November 2017 Issue 303

1 Dispatches: Andrew StephensPaul Uhlmann, Batavia skull (camera obscura II), 2015, photo-print on aluminium, 15 x 12cm; image courtesy the artist — **1 Dispatches: Andrew Stephens**
Paul Uhlmann, *Batavia skull (camera obscura II)*, 2015, photo-print on aluminium, 15 x 12cm; image courtesy the artist

2 October in The Galleries: Chloé WolifsonParallel Park, In Time, 2017, performance installation; image courtesy Outer Space; photo: Llewellyn Millhouse — **2 October in The Galleries: Chloé Wolifson**
*Parallel Park, In Time*, 2017, performance installation; image courtesy Outer Space; photo: Llewellyn Millhouse

3 Towards an idea of the 'West': Sally Quin, PerthSusanna Castleden, Globe Ball, 2013, maps, exercise ball, varnish, 65 x 65 x 65cm; image courtesy the artist; photo: Robert Frith at Acorn — 3 Towards an idea of the 'West': Sally Quin, *Perth*
Susanna Castleden, *Globe Ball*, 2013, maps, exercise ball, varnish, 65 x 65 x 65cm; image courtesy the artist; photo: Robert Frith at Acorn

4 'Yolngu and Martu coming together': Curtis Taylor and 'In Cahoots': Sheridan Coleman, PerthFire from Martu burning Country, east of Parnngurr Community, 2017; image courtesy the artists and Fremantle Arts Centre; photo: Curtis Taylor — 4 'Yolngu and Martu coming together': Curtis Taylor and 'In Cahoots': Sheridan Coleman, *Perth*
Fire from Martu *burning Country*, east of Parnngurr Community, 2017; image courtesy the artists and Fremantle Arts Centre; photo: Curtis Taylor

5 'Absolute Zest': Eight Years of the Schenberg Fellowship: Ted Snell, PerthShan Turner-Carroll, from the 2012 series ‘Primal Crowns’; image courtesy the artist — 5 'Absolute Zest': Eight Years of the Schenberg Fellowship: Ted Snell, *Perth*
Shan Turner-Carroll, from the 2012 series ‘Primal Crowns’; image courtesy the artist

6 Artists Pages: Ian Strange 'ISLAND'Ian Strange, ‘RUN’, 2017, archival photographic print, 119 x 153cm; image courtesy the artist — **6 Artists Pages: Ian Strange 'ISLAND'**
Ian Strange, *‘RUN’,* 2017, archival photographic print, 119 x 153cm; image courtesy the artist

7 Independence, space and art: Jason Wee and Grace Samboh in ConversationThe Free and the Brave: Artist-Initiated Spaces and Platforms, Southeast Asia Forum at Marina Bay Sands for Art Stage Singapore, 12 January 2017, with (from left): Nathalie Joh… — **7 Independence, space and art: Jason Wee and Grace Samboh in Conversation**
The Free and the Brave: Artist-Initiated Spaces and Platforms, Southeast Asia Forum at Marina Bay Sands for Art Stage Singapore, 12 January 2017, with (from left): Nathalie Johnston, Norberto ‘Peewee’ Roldan, Grace Samboh, Jason Wee and Chuong-Đài Võ; image courtesy Art Stage Singapore

8 Tom Nicholson's Historical Reckoning: Sophie Knezic, MelbourneTom Nicholson, I was born in Indonesia, exhibition installation views, the Ian Potter Museum of Art, Melbourne, 2017; images courtesy the artist and Milani Gallery, Brisbane; photos: Ch… — 8 Tom Nicholson's Historical Reckoning: Sophie Knezic, *Melbourne*
Tom Nicholson, *I was born in Indonesia*, exhibition installation views, the Ian Potter Museum of Art, Melbourne, 2017; images courtesy the artist and Milani Gallery, Brisbane; photos: Christian Capurro

9 Curating Community: 'Good Neighbours' at Artbank: Elizabeth Reidy, SydneyGood Neighbours, exhibition installation views, Artbank, Sydney, 2017; images courtesy Artbank; photos: Document Photography — **9 Curating Community: 'Good Neighbours' at Artbank: Elizabeth Reidy, Sydney**
*Good Neighbours*, exhibition installation views, Artbank, Sydney, 2017; images courtesy Artbank; photos: Document Photography

10 Utopianism and us: 'Call of the Avant-Garde' at heide: Alison Carroll, MelbourneCall of the Avant-Garde: Constructivism and Australia Art, exhibition installation views, Heide Museum of Modern Art, Melbourne, 2017; photos: Christian Capurro — 10 Utopianism and us: 'Call of the Avant-Garde' at heide: Alison Carroll, *Melbourne*
Call of the Avant-Garde: Constructivism and Australia Art, exhibition installation views, Heide Museum of Modern Art, Melbourne, 2017; photos: Christian Capurro

11 Curating Histories: 'Red Green Blue' at Griffith: Ellie Buttrose, BrisbaneTroy Innocent and Dale Nason, Cyber Dada Manifesto, 1990, still from video, 5 mins 48 secs duration; image courtesy the artists — 11 Curating Histories: 'Red Green Blue' at Griffith: Ellie Buttrose, *Brisbane*
Troy Innocent and Dale Nason, *Cyber Dada* Manifesto, 1990, still from video, 5 mins 48 secs duration; image courtesy the artists

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Art Monthly Australasia is Australasia’s flagship visual arts publication, providing a critical platform for its artists. Published since 1987 under six full-time editors (Peter Townsend, Peter Timms, Philippa Kelly, Deborah Clark, Maurice O’Riordan and, from 2014, Michael Fitzgerald), it is Australasia’s only monthly visual arts magazine placing visual arts in a contemporary, historical and regional context.

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