Winter 2024 Issue 339

**1 THE TEXTILE TURN IN CONTEMPORARY ART: CHLOÉ WOLIFSON**
CRISTINA FLORES PESCORÁN, *ABRAZAR EL SOL (EMBRACE THE SUN),* 2023-24, INSTALLATION VIEW, ‘24TH BIENNALE OF SYDNEY: TEN THOUSAND SUNS’, WHITE BAY POWER STATION, 2024. COMMISSIONED BY THE BIENNALE OF SYDNEY AND THE FONDATION CARTIER POUR L’ART CONTEMPORAIN. COURTESY THE ARTIST. © THE ARTIST. PHOTO: DOCUMENT PHOTOGRAPHY

2 **CONSTANT CHANGE: COBY EDGAR (LARRAKIA/JINGILI)**
ADA NABULWAD AT WORK. COURTESY OF MARRAWUDDI ARTS AND CULTURE AND POWERHOUSE. PHOTO: TIM HILLIER

3 **WARP, WEFT AND WILLIAMSON: BLAKE GRIFFITHS**
EUCALYPTUS-DYED SILK FABRIC BEING TORN INTO STRIPS AND WOUND ONTO STICK SHUTTLES FOR THE *WEAVING EUCALYPTS PROJECT.* PHOTO: IAN HOBBS

**4 DRAWN TOGETHER: PEDRO DE ALMEIDA**
MEMBERS OF THE ACE EMBROIDERERS COLLECTIVE AND YAMANE FAYED (THIRD FROM LEFT) WITH WORKS FROM THE PROJECT THEY COLLABORATED ON WITH JONATHAN JONES, *UNTITLED (TRANSCRIPTIONS OF COUNTRY)*, 2021-23, AT ARTSPACE, 2024. PHOTO: ANNA KUCERA

**5 TEXTILES AND AFFECT IN THE WORK OF LOUISE BOURGEOIS: BELINDA VON MENGERSEN**

LOUISE BOURGEOIS, *ODE À LA BIÈVRE*, 2007, DETAIL, ILLUSTRATED BOOK, DIGITAL PRINTS AND SCREEN ON FABRIC, 25 PAGES, 29.2 X 38.1 (EACH); PRIVATE COLLECTION, NEW YORK. © THE EASTON FOUNDATION. PHOTO: CHRISTOPHER BURKE

**6 MAKING CONNECTIONS: JACQUELINE STOJANOVIĆ**
THE STUDIO OF FLORENTINE MASTER WEAVER GRAZIELLA GUIDOTTI. PHOTO: JACQUELINE STOJANOVIĆ

**7 FUTURE THREADS: KATE SCARDIFIELD**
IRIS VAN HERPEN, *HYPERSONIC SPEED TOP,* DETAIL, FROM THE *CAPRIOLE* COLLECTION, 2018. COURTESY OF IRIS VAN HERPEN. © SØLVE SUNDSBØ. PHOTO: SØLVE SUNDSBØ

8 *AUMOANA*: THE CURRENTS OF *TE MOANA-NUI-A-KIWA* CONVERGE: RONGOMAI GRBIC-HOSKINS (TE RARAWA/NGĀPUHI/NGĀTIWAI)
NIKAU HINDIN, HINA PUAMOHALA KNEUBUHL AND RONGOMAI GRBIC-HOSKINS HOLDING *KA ‘UPENA KOMO.* PHOTO: TE KURU DEWES

**9 MULTIPLE CODINGS: JULIE EWINGTON**
CAMILLE LADDAWAN, *REF.*, 2022, 24-KARAT GOLD, GLASS BEADS, PALLADIUM, THREAD, 36 X 36 CM. COURTESY OF CAMILLE LADDAWAN. PHOTO: TASHA TYLEE

**10 THREADS OF CONTINUITY AND LOSS: KAY LAWRENCE**

DIANA WOOD CONROY, *THE GLORY OF THE LORD*, 1973, WOVEN TAPESTRY, WOOL ON LINEN WARP, 2.7 X 2.7 M; COLLECTION OF ROBERT MENZIES COLLEGE, MACQUARIE UNIVERSITY, SYDNEY. PHOTO: DIANA WOOD CONROY,

Art Monthly Australasia

Art Monthly Australasia is Australasia’s flagship visual arts publication, providing a critical platform for its artists. Published since 1987 under six full-time editors (Peter Townsend, Peter Timms, Philippa Kelly, Deborah Clark, Maurice O’Riordan and, from 2014, Michael Fitzgerald), it is Australasia’s only monthly visual arts magazine placing visual arts in a contemporary, historical and regional context.

Based at the ANU School of Art in Canberra since 1992, Art Monthly Australasia is a non-profit charitable organisation whose income is derived from sales of the magazine, advertising, sponsorship and government funding. Its board comprises leaders in their fields of visual arts scholarship, practice and curating, along with business and finance.

Since 2015, Art Monthly has also fostered critical discourse across the Asia-Pacific region with a new International Council, which, along with increased participation at international art fairs and biennales, is helping to provide a meaningful new context for its artists.