Issue 235 November 2010

1 Air to life: 20 years in the Australian-Asian arts atmosphere: ALISON CARROLLSichuan Province, in a tent at Garthar Chode Monastery, established by the seventh Dalai Lama. (l to r) Sam Leach, Tony Lloyd, unknown (monk), Shi Jinsong, Cang Xin, unkn…

1 Air to life: 20 years in the Australian-Asian arts atmosphere: ALISON CARROLL

Sichuan Province, in a tent at Garthar Chode Monastery, established by the seventh Dalai Lama. (l to r) Sam Leach, Tony Lloyd, unknown (monk), Shi Jinsong, Cang Xin, unknown (monk). Photograph by Tony Lloyd. Under the Australia Culture in China 2010 project and facilitated by Darwin’s 24HR Art, artists from Australia and China travelled together throughout Australia’s Top End, China and Tibet, with a culminating exhibition in Beijing in November 2010

2 Living Deadly: haunted surfaces in contemporary art: JOHN CARTYAnne Ferran, Untitled from the series Lost to worlds 2, 2008, inkjet print on aluminium, 120 x 120cm. Monash Gallery of Art, City of Monash Collection,acquired with assistance from the…

2 Living Deadly: haunted surfaces in contemporary art: JOHN CARTY

Anne Ferran, Untitled from the series Lost to worlds 2, 2008, inkjet print on aluminium, 120 x 120cm. Monash Gallery of Art, City of Monash Collection,acquired with assistance from the Robert Salzer Foundation 2009. Image courtesy the artist and Sutton Gallery, Melbourne

3 Still Unnerved: The New Zealand Project, Redux: JACQUI DURRANTUnnerved: The New Zealand Project installation view, Gallery of ModernArt, Brisbane, with Michael Parekowhai’s Jim McMurtry, 2004. Image courtesy the artist and Michael Lett Auckland.…

3 Still Unnerved: The New Zealand Project, Redux: JACQUI DURRANT

Unnerved: The New Zealand Project installation view, Gallery of Modern

Art, Brisbane, with Michael Parekowhai’s Jim McMurtry, 2004. Image courtesy
the artist and Michael Lett Auckland. Photograph by Natasha Harth

4 Photography as a Crime: Mapping Anxiety in the Public Sphere: ANNE MARSH & JESSICA WHYTEPolixeni Papapetrou, Gatsby Gal, 2003, selenium toned silver gelatin print 100 x 100cm. Courtesy the artist and Stills Gallery. The publication of this ima…

4 Photography as a Crime: Mapping Anxiety in the Public Sphere: ANNE MARSH & JESSICA WHYTE

Polixeni Papapetrou, Gatsby Gal, 2003, selenium toned silver gelatin print 100 x 100cm. Courtesy the artist and Stills Gallery. The publication of this image complies with the Australia Council’s Working
with Children in the Arts Protocols; parental consent was obtained and the artist adhered to relevant laws

5 Benesse: silences in Japan: PATRICK HUTCHINGSWalter De Maria, Time/Timeless/No Time, 2004, installation view. Photograph by Michael Kellough

5 Benesse: silences in Japan: PATRICK HUTCHINGS

Walter De Maria, Time/Timeless/No Time, 2004, installation view. Photograph by Michael Kellough

6 An island of art, optimism and hope: Setouchi International Arts Festival: EN YOUNG AHNYukinori Yanagi, Hero Dry Cell, part of Inujima Art Project, Seirensho on Inujima. Photograph by Daici Ano

6 An island of art, optimism and hope: Setouchi International Arts Festival: EN YOUNG AHN

Yukinori Yanagi, Hero Dry Cell, part of Inujima Art Project, Seirensho on Inujima. Photograph by Daici Ano

7 Facing the House: commissioning a portrait of Ipswich, CASSANDRA LEHMAN-SCHULTZCongregational Church Manse, Ipswich.

7 Facing the House: commissioning a portrait of Ipswich, CASSANDRA LEHMAN-SCHULTZ

Congregational Church Manse, Ipswich.

