March 2005 Issue 177

1 Book Review, Patrick Hall, Grace Cochrane, REVIEWED BY ANNE BRENNAN Tall stories from the art world, 1993, cabinet, MDF, enamel paints, block-printing ink. Tasmanian Museum and Art Gallery. Photo Peter Whyte.  Craftsman House, an imprint of Thames…

1 Book Review, Patrick Hall, Grace Cochrane, REVIEWED BY ANNE BRENNAN

Tall stories from the art world, 1993, cabinet, MDF, enamel paints, block-printing ink. Tasmanian Museum and Art Gallery. Photo Peter Whyte.

Craftsman House, an imprint of Thames &Hudson, Australia, 2004
64 pp $39.95 RRP

2 Book Review: Cindy Sherman: Retrospective, Cruz, Smith and Jones, REVIEWED by KATHRYN WEIR

Thames & Hudson, 1997, preprinted 2003.
219 pp $79.00 RRP

3 Book Review: The Art of Bill Viola, Chris Townsend (ed, REVIEWED by KATE DAVIDSONThames & Hudson, 2004 224 pp $40.00 RRP4 Arte Moris: Free Art School in Dili, East Timor: ADAM GARTRELL & CHRISTIAN TANCREDA group of junior Arte Moris studen…

3 Book Review: The Art of Bill Viola, Chris Townsend (ed, REVIEWED by KATE DAVIDSON

Thames & Hudson, 2004 224 pp $40.00 RRP

4 Arte Moris: Free Art School in Dili, East Timor: ADAM GARTRELL & CHRISTIAN TANCRED

A group of junior Arte Moris students painting, 2004. Photo Adam Gartrell

5 Anonymity and memory: The public art of Christopher Trotter: STEPHEN WRIGHTChristopher Trotter, Sparky, 1996, recycled steel

5 Anonymity and memory: The public art of Christopher Trotter: STEPHEN WRIGHT

Christopher Trotter, Sparky, 1996, recycled steel

6 Countering the Egyptian effect: The Melbourne International Arts Festival Visual Arts Program: JOHN MATEER Illustration by Erica Jane

6 Countering the Egyptian effect: The Melbourne International Arts Festival Visual Arts Program: JOHN MATEER

Illustration by Erica Jane

7 'My, sir does know what he wants': REX BUTLERDestiny Deacon, Oz games - under the spell of the tall poppies, 1998/2003, light jet print from Polaroid. Courtesy of the artist and Roslyn Oxley9 Gallery  A survey exhibition Destiny Deacon: Walk &…

7 'My, sir does know what he wants': REX BUTLER

Destiny Deacon, Oz games - under the spell of the tall poppies, 1998/2003, light jet print from Polaroid. Courtesy of the artist and Roslyn Oxley9 Gallery

A survey exhibition Destiny Deacon: Walk & don't look blakwas at the Museum of Contemporary Art, Sydney, from 26 November last year to 30 January this year

8 Scoping our SCAPE: Assessing the Third Biennial in Christchurch: JOHN HURRELL

Reuben Paterson, Whakatata mai: Do you see what I see?, 2004, installation at Riccarton House & Bush, Putaringamotu, shown in SCAPE: From a different angle. Courtesy of the artist

9 James Gleeson: Beyond the screen of sight at the National Gallery of Victoria: CHRISTOPHER HEATHCOTEJames Gleeson, We inhabit the corrosive littoral of habit, 1940, oil on canvas. National Gallery of Victoria, Melbourne, anonymous gift, 1941

9 James Gleeson: Beyond the screen of sight at the National Gallery of Victoria: CHRISTOPHER HEATHCOTE

James Gleeson, We inhabit the corrosive littoral of habit, 1940, oil on canvas. National Gallery of Victoria, Melbourne, anonymous gift, 1941

10 Emma Minnie Boyd: The invisible artist at the Mornington Peninsula Regional Gallery: BRENDA NIALL Emma Minnie Boyd, An afternoon nap, 1874, watercolour on paper. Private collection

10 Emma Minnie Boyd: The invisible artist at the Mornington Peninsula Regional Gallery: BRENDA NIALL

Emma Minnie Boyd, An afternoon nap, 1874, watercolour on paper. Private collection

11 Kayimwagakimi: The painting of Raelene Kerinauia and Pedro Wonaeamirri: MARIELLE SCHWERIN Pedro Wonaeamirri, Pwoja - Pukamani body paint design, 2004, natural ochres on linen. Courtesy of Jilamara Arts & Craft and the artist. Photo Peter Eve

11 Kayimwagakimi: The painting of Raelene Kerinauia and Pedro Wonaeamirri: MARIELLE SCHWERIN

Pedro Wonaeamirri, Pwoja - Pukamani body paint design, 2004, natural ochres on linen. Courtesy of Jilamara Arts & Craft and the artist. Photo Peter Eve

12 Finola Jones: Artificially reconstructed habitatsat the Canberra Contemporary Art Space: EVE SULLIVAN Installation photograph of Finola Jones: Artificially reconstructed habitats, 2004, at the Canberra Contemporary Art Space

12 Finola Jones: Artificially reconstructed habitatsat the Canberra Contemporary Art Space: EVE SULLIVAN

Installation photograph of Finola Jones: Artificially reconstructed habitats, 2004, at the Canberra Contemporary Art Space

13 Book Review: A Brief History of the Smile, Angus Trumble, REVIEWED by GEOFFREY HEITHERSAY Allen & Unwin, 2004, 226 pp $35RRP14 Natural disasters in São Paolo, ADAM GECZY David Haines & Joyce Hinterding, Purple rain, still from digital vid…

13 Book Review: A Brief History of the Smile, Angus Trumble, REVIEWED by GEOFFREY HEITHERSAY

Allen & Unwin, 2004, 226 pp $35RRP

14 Natural disasters in São Paolo, ADAM GECZY

David Haines & Joyce Hinterding, Purple rain, still from digital video, 2004. Courtesy of the artists

15 Book Review: Material Thinking: The Theory and Practice of Creative Research, Paul Carter, REVIEWED by PENNY CRASWELL

Melbourne University Press, 2004, 264 pp $49.95 RRP (paperback)