November 2011 Issue 245

1 When The Circus Came To Town: FIONA FOLEYArchival image of ‘Boni’. Collection: Musee des Confluences, Lyon — **1 When The Circus Came To Town: FIONA FOLEY**
Archival image of ‘Boni’. Collection: Musee des Confluences, Lyon

2 Hidden Heritage: Ronald Bull’s 1962 Pentridge mural: SYLVIA KLEINERTRONALD BULL, MURAL, 1962, 2.080 X 3.500CM, ALKYD (OIL BASED SYNTHETIC) ON BLUESTONE, MELBOURNE METROPOLITAN RECEPTION PRISON (PENTRIDGE). PHOTOGRAPH BY ANDREW THORN, ARTCARE, 2002… — **2 Hidden Heritage: Ronald Bull’s 1962 Pentridge mural: SYLVIA KLEINERT**
RONALD BULL, *MURAL*, 1962, 2.080 X 3.500CM, ALKYD (OIL BASED SYNTHETIC) ON BLUESTONE, MELBOURNE METROPOLITAN RECEPTION PRISON (PENTRIDGE). PHOTOGRAPH BY ANDREW THORN, ARTCARE, 2002. REPRODUCED WITH PERMISSION OF THE ARTIST’S FAMILY

3 The Mad Square: Modernity in German Art, 1910-1937: ROGER BENJAMINHannah Hoch, Made for a party, 1936, collage, 36 x 19.8cm. INSTITUTE FOR FOREIGN CULTURAL RELATIONS, STUTTGART. © HANNAH HOCH/VG BILD-KUNST, BONN — **3 The Mad Square: Modernity in German Art, 1910-1937: ROGER BENJAMIN**
Hannah Hoch, *Made for a party*, 1936, collage, 36 x 19.8cm. INSTITUTE FOR FOREIGN CULTURAL RELATIONS, STUTTGART. © HANNAH HOCH/VG BILD-KUNST, BONN

4 2011 Telstra National Aboriginal and Torres Strait Islander Art Awards: GENEVIEVE O’CALLAGHANDavid Lans, The Lennard identity, film IMAGE COURTESY THE ARTIST AND WARLYARITI ARTISTS, BALGO — **4 2011 Telstra National Aboriginal and Torres Strait Islander Art Awards: GENEVIEVE O’CALLAGHAN**
David Lans, *The Lennard identity*, film IMAGE COURTESY THE ARTIST AND WARLYARITI ARTISTS, BALGO

5 Too many cooks? The 2011 Western Australian Indigenous Art Awards: MAURICE O’RIORDANInstallation view, 2011 Western Australian Indigenous Art Awards, Art Gallery of WA, showing Gunybi Ganambarr’s awarding-winning work comprising (l to r): Dhangult… — **5 Too many cooks? The 2011 Western Australian Indigenous Art Awards: MAURICE O’RIORDAN**
Installation view, 2011 Western Australian Indigenous Art Awards, Art Gallery of WA, showing Gunybi Ganambarr’s awarding-winning work comprising (l to r): *Dhangultji*, 2010, hollow log coffin; *Burrut’tji*, 2010, ochres on bark; *Lorr*, 2010, ochres on insulation material; *Buyku*, 2010, ochres on bark; *Milngurr*, 2010, ochres on rubber; *Gunyuru*, 2010, hollow log coffin. Image courtesy the artist, Buku-Larrngay Mulka Art Centre, Yirrkala, and Art Gallery of WA. Photograph by Bo Wong

6 Michael Cook — Through My Eyes: A dream of things to come: CHRISTINE DAUBERMICHAEL COOK, THROUGH MY EYES, 2010, inkjet print on Hahnemuhle paper, suite of 27 works. Image courtesy the artist and Andrew Baker Art Dealer, Brisbane — **6 Michael Cook — Through My Eyes: A dream of things to come: CHRISTINE DAUBER**
MICHAEL COOK, *THROUGH MY EYES*, 2010, inkjet print on Hahnemuhle paper, suite of 27 works. Image courtesy the artist and Andrew Baker Art Dealer, Brisbane

7 Togart Contemporary Art Award 2011: SASHA GRISHINImage courtesy the artist and Harvison Gallery, Perth. Joshua Bonson, Skin, 2011, synthetic polymer paint on canvas, 130 x 100cm — **7 Togart Contemporary Art Award 2011: SASHA GRISHIN**
Image courtesy the artist and Harvison Gallery, Perth. Joshua Bonson, *Skin*, 2011, synthetic polymer paint on canvas, 130 x 100cm

