November 2019 Issue 320

1 Dispatches: andrew stephensPlastique Fantastique, MEDUSA, installation view, Festival 10 Sentidos, Valencia, 2018; image courtesy Plastique Fantastique — **1 Dispatches: andrew stephens**
Plastique Fantastique, *MEDUSA*, installation view, Festival 10 Sentidos, Valencia, 2018; image courtesy Plastique Fantastique

2 Notes from the field: Chloé WolifsonBodily Space: Confessed and Concealed, exhibition installation view, Yavuz Gallery, Singapore, 2019; image courtesy the artist and Yavuz Gallery, Singapore — **2 Notes from the field: Chloé Wolifson**
*Bodily Space: Confessed and Concealed*, exhibition installation view, Yavuz Gallery, Singapore, 2019; image courtesy the artist and Yavuz Gallery, Singapore

3 to structure, supportively: patrick D. FloresCéline Condorelli, Proposal for Spatial Composition 13, 2019; image courtesy the artist — **3 to structure, supportively: patrick D. Flores**
Céline Condorelli, *Proposal for Spatial Composition 13*, 2019; image courtesy the artist

4 a visual kind of excavation: finding carlos villa’s filipino roots: Mark Dean Johnson and Sherwin RioCarlos Villa, My Roots, 1970–71, acrylic and feathers on canvas, 232.4 x 236.9cm; Whitney Museum of American Art, New York; courtesy the Carlos Vi… — **4 a visual kind of excavation: finding carlos villa’s filipino roots: Mark Dean Johnson and Sherwin Rio**
Carlos Villa, *My Roots*, 1970–71, acrylic and feathers on canvas, 232.4 x 236.9cm; Whitney Museum of American Art, New York; courtesy the Carlos Villa Estate

5 On archiving and possibilities: thanavi chotpraditDetail of Somkiat Tangnamo’s slide archive at the Faculty of Fine Arts, Chiang Mai University; photo: Thanavi Chotpradit — **5 On archiving and possibilities: thanavi chotpradit**
Detail of Somkiat Tangnamo’s slide archive at the Faculty of Fine Arts, Chiang Mai University; photo: Thanavi Chotpradit

6 an art-world making with ray albano: the future i will never have; judy freya sibayan Judy Freya Sibayan reading Ray Albano’s ‘How to Make your Dream into a Performance’ as part of Three Pieces by Huge Bartolome and Judy Freya Sibayan, ‘Thirteen… — **6 an art-world making with ray albano: the future i will never have; judy freya sibayan**

Judy Freya Sibayan reading Ray Albano’s ‘How to Make your Dream into a Performance’ as part of *Three Pieces* by Huge Bartolome and Judy Freya Sibayan, ‘Thirteen Artists’, Cultural Center of the Philippines Art Museum, Manila, January 1977; courtesy Judy Freya Sibayan Archive

7 duck island to dorsoduro: ‘living rocks’ at venice; louise martin-chew, veniceLiving Rocks: A Fragment of the Universe, installation views, Magazzini del Sale, Venice, 2019; image courtesy the artists and the Art Gallery of South Australia, Adelai… — 7 duck island to dorsoduro: ‘living rocks’ at venice; louise martin-chew, *venice*
*Living Rocks: A Fragment of the Universe*, installation views, Magazzini del Sale, Venice, 2019; image courtesy the artists and the Art Gallery of South Australia, Adelaide; photo: Francesco Allegretto

8 worlds not far from here; tarun nagesh, canberraMelati Suryodarmo, Transaction of hollows, 2016/19, restaging of original durational performance (comprising bow, 800 arrows and costume); image courtesy the National Gallery of Australia, Canberra; … — 8 worlds not far from here; tarun nagesh, *canberra*
Melati Suryodarmo, *Transaction of hollows*, 2016/19, restaging of original durational performance (comprising bow, 800 arrows and costume); image courtesy the National Gallery of Australia, Canberra; © Melati Suryodarmo

9 experiencing vegetal ontology: emma walker at lismore regional gallery; Moya costello, lismoreEmma Walker, Dark Sublime, 2019, oil and mixed media on carved board,146 x 178cm (approx.); image courtesy the artist and Arthouse Gallery, Sydney; photo… — 9 experiencing vegetal ontology: emma walker at lismore regional gallery; Moya costello, *lismore*
Emma Walker, *Dark Sublime*, 2019, oil and mixed media on carved board,146 x 178cm (approx.); image courtesy the artist and Arthouse Gallery, Sydney; photo: Michelle Eabrys

10 sarah contos: chthonic fantasies; wes hillSarah Contos, Voltron 1 (Black), 2019, leather, thread (work in progress); image courtesy the artist — **10 sarah contos: chthonic fantasies; wes hill**
Sarah Contos, *Voltron 1 (Black)*, 2019, leather, thread (work in progress); image courtesy the artist

11 fixing the boundaries: mao tongqiang’s leaseholds; minerva inwaldMao Tongqiang, Leaseholds, 2016, installation view; land ownership papers from various times in China’s history, found picture frames; image courtesy the artist and the White Rabbit… — **11 fixing the boundaries: mao tongqiang’s *leaseholds*; minerva inwald**
Mao Tongqiang, *Leaseholds*, 2016, installation view; land ownership papers from various times in China’s history, found picture frames; image courtesy the artist and the White Rabbit Collection, Sydney

12 gordon shepherdson 1934 - 2019; bruce heiserGordon Shepherdson in his Brisbane studio, n.d.; courtesy Philip Bacon Galleries, Brisbane, and Nicholas Thompson Gallery, Melbourne — **12 gordon shepherdson 1934 - 2019; bruce heiser**
Gordon Shepherdson in his Brisbane studio, n.d.; courtesy Philip Bacon Galleries, Brisbane, and Nicholas Thompson Gallery, Melbourne

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