly: Janis Lejins, VeniceEliza Douglas in Anne Imhof, Faust, 2017; installation view, German Pavillion, 57th Venice Biennale, 2017; image courtesy the artist and the german pavillion 2017; photo and © Nadin… — 11 Venice 2017: The Good, the Bad and the Ugly: Janis Lejins, *Venice*
Eliza Douglas in Anne Imhof, Faust, 2017; installation view, German Pavillion, 57th Venice Biennale, 2017; image courtesy the artist and the german pavillion 2017; photo and © Nadine Fraczhowski

12 Tribute: Sydney Ball 1933-2017: Anne LozleySydney Ball with Zonal Turn, 1969; image courtesy the estate of Sydney Ball and Sullivan+Strumpf, Sydney and Singapore — **12 Tribute: Sydney Ball 1933-2017: Anne Lozley**
Sydney Ball with Zonal Turn, 1969; image courtesy the estate of Sydney Ball and Sullivan+Strumpf, Sydney and Singapore

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Art Monthly Australasia is Australasia’s flagship visual arts publication, providing a critical platform for its artists. Published since 1987 under six full-time editors (Peter Townsend, Peter Timms, Philippa Kelly, Deborah Clark, Maurice O’Riordan and, from 2014, Michael Fitzgerald), it is Australasia’s only monthly visual arts magazine placing visual arts in a contemporary, historical and regional context.

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