8 The Togart test: SASHA GRISHINChips Mackinolty, Neta, Darwin 1950, Giclee print, 90 x 68cm. Image courtesy the artist and Karen Brown Gallery, Darwin

8 The Togart test: SASHA GRISHIN

Chips Mackinolty, Neta, Darwin 1950, Giclee print, 90 x 68cm. Image courtesy the artist and Karen Brown Gallery, Darwin

9 Risks worth taking: Primavera 2010: JAYE EARLYJackson Slattery, Small Ambitions, 2010, watercolour on paper, 60 x 40cm. Image courtesy the artist and Sutton Gallery, Melbourne

9 Risks worth taking: Primavera 2010: JAYE EARLY

Jackson Slattery, Small Ambitions, 2010, watercolour on paper, 60 x 40cm. Image courtesy the artist and Sutton Gallery, Melbourne

10 Germinating, Growing, Wilting: a new paradigm for the Art of the North: STEPHEN NAYLORClaudine Marzik, Work no. 25, acrylic on canvas. Image courtesy the artist

10 Germinating, Growing, Wilting: a new paradigm for the Art of the North: STEPHEN NAYLOR

Claudine Marzik, Work no. 25, acrylic on canvas. Image courtesy the artist

11 Paul Zika: Home and Away - Reconstructing Artifice: SEAN KELLYJalq'a 1, 2008, 77 x 108 x 5.5cm. All works by Paul Zika; all acrylic on wood. Images courtesy the artist and Stephen McLaughlan Gallery, Melbourne. Photographs by John Farrow

11 Paul Zika: Home and Away - Reconstructing Artifice: SEAN KELLY

Jalq'a 1, 2008, 77 x 108 x 5.5cm. All works by Paul Zika; all acrylic on wood. Images courtesy the artist and
Stephen McLaughlan Gallery, Melbourne. Photographs by John Farrow

12 BOOKS art + soul: JEREMY ECCLESart + soul, Hetti Perkins, Miegunyah Press,  Melbourne, 2010, 296p, rrp $79.99; ISBN: 9780522857634

12 BOOKS art + soul: JEREMY ECCLES

art + soul, Hetti Perkins, Miegunyah Press,
Melbourne, 2010, 296p, rrp $79.99;
ISBN: 9780522857634

13 EM FILE Adam Veikannen: no ordinary mind: DAVID BROKERTime-function, 2010, sellotape, 460cm diameter. Image courtesy the artist

13 EM FILE Adam Veikannen: no ordinary mind: DAVID BROKER

Time-function, 2010, sellotape, 460cm diameter. Image courtesy the artist

14 Kai-eye for CIAF: OMAR MUSA2010 Cairns Indigenous Art Fair. Installation view of Aurukun stall, CIAF, featuring the camp dogs (various artists), acquired by Queensland Art Gallery.

14 Kai-eye for CIAF: OMAR MUSA

2010 Cairns Indigenous Art Fair. Installation view of Aurukun stall, CIAF, featuring the camp dogs (various artists), acquired by Queensland Art Gallery.

15 Letter from Madrid: Martín Ramírez, Works of Reclusion: JUSTINE BAYOD ESPOZUntitled (Deer), c. 1953, crayon and pencil on paper, 119 x 91cm, Collection ABCD, Paris

15 Letter from Madrid: Martín Ramírez, Works of Reclusion: JUSTINE BAYOD ESPOZ

Untitled (Deer), c. 1953, crayon and pencil on paper, 119 x 91cm, Collection ABCD, Paris

16 Letter from Shanghai: ShContemporary Art Fair 2010: DAVID WILLIAMSRavinder Reddy, Gilded Head

16 Letter from Shanghai: ShContemporary Art Fair 2010: DAVID WILLIAMS

Ravinder Reddy, Gilded Head

17 Letter from South Korea: EN YOUNG AHNView of the Gyeonggi Museum of Modern Art in Ansan city

17 Letter from South Korea: EN YOUNG AHN

View of the Gyeonggi Museum of Modern Art in Ansan city

18 more BOOKS: William Dobell, An Artist's Life: JOHN KELLYElizabeth Donaldson, William Dobell, An Artist's Life, Exisle, Publishing, Wollombi, NSW, 208p, rrp$49.99; ISBN: 9781921497810

18 more BOOKS: William Dobell, An Artist's Life: JOHN KELLY

Elizabeth Donaldson, William Dobell, An Artist's Life, Exisle, Publishing, Wollombi, NSW, 208p,
rrp$49.99; ISBN: 9781921497810