Spring 2024 Issue 340

**1 LOOKING AHEAD: ALEXIE GLASS-KANTOR, BEN QUILTY, CASSANDRA BIRD, CLOTHILDE BULLEN, ERICA GREEN, HAYLEY MILLAR BAKER, JOSÉ DA SILVA, SEBASTIAN GOLDSPINK AND TERRY WU**

**2 ARCHIE MOORE WINS THE GOLDEN LION. (FOR AUSTRALIA.): RICHARD BELL**
ARCHIE MOORE, ‘KITH AND KIN’, EXHIBITION INSTALLATION VIEW, THE AUSTRALIA PAVILION, VENICE, 2024. COURTESY OF ARCHIE MOORE AND THE COMMERCIAL. © ARCHIE MOORE. PHOTOS: ANDREA ROSSETTI

**3 THE LONG WAY HOME: MICHELLE LAW**
CHUN YIN RAINBOW CHAN, *GIRL IN THE GLOAMING*, 2024, DETAIL. COURTESY OF THE ARTIST

**4 TAKING A SEAT AT THE TABLE: ROSANNA RAYMOND (AOTEAROA NEW ZEALAND-BORN SAMOAN/PALAGI)**
SALVADOR BROWN ACKNOWLEDGING *THE KEEPER*, ON LOAN TO THE SAVAGE K’LUB BY ARTIST MARGARET AULL, DURING THE OPENING ACTI.VA.TIONS OF ‘SAVAGE K’LUB: TE PAEPAE AORA’I – WHERE THE GODS CANNOT BE FOOLED’ AT THE NATIONAL GALLERY OF AUSTRALIA, KAMBERRI/CANBERRA, 2024. COURTESY OF THE NATIONAL GALLERY OF AUSTRALIA

**5 OUT OF THE BOX: TOM MCILROY**

DANNY FROMMER, ‘THE OBSERVER’, EXHIBITION INSTALLATION VIEW, AL FRESCO, KAMBERRI/CANBERRA, 2024. COURTESY OF AL FRESCO

**6 A CONVERSATION BETWEEN BIRDS: BAHAR SAYED**
ELYAS ALAVI, *MATAM* ماتم,
2024, THREE-CHANNEL VIDEO INSTALLATION WITH SOUND, 11 MINUTES DURATION. COURTESY OF ELYAS ALAVI

**7 VALUING THE EXPERIENCE: ANADOR WALSH**
BRIAN FUATA, *APPARITIONAL CHARLATAN MINOR APPEARANCES (ACCUMULATIONS 2020-2021)*, 2021. THIS PERFORMANCE AT THE 10TH ASIA PACIFIC TRIENNIAL OF CONTEMPORARY ART (APT10), QUEENSLAND ART GALLERY | GALLERY OF MODERN ART (QAGOMA), MEANJIN/BRISBANE, 2021. COURTESY OF QAGOMA. PHOTO: BRAD WAGNER

**8 KEEP THINKING: OLIVIA MEEHAN**
MAJID MIRMOHAMADI AND MAJID CARPETS, *SAFAVID CHARBAGH CARPET*, 2017. INSTALLATION VIEW, ‘GARDEN AT THE END OF TIME’, TIN SHEDS GALLERY, WARRANG/SYDNEY, 2024. COURTESY OF TIN SHEDS GALLERY. PHOTO: MAJA BASKA

**9 CONTINUITY AND CHANGE: DOMINIQUE CHEN (GAMILAROI)**
CAROL MCGREGOR (WATHAURUNG), *SKIN COUNTRY*, 2018, DETAIL. COLLECTION OF QUEENSLAND ART GALLERY | GALLERY OF MODERN ART (QAGOMA). PURCHASED IN 2020 WITH FUNDS FROM CONSTANTINE CARIDES AND ELENE CARIDES IN MEMORY OF THEIR PARENTS KIRYACOS AND MARY CARIDES THROUGH THE QAGOMA FOUNDATION. © CAROL MCGREGOR

**10 ALL THE RAGE: SAMUEL TE KANI (NGAPUHI)**

‘DEREK JARMAN: DELPHINIUM DAYS’, EXHIBITION INSTALLATION VIEW, GUS FISHER GALLERY, TAMAKI MAKAURAU/AUCKLAND, 2024. PHOTO: SAMUEL HARTNETT
Please note macrons in the Te Reo Maori terms do not appear on this webpage.

Art Monthly Australasia

Art Monthly Australasia is Australasia’s flagship visual arts publication, providing a critical platform for its artists. Published since 1987 under six full-time editors (Peter Townsend, Peter Timms, Philippa Kelly, Deborah Clark, Maurice O’Riordan and, from 2014, Michael Fitzgerald), it is Australasia’s only monthly visual arts magazine placing visual arts in a contemporary, historical and regional context.

Based at the ANU School of Art in Canberra since 1992, Art Monthly Australasia is a non-profit charitable organisation whose income is derived from sales of the magazine, advertising, sponsorship and government funding. Its board comprises leaders in their fields of visual arts scholarship, practice and curating, along with business and finance.

Since 2015, Art Monthly has also fostered critical discourse across the Asia-Pacific region with a new International Council, which, along with increased participation at international art fairs and biennales, is helping to provide a meaningful new context for its artists.