March 2020 Issue 322

1 Notes from the field: Chloé WolifsonSandra Hill, Thin Veneer, 2015, oil on board, 119 x 119cm; courtesy the artist and Mossenson Galleries, Perth. — **1 Notes from the field: Chloé Wolifson**
Sandra Hill, *Thin Veneer*, 2015, oil on board, 119 x 119cm; courtesy the artist and Mossenson Galleries, Perth.

2 ‘we are, we often feel, living on the edge of something good’: dunja rmandicjohn Prince Siddon, Dedication, 2020, atelier acrylic on canvas, 120 x 120cm; image courtesy Fremantle Arts Centre and the artist — **2 ‘we are, we often feel, living on the edge of something good’: dunja rmandic**
john Prince Siddon, *Dedication*, 2020, atelier acrylic on canvas, 120 x 120cm; image courtesy Fremantle Arts Centre and the artist

3 holding space: clothilde bullenMabel Juli, Garnkiny Ngarranggarni, 2016, ochre and pigment on canvas, 150 x 150 x 3cm; Museum of Contemporary Art, Sydney, purchased with funds provided by the MCA Foundation, 2016; © Mabel Juli/… — **3 holding space: clothilde bullen**
Mabel Juli, *Garnkiny Ngarranggarni*, 2016, ochre and pigment on canvas, 150 x 150 x 3cm; Museum of Contemporary Art, Sydney, purchased with funds provided by the MCA Foundation, 2016; © Mabel Juli/Copyright Agency, 2020

4 notes on art history in perth at the start of a new decade: gemma westonTania Ferrier: Angry Underwear and Other Statements, image for exhibition flyer, ARTEMIS Gallery, Perth, April 1989; inkjet print from black-and-… — **4 notes on art history in perth at the start of a new decade: gemma weston**
*Tania Ferrier: Angry Underwear and Other Statements*, image for exhibition flyer, ARTEMIS Gallery, Perth, April 1989; inkjet print from black-and-white photograph; © and courtesy Tania Ferrier

5 the project state: melissa mcgrath Jessee Lee Johns/The Commonwealth of New Bayswater, South Mole Resort, 2019; image courtesy the artist and Fremantle Biennale; photo: Duncan Wright — **5 the project state: melissa mcgrath**

Jessee Lee Johns/The Commonwealth of New Bayswater, *South Mole Resort*, 2019; image courtesy the artist and Fremantle Biennale; photo: Duncan Wright

6 fly-in fly-out: the itinerant western australian art scene: kelly fliednerConsuelo Cavaniglia, filters II, 2018, installation view, ‘Edge of Contrast’, KRONENBERG MAIS WRIGHT, Sydney, 2019; tinted acrylic, dimensions variable; courtesy the artist … — **6 fly-in fly-out: the itinerant western australian art scene: kelly fliedner**
Consuelo Cavaniglia, *filters II*, 2018, installation view, ‘Edge of Contrast’, KRONENBERG MAIS WRIGHT, Sydney, 2019; tinted acrylic, dimensions variable; courtesy the artist and KRONENBERG MAIS WRIGHT, Sydney

7 mirrored, masked and afoot: ‘singapore art week 2020’: michael fitzgerald, singaporePierre Huyghe, Untitled (Human Mask), 2014, film still; courtesy the artist; Marian Goodman Gallery, New York; Hauser & Wirth, London; Esther Schipper, Berlin;… — 7 mirrored, masked and afoot: ‘singapore art week 2020’: michael fitzgerald, *singapore*
Pierre Huyghe, *Untitled (Human Mask)*, 2014, film still; courtesy the artist; Marian Goodman Gallery, New York; Hauser & Wirth, London; Esther Schipper, Berlin; and Anna Lena Films, Paris

8 behind the lens: ‘fashioning black identity’ at monash gallery of art: rosalind lemoh, melbourneOmar Victor Diop, A Moroccan man (1913), from the 2014 ‘Project Diaspora’ series; image courtesy and © the artist — 8 behind the lens: ‘fashioning black identity’ at monash gallery of art: rosalind lemoh, *melbourne*
Omar Victor Diop, *A Moroccan man (1913)*, from the 2014 ‘Project Diaspora’ series; image courtesy and © the artist

9 wake up in paradise: andrew montana, sydneyJenny Kee and Linda Jackson: Step into Paradise, exhibition installation view, Powerhouse Museum, Sydney, 2019–20; photo: Zan Wimberley — 9 wake up in paradise: andrew montana, *sydney*
*Jenny Kee and Linda Jackson: Step into Paradise*, exhibition installation view, Powerhouse Museum, Sydney, 2019–20; photo: Zan Wimberley

10 hugh ramsay: the ‘problem picture’ of a problem painter: angus trumbleHugh Ramsay, Miss Nellie Patterson, 1903, oil on canvas, 122.3 x 92.2cm; National Gallery of Australia, Canberra, purchased 1966 — **10 hugh ramsay: the ‘problem picture’ of a problem painter: angus trumble**
Hugh Ramsay, *Miss Nellie Patterson*, 1903, oil on canvas, 122.3 x 92.2cm; National Gallery of Australia, Canberra, purchased 1966

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