Art Monthly Australasia-Issue 169 May 2004

May 2004 Issue 169

1 Thou shalt (not) make graven images: Humphrey McQueen2 the power of the image: The use of photography and video as means of authentication in Western Desert art: Georges Petitjean3 Books: Virginia Nicholson Among the Bohemians: Experiments in Livi… — **1 Thou shalt (not) make graven images: Humphrey McQueen**
**2 the power of the image: The use of photography and video as means of authentication in Western Desert art:** **Georges Petitjean**
3 **Books:** **Virginia Nicholson *Among the Bohemians: Experiments in Living 1900-1939*: Christopher Heathcote**
4 Books Marco Livingstone + Kay Heymer *Hockney’s Portraits and People:* **Andrew Sayers**
**5 Art, craft and ecology meet at the Styx Forest:** **Adam Geczy**
6 Joan Kerr: A tribute *1938-2004*
**7 Clifford Possum Tjapaltjarri at the Art Gallery of South Australia, Adelaide:** **Christine Nicholls**
**8 Letter from the Lower Hunter: Philippa Kelly**
**9 Brisvegas: Little city, big history: Alison Kubler**
**10 Sculpture, and yet more sculpture, at Changchun, China: Ken Scarlett**

Art Monthly Australasia

Art Monthly Australasia is Australasia’s flagship visual arts publication, providing a critical platform for its artists. Published since 1987 under six full-time editors (Peter Townsend, Peter Timms, Philippa Kelly, Deborah Clark, Maurice O’Riordan and, from 2014, Michael Fitzgerald), it is Australasia’s only monthly visual arts magazine placing visual arts in a contemporary, historical and regional context.

Based at the ANU School of Art in Canberra since 1992, Art Monthly Australasia is a non-profit charitable organisation whose income is derived from sales of the magazine, advertising, sponsorship and government funding. Its board comprises leaders in their fields of visual arts scholarship, practice and curating, along with business and finance.

Since 2015, Art Monthly has also fostered critical discourse across the Asia-Pacific region with a new International Council, which, along with increased participation at international art fairs and biennales, is helping to provide a meaningful new context for its artists.

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