8 Remix – a potpourri of recent West Australian art: ALAN R. DODGEInstallation views of Remix at the Art Gallery of Western Australia, 2011,featuring the work of Paul Caporn. Image courtesy the artist and the Art Gallery of Western Australia — **8 Remix – a potpourri of recent West Australian art: ALAN R. DODGE**
Installation views of *Remix* at the Art Gallery of Western Australia, 2011,featuring the work of Paul Caporn. Image courtesy the artist and the Art Gallery of Western Australia

9 The End of Jirrawun: JEREMY ECCLESFreddie Timms, Gum Tree Creek, natural ochres on canvas, each canvas 120 x 90cm. Image courtesy the artist and Harvison Gallery, Perth — **9 The End of Jirrawun: JEREMY ECCLES**
Freddie Timms, *Gum Tree Creek*, natural ochres on canvas, each canvas 120 x 90cm. Image courtesy the artist and Harvison Gallery, Perth

10 Distance from the things that we (don’t) want to let go of: on Immemorial II: Reaching Back Beyond Memory, Philippines: DONNA MIRANDAYason Banal and Enzo Camacho, As testimonial of high esteem and most cordial and pleasant association, 2010; inst… — **10 Distance from the things that we (don’t) want to let go of: on Immemorial II: Reaching Back Beyond Memory, Philippines: DONNA MIRANDA**
Yason Banal and Enzo Camacho, *As testimonial of high esteem and most cordial and pleasant association*, 2010; installation view *Immemorial II: Reaching back beyond memory*, Jorge B. Vargas Museum, University of the Philippines, Quezon City, Manila

11 Eleanor Gates-Stuart: Cracking The Finger Codes: HELEN MUSAEleanor Gates-Stuart, FCO3, inkjet on Hahnemuhle German etching paper 310 gms, each print 112 x 224cm. IMAGE COURTESY THE ARTIST — **11 Eleanor Gates-Stuart: Cracking The Finger Codes: HELEN MUSA**
Eleanor Gates-Stuart, *FCO3,* inkjet on Hahnemuhle German etching paper 310 gms, each print 112 x 224cm. IMAGE COURTESY THE ARTIST

12 Jennifer Bell: Taking a Stand: HELEN STEPHENSFrom the Shedding Light series, 2010/11, each painting oil on board, 60 x 60cm — **12 Jennifer Bell: Taking a Stand: HELEN STEPHENS**
From the *Shedding Light* series, 2010/11, each painting oil on board, 60 x 60cm

13 Andrzej Zielinski: pulp digital fictions: MARK PENNINGSAndrzej Zielinski, Green Shredded, 2011, acrylic on linen, 102 x 102cm. Image courtesy the artist and Gallery 9, Sydney — **13 Andrzej Zielinski: pulp digital fictions: MARK PENNINGS**
Andrzej Zielinski, Green Shredded, 2011, acrylic on linen, 102 x 102cm. Image courtesy the artist and Gallery 9, Sydney

14 Cultivating palates: 2011 Fleurieu Art Prize: MAURICE O’RIORDANLoongkoonan, Nyikina Country, finalist, 2011 Fleurieu Prize — **14 Cultivating palates: 2011 Fleurieu Art Prize: MAURICE O’RIORDAN**
Loongkoonan, *Nyikina Country*, finalist, 2011 Fleurieu Prize

15 Narrative Journeys: Michael Stevenson at the MCA: ALTAIR ROELANTSMichael Stevenson, The Gift (detail) 2004–06, aluminium, wood, rope, bamboo, tar, World War II parachute and National Geographic magazines. Installation view, Museum of Contemporary… — **15 Narrative Journeys: Michael Stevenson at the MCA: ALTAIR ROELANTS**
Michael Stevenson, *The Gift* (detail) 2004–06, aluminium, wood, rope, bamboo, tar, World War II parachute and *National Geographic* magazines. Installation view, Museum of Contemporary Art, Sydney, 2011. Purchased 2007 The Queensland Government’s Gallery of Modern Art Acquisitions Fund Collection: Queensland Art Gallery, Brisbane. © the artist

16 books: Telstra National Aboriginal and Torres Strait Islander Art Award 1984-2008: Celebrating 25 Years: JANE RAFFANFranchesca Cubillo (ed.), Telstra National Aboriginal and Torres Strait Islander Art Award 1984-2008: Celebrating 25 Years, CDU Pr… — **16 books: Telstra National Aboriginal and Torres Strait Islander Art Award 1984-2008: Celebrating 25 Years: JANE RAFFAN**
Franchesca Cubillo (ed.), *Telstra National Aboriginal and Torres Strait Islander Art Award 1984-2008: Celebrating 25 Years,* CDU Press, Darwin, 2011, 250pp, rrp$55

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