Art Monthly Australasia-Issue 165 November 2003

November 2003 Issue 165

1 Diana & Acteon: Glover reminds the colonists about the legalities of property rights: Mary Eagle2 Mary Alice Evatt: Mas 1898 - 1973: Patricia Anderson3 Benton, Benton and Wood: Art Deco 1910 - 1939: Andrew Montana4 Charlotte Samuels: Art Deco … — **1 Diana & Acteon: Glover reminds the colonists about the legalities of property rights: Mary Eagle**
**2 Mary Alice Evatt: Mas 1898 - 1973: Patricia Anderson**
**3 Benton, Benton and Wood: Art Deco 1910 - 1939:** **Andrew Montana**
**4 Charlotte Samuels: Art Deco Textiles: Ann McMahon**
**5 Cruickshank, Newall and North (eds) Blaze: Visual Art and Writing from the Contemporary Art Centre of South Australia 1990 - 2002: Morgan Thomas**
**6 David Sylvester Interviews with American Artists: Michael Desmond**
**7 Dear Hilary**
**8 Letter from Istanbul: Benjamin Genocchio**
**9 Moulin Rouge: Charles Conder: Martin Terry**
**10 Paul Mathieu Sex Pots: Eroticism in Ceramics: Peter Timms**
**11 Shop until you drop at the V&A: Art Deco 1910 - 1939: Andrew Montana**
**12 Suzanne Lussier: Art Deco Fashion: Roger Leong**

Art Monthly Australasia

Art Monthly Australasia is Australasia’s flagship visual arts publication, providing a critical platform for its artists. Published since 1987 under six full-time editors (Peter Townsend, Peter Timms, Philippa Kelly, Deborah Clark, Maurice O’Riordan and, from 2014, Michael Fitzgerald), it is Australasia’s only monthly visual arts magazine placing visual arts in a contemporary, historical and regional context.

Based at the ANU School of Art in Canberra since 1992, Art Monthly Australasia is a non-profit charitable organisation whose income is derived from sales of the magazine, advertising, sponsorship and government funding. Its board comprises leaders in their fields of visual arts scholarship, practice and curating, along with business and finance.

Since 2015, Art Monthly has also fostered critical discourse across the Asia-Pacific region with a new International Council, which, along with increased participation at international art fairs and biennales, is helping to provide a meaningful new context for its artists.

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