Autumn 2021 Issue 327

**1 BE WELL, OR ELSE!: TONI ROSS**
Atelier van lieshout (AVL), *Wellness skull,* 2007, installation view, sudeley castle, winchcombe, united kingdom, 2010: fibreglass and wood, 450 x 250cm; courtesy avl; photo: rolant davis

**2 ‘new ways of feeling, and ways of feeling new’: absurdity and sincerity in the work of the institute for new feeling: emma crott**
the institute for new feeling, *group,* 2013, performance at via festival/newmoves contemporary dance festival, pittsburgh, 2013; courtesy the artists

**3 ‘clean beauty’ branding: a bricolage of bodily and spiritual health, ancient wisdom and ethical virtue: juliana luna Mora and toni ross**
screenshot of instagram post @herbivorebotanicals from 24 november 2019, accessed 18 january 2021; courtesy herbivore botanicals

**4 corporate spirituality in timur si-qin’s 'new peace’: grant stevens**
*Timur si-qin: campaign for a new protocol, part 1,* exhibition installation detail, societe berlin, 2018; courtesy the artist and societe berlin

**5 decisions, decisions, decisions: amber boardman’s cartoon worlds: wes hill**

amber boardman, *paint shelves,* 2020, oil on canvas, 152.4 x 254cm; courtesy the artist and chalk horse, sydney

**6 wellness versus art: robert leonard**
chiharu shiota, *the web of time,* 2020, installation view (with the artist), ‘toi art’, museum of new zealand te papa tongarewa, wellington; courtesy te papa; photo: jack fisher

**7 anthony mannix’s mixed realities: anthony white**
anthony mannix, cover image for *i am cut viciously,* apothecary archive, sydney, 2020; courtesy the artist

**8 all men choose the path they walk: art and the scales of justice: fiona foley**
fiona foley, *stud gins,* 2003, detail: textile, synthetic polymer paint on wool fabric, dimensions variable; national gallery of australia, canberra, gift of fiona foley, donated through the australian government’s cultural gifts program, 2011; courtesy the artist and andrew baker art dealer, brisbane

**9 art education in crisis under covid: ann stephen**
occupation campaign, sydney college of the arts, rozelle, c. 2016; courtesy *honi soit*

**10 planting the seeds: ‘space yz’ at campbelltown arts centre: luke letourneau**
*space yz,* exhibition installation view, campbelltown arts centre, 2021, with (clockwise from centre foreground): savanhdary vongpoothorn, *legs on seeds,* 1992/2020; kay andonopoulos, *the everyday internalised,* 2004; ben tankard, *the tower,* 2002; and mary donnelly, *making the invisible visible series - senza titolo s.bw11,* 2006, and *waiting 1 Dec.06, 2006;* courtesy the artists; photo: lucy parakhina

**11 daniel thomas’s *recent past: writing australian art*: ann stephen**
daniel thomas (right) and harald szeemann in the new storage area of the art gallery of new south wales (AGNSW), sydney, 1971; national art archive, agnsw, sydney; photo: brian adams

Art Monthly Australasia

Art Monthly Australasia is Australasia’s flagship visual arts publication, providing a critical platform for its artists. Published since 1987 under six full-time editors (Peter Townsend, Peter Timms, Philippa Kelly, Deborah Clark, Maurice O’Riordan and, from 2014, Michael Fitzgerald), it is Australasia’s only monthly visual arts magazine placing visual arts in a contemporary, historical and regional context.

Based at the ANU School of Art in Canberra since 1992, Art Monthly Australasia is a non-profit charitable organisation whose income is derived from sales of the magazine, advertising, sponsorship and government funding. Its board comprises leaders in their fields of visual arts scholarship, practice and curating, along with business and finance.

Since 2015, Art Monthly has also fostered critical discourse across the Asia-Pacific region with a new International Council, which, along with increased participation at international art fairs and biennales, is helping to provide a meaningful new context for its artists.