Winter 2023 Issue 336

**1 ‘SYDNEY MODERN’: THE ART GALLERY OF NSW TRANSFORMED: DANIEL THOMAS**
FRANCIS UPRITCHARD, *HERE COMES EVERYBODY*, 2022, INSTALLATION VIEW; COMMISSIONED FOR THE ‘SYDNEY MODERN PROJECT’ WITH FUNDS PROVIDED BY PETER WEISS AO, THE DROGA FAMILY IN MEMORY OF VIBEKE DROGA, THE HADLEY FAMILY, AND THE ART GALLERY OF NEW SOUTH WALES (AGNSW) FOUNDATION 2022; © FRANCIS UPRITCHARD; PHOTO: © AGNSW, CHRISTOPHER SNEE

2 **APPARITIONS: ‘A NEW POWER’ AND ‘BRIGHT SPARKS’ AT THE BODLEIAN LIBRARIES: ELISA DECOURCY**
STUDIO OF WILLIAM EDWARD KILBURN, *QUEEN VICTORIA WITH THE PRINCESS ROYAL, THE PRINCE OF WALES, PRINCESS ALICE, PRINCESS HELENA AND PRINCE ALFRED*, 17 JANUARY 1852, SCRATCHED DAGUERREOTYPE; ROYAL COLLECTION, LONDON

3 **ALL OF THE LIGHTS: ‘LIGHT FROM TATE’ IN AUCKLAND: YARRAN GATSBY**

ANISH KAPOOR, *UNTITLED*, 1992, INSTALLATION VIEW, ‘LIGHT FROM TATE’, AUCKLAND ART GALLERY TOI O TAMAKI, 2023; WOOD, FIBREGLASS AND PIGMENT, 208.5 X 119 X 143CM; EDMISTON TRUST COLLECTION, AUCKLAND ART GALLERY TOI O TAMAKI, PURCHASED 1993

**4 BETWEEN AND BEYOND: FAN DONGWANG’S SCULPTURAL PAINTING: JOHN CLARK**
FAN DONGWANG, *ARHAT*, 2023, ACRYLIC ON CANVAS, 181 X 124CM; COURTESY THE ARTIST AND ART ATRIUM, WARRANG/SYDNEY

**5 NEITHER SOFT NOR WEAK: GWANGJU’S 14TH BIENNALE: CHIN-JIE MELODIE LIU**

CHARWEI TSAI, *A TEMPLE, A SHRINE, A MOSQUE, A CHURCH*, 2022; INSTALLATION VIEW, 14TH GWANGJU BIENNALE, ‘SOFT AND WEAK LIKE WATER’, 2023; COURTESY THE ARTIST AND GWANGJU BIENNALE FOUNDATION; PHOTO: GLIMWORKERS

**6 ROSS GIBSON 1956 – 2023: GEOFFREY BATCHEN**
COURTESY VICTORIA UNIVERSITY OF WELLINGTON

**7 CHRISTOPHER BELL** **1948 – 2023: SOPHIE CHURCH, ANDREW MCNAMARA, SEUMAS SPARK AND ANN STEPHEN**
CHRIS BELL WITH RESI SCHWARZBAUER LAUNCHING THE BIOGRAPHY LUDWIG HIRSCHFELD-MACK: MORE THAN A BAUHAUS ARTIST DURING THE ‘BAUHAUS NOW’ EXHIBITION AT THE MUSEUM OF BRISBANE IN 2021

8 **PAIRED: CHRISTOPHER HANRAHAN**
CHRISTOPHER HANRAHAN, *PAIRED*, 2017–2019–2023, DETAIL; COMMISSIONED BY *ART MONTHLY AUSTRALASIA* IN COLLABORATION WITH THE MURRAY ART MUSEUM ALBURY; COURTESY THE ARTIST AND SARAH COTTIER GALLERY, WARRANG/SYDNEY

**9 TWO HEARTS: ON PAUL KNIGHT AND TROY-ANTHONY BAYLIS: DANIEL MUDIE CUNNINGHAM**
PAUL KNIGHT, *UNTITLED (CHAMBER MUSIC)*, 2009– , CHROMOGENIC PRINT, 31 X 31.5CM (FRAMED), ED. 1/1 + 1 AP; COURTESY THE ARTIST AND NEON PARC, NAARM/MELBOURNE

**10 A NERVOUS CANVAS: THIRTY THOUGHTS ON THIN SKIN: JENNIFER HIGGIE**

MIA BOE, *WONGARI MARAT MARAT (DINGO SPIRIT)*, 2023, SYNTHETIC POLYMER PAINT ON LINEN, 198 X 122CM; COURTESY THE ARTIST AND SUTTON GALLERY, NAARM/MELBOURNE; PHOTO: CHRISTIAN CAPURRO

**11 A GLIMMER: THEA ANAMARA PERKINS (ARRERNTE/KALKADOON)**
THEA ANAMARA PERKINS, *BONDI BEACH*, 2023, ACRYLIC ON BOARD, 30.5 X 40.5CM; ART GALLERY OF NEW SOUTH WALES (AGNSW), LA PRAIRIE ART AWARD 2023; © THEA ANAMARA PERKINS; IMAGE © AGNSW

Art Monthly Australasia

Art Monthly Australasia is Australasia’s flagship visual arts publication, providing a critical platform for its artists. Published since 1987 under six full-time editors (Peter Townsend, Peter Timms, Philippa Kelly, Deborah Clark, Maurice O’Riordan and, from 2014, Michael Fitzgerald), it is Australasia’s only monthly visual arts magazine placing visual arts in a contemporary, historical and regional context.

Based at the ANU School of Art in Canberra since 1992, Art Monthly Australasia is a non-profit charitable organisation whose income is derived from sales of the magazine, advertising, sponsorship and government funding. Its board comprises leaders in their fields of visual arts scholarship, practice and curating, along with business and finance.

Since 2015, Art Monthly has also fostered critical discourse across the Asia-Pacific region with a new International Council, which, along with increased participation at international art fairs and biennales, is helping to provide a meaningful new context for its artists.