April 2005 Issue 178
1 Making Manhattan modern, but not contemporary, again: The Museum of Modern Art, New York, reopens: TERRY SMITH
Exterior view of the David and Peggy Rockefeller Building, MoMA, designed by Yoshio Taniguchi, from West 54th Street. Photo Timothy Hursley 2005. Courtesy of MoMA
2 BOOK REVIEW: CONFORM: FoToFolk no.1 Saskia Folk, REVIEWED by RACHEL JESSIE-RAE O’CONNOR
Palgrave Macmillan, 2004, 144 pp $39.95 RRp
3 The Samstag legacy: The man, the program and the art: WENDY WALKER
Anne Wallace, Sang-froid, 2004, oil on canvas. Private collection
4 Painted abundance in the Anangu Pitjantjatjara and Yankunytjatjara Lands, South Australia: TRACEY LOCK-WEIR
Tali Tali Pompey, Fregon, South Australia, Untitled, 2004, synthetic polymer paint on canvas. Art Gallery of South Australia, Adelaide, Public Donations Fund 2005
5 New frontiers for Indigenous art: Jirrawun Arts, East Kimberley: JEREMY ECCLES
Goody Barrett, Lirnkirrel, 2004, earth pigments and synthetic polymer on linen, eight panels. Courtesy of the artist and Sherman Galleries, Sydney
6 Better late than never: Bridget Riley at the Museum of Contemporary Art, Sydney: ZARA STANHOPE
Bridget Riley, Blaze 1, 1962, emulsion on hardboard. Private collection. © Bridget Riley 2004. Photo Robert Horner
7 Edvard Munch: The frieze of life at the National Gallery of Victoria: ADAM FREE
Edvard Munch, Loneliness, 1906, oil on canvas. Bergen Kunstmuseum, Bergen, Norway. © Munch-Ellingsen Group.
8 The naked truth: On receiving the Australia Council’s Visual Arts & Craft Emeritus Medal for 2004: BERNARD SMITH
Carmel O’Connor, Portrait of Emeritus Professor Bernard Smith, 2002, acrylic on linen. Exhibited in the Archibald Prize, Art Gallery of New South Wales, 2002. Courtesy of the artist
