Art Monthly Australasia-Issue 261 July 2013

July 2013 Issue 261

1 Being There: Simryn Gill @ the Venice Biennale: JOHN KELLYCatherine de Zegher and Simryn Gill, Here art grows on trees, Australian Pavilion, Venice Biennale 2013; image courtesy the artist; photo: Jenni Carter — **1 Being There: Simryn Gill @ the Venice Biennale: JOHN KELLY**
Catherine de Zegher and Simryn Gill, Here art grows on trees, Australian Pavilion, Venice Biennale 2013; image courtesy the artist; photo: Jenni Carter

2 Frank Nowlan: Man of the Series, Inside the 'Outsider' Artist: JOSEPH DAVISFrank Nowlan, Thirroul seaside Arts Festival, 2004, oil on canvas; images courtesy the artist — **2 Frank Nowlan: Man of the Series, Inside the 'Outsider' Artist: JOSEPH DAVIS**
Frank Nowlan, *Thirroul seaside Arts Festival*, 2004, oil on canvas; images courtesy the artist

3 Not the usual Book Club Story: the Margaret Dredge retrospective & the workings of Australia art historiography: JULIETTE PEERSMargaret Dredge, Nuns at Dawn, 1970, oil on board, 91.5 x 122cm; commended, Inez Hutchison Award — **3 Not the usual Book Club Story: the Margaret Dredge retrospective & the workings of Australia art historiography: JULIETTE PEERS**
Margaret Dredge, *Nuns at Dawn*, 1970, oil on board, 91.5 x 122cm; commended, Inez Hutchison Award

4 The Legacy of Chandler Coventry & the 30th anniversary of the New England Regional Art Museum: SASHA GRISHINJudy Cassab, Portrait of Chandler Coventry, oil on canvas, 1987; gift of Judy Cassab through the Australian Government's Cultural Gifts… — **4 The Legacy of Chandler Coventry & the 30th anniversary of the New England Regional Art Museum: SASHA GRISHIN**
Judy Cassab, *Portrait of Chandler Coventry*, oil on canvas, 1987; gift of Judy Cassab through the Australian Government's Cultural Gifts Program 2011; all images this article courtesy New England Regional Art Museum

5 Force of clarity: detonating the BOMB: MAURICE O'RIORDANNational Tantrum, 2013, video still — **5 Force of clarity: detonating the BOMB: MAURICE O'RIORDAN**
*National Tantrum*, 2013, video still

6 Painting Virtue: a portrait of Laurie Baymarrwangga: BENTLEY JAMESGillian Warden, Virtue (portrait of Laurie Baymarrwangga, 2013, 120 x 120cm; image courtesy the artist — **6 Painting Virtue: a portrait of Laurie Baymarrwangga: BENTLEY JAMES**
Gillian Warden, *Virtue* (portrait of Laurie Baymarrwangga, 2013, 120 x 120cm; image courtesy the artist

7 Obituary: A life handmade: Kathreen Ricketson (1971-2013): TANIA EVANSKathreen Ricketson in her studio, Canberra, 2012. Photo: Courtesy and copyright: Lee Grant — **7 Obituary: A life handmade: Kathreen Ricketson (1971-2013): TANIA EVANS**
Kathreen Ricketson in her studio, Canberra, 2012. Photo: Courtesy and copyright: Lee Grant

8 A tree cosy Warwick winterPlain Pink Purlers Group (Supporters of those with breast cancer), Plain 1, Purl 1, Pink 1, 2009, wool and acrylic Yarn, Ribbon — **8 A tree cosy Warwick winter**
Plain Pink Purlers Group (Supporters of those with breast cancer), *Plain 1, Purl 1, Pink 1*, 2009, wool and acrylic Yarn, Ribbon

9 Renegades: the dissident and the free-spirited: CAMILLE MASSON-TALANSIERBernard Vartuli, Left and right freedoms (plan), 2011, graphite, gouache on paper, 44 x 55cm; image courtesy the artist; Collection: Courtesy Masson-Talansier Collection. Phot… — **9 Renegades: the dissident and the free-spirited: CAMILLE MASSON-TALANSIER**
Bernard Vartuli, *Left and right freedoms (plan)*, 2011, graphite, gouache on paper, 44 x 55cm; image courtesy the artist; Collection: Courtesy Masson-Talansier Collection. Photo: Michael Marzik

10 Walk the Talk: the politics of artists who write: MARK TITMARSHBianca Hester, a world, fully accessible by no human being, 2011; developed for the 2011 Melbourne Prize for Urban Sculpture at Federation Square; the project comprised three componen… — **10 Walk the Talk: the politics of artists who write: MARK TITMARSH**
Bianca Hester, *a world, fully accessible by no human being*, 2011; developed for the 2011 Melbourne Prize for Urban Sculpture at Federation Square; the project comprised three components: a series of propositions, an architectural intervention; and a 32-page broadsheet (available for free onsite/with the installation), as well as a blog documenting
the project’s related performances and acted-on proposals; image courtesy the artist

11 Stiev Selapak: a Cambodian artists' collective: ROGER NELSONVandy Rattana, Takeo, 2009, from Bomb Ponds series; image courtesy the artist; all images this article courtesy SA SA BASSAC, Phnom Penh, Cambodia — **11 Stiev Selapak: a Cambodian artists' collective: ROGER NELSON**
Vandy Rattana, *Takeo*, 2009, from Bomb Ponds series; image courtesy the artist; all images this article courtesy SA SA BASSAC, Phnom Penh, Cambodia

12 Notes from India Art Fair 2013: REG NEWITTTayeba Begum Lipi, My Daughter's Cot, 2012, stainless steel, 122 x 71 x 101.6cm; image courtesy the artist and Samdani Art Foundation, Dhaka, Bangladesh — **12 Notes from India Art Fair 2013: REG NEWITT**
Tayeba Begum Lipi, *My Daughter's Cot*, 2012, stainless steel, 122 x 71 x 101.6cm; image courtesy the artist and Samdani Art Foundation, Dhaka, Bangladesh

13 PREVIEW: string theoryLizzie Riley, Moira, 2004, recycled clothing, knitting, cotton, 27 x 11cm; University of Wollongong Art Collection; image courtesy the artist, University of Wollongong Art Collection and CAN WA; © the artist — **13 PREVIEW: string theory**
Lizzie Riley, *Moira*, 2004, recycled clothing, knitting, cotton, 27 x 11cm; University of Wollongong Art Collection; image courtesy the artist, University of Wollongong Art Collection and CAN WA; © the artist

Art Monthly Australasia

Art Monthly Australasia is Australasia’s flagship visual arts publication, providing a critical platform for its artists. Published since 1987 under six full-time editors (Peter Townsend, Peter Timms, Philippa Kelly, Deborah Clark, Maurice O’Riordan and, from 2014, Michael Fitzgerald), it is Australasia’s only monthly visual arts magazine placing visual arts in a contemporary, historical and regional context.

Based at the ANU School of Art in Canberra since 1992, Art Monthly Australasia is a non-profit charitable organisation whose income is derived from sales of the magazine, advertising, sponsorship and government funding. Its board comprises leaders in their fields of visual arts scholarship, practice and curating, along with business and finance.

Since 2015, Art Monthly has also fostered critical discourse across the Asia-Pacific region with a new International Council, which, along with increased participation at international art fairs and biennales, is helping to provide a meaningful new context for its artists.

Buy a subscription

Donate Now

Art Monthly Australasia receives organisational funding through:

Art Monthly Australasia is housed by:

‘UAMA Essay Series’
sponsored by: