Autumn 2022 Issue 331

**1 BOUND TO THE FLOW: A STREAM OF CONSCIOUSNESS: JAMES GATT**
WURA-NATASHA OGUNJI, *LAGOONS AND LAGOONS AND LAGOONS*, 2021, DETAIL; THREAD, INK, GRAPHITE, COLLAGE ON TRACING PAPER, 6 PANELS, 152.5 X 366CM (OVERALL); COURTESY THE ARTIST AND FRIDMAN GALLERY, NEW YORK; PHOTO: JASON MANDELLA

2 **A NEW DISPOSITION: SUSIE ANDERSON**
CAROLINA CAYCEDO, *SIMULACRO / SIMULACRUM*, 2015, DETAIL; PHOTOGRAPH PRINTED ON FABRIC, 700 X 150CM; COURTESY THE ARTIST AND INSTITUTO DE VISIÓN, BOGOTÁ

**3 ALEX CERVENY: VISIBLE WORLDS: TALiA LINZ**
ALEX CERVENY, *ATLÂNTIDA*, 2021, DETAIL; OIL ON LINEN, 100 X 72CM; COURTESY THE ARTIST AND GOMIDE & CO, SÃO PAULO; PHOTO: DING MUSA

**4 AMAKABA: TABITA REZAIRE**
TABITA REZAIRE, *AMAKABA*, 2021, PRODUCTION STILL (FROM A VIDEO 4MINS 4SECS DURATION); COURTESY AMAKABA

**5 YOU CAN’T GO BY YOURSELF: CAPTAIN ‘AUNOFO HAVEA FUNAKI SATUALA IN CONVERSATION WITH IVI**

Captain ‘aunoFo Havea Funaki Satuala on the ‘Pacific Voyagers’ journey in 2012, which saw seven sun- and wind-powered *vaka* travel from Aotearoa New Zealand to San Diego, organised by the Okeanos Foundation; photo: Natalia Tsoukala

**6 BETWEEN HISTORY AND MYTHMAKING: A LANDSLIDE: MADELEINE COLLIE**
KIRA O’REILLY, *TIDE TURNING, SEA DEFENCE*, 2017, FOR ]PERFORMANCE S P A C E[ WAKE FESTIVAL, FOLKESTONE, 2017; PHOTO: LUKE JONES

**7 CLARE MILLEDGE: CIRCLES OF RESONANCE: ANABELLE LACROIX**
CLARE MILLEDGE, *EIDOTHEA: IMMORTAL CLONES OF THE PERLITE DEPOSITS & HOLLOW-BEARER*, 2020, INSTALLATION VIEW, FAUVETTE LOUREIRO MEMORIAL SCHOLARSHIPS FINALIST EXHIBITION, SYDNEY COLLEGE OF THE ARTS, UNIVERSITY OF SYDNEY, 2020; COURTESY THE ARTIST; PHOTO: JESSICA MAURER

8 MIRRORED REALMS: THE BARK LADIES OF YIRRKALA: MICHAEL FITZGERALD, *MELBOURNE*
*BARK LADIES: ELEVEN ARTISTS FROM YIRRKALA,* EXHIBITION INSTALLATION DETAIL, NGV INTERNATIONAL, MELBOURNE, 2021; PHOTO: TOM ROSS

**9 DISSEMINATING PUBLISHING EXCELLENCE: THE 2021 AWAPAS**
COURTESY AUCKLAND UNIVERSITY PRESS

**10 NIGEL LENDON 1944 - 2021: ANN STEPHEN, GORDON BULL, DEBORAH CLARK, HOWARD MORPHY, TIM BONYHADY, EMMA BEER AND ALEKS DANKO**
NIGEL LENDON (RIGHT) AND TIM BONYHADY AT THEIR 2021 EXHIBITION ‘I WEAVE WHAT I HAVE SEEN: THE WAR RUGS OF AFGHANISTAN’ AT THE DRILL HALL GALLERY, CANBERRA; PHOTO: ROB LITTLE, RLDI

**11 ROBERT MACPHERSON 1937 - 2021: INGRID PERIZ**
ROBERT MACPHERSON, N.D., COURTESY TREVOR SMITH; PHOTO: RICHARD SKINNER

Art Monthly Australasia

Art Monthly Australasia is Australasia’s flagship visual arts publication, providing a critical platform for its artists. Published since 1987 under six full-time editors (Peter Townsend, Peter Timms, Philippa Kelly, Deborah Clark, Maurice O’Riordan and, from 2014, Michael Fitzgerald), it is Australasia’s only monthly visual arts magazine placing visual arts in a contemporary, historical and regional context.

Based at the ANU School of Art in Canberra since 1992, Art Monthly Australasia is a non-profit charitable organisation whose income is derived from sales of the magazine, advertising, sponsorship and government funding. Its board comprises leaders in their fields of visual arts scholarship, practice and curating, along with business and finance.

Since 2015, Art Monthly has also fostered critical discourse across the Asia-Pacific region with a new International Council, which, along with increased participation at international art fairs and biennales, is helping to provide a meaningful new context for its artists.