Art Monthly Australasia-Issue 263 September 2013

September 2013 Issue 263

1 Inside Running: The Sport of Art Fremantle Art Centre, Perth: KYLA McFARLANENick Selenitsch, Untitled, 2013, mixed-media installation, installation view Inside Running, 2013; image courtesy the artist; photo: Bo Wong — **1 Inside Running: The Sport of Art Fremantle Art Centre, Perth: KYLA McFARLANE**
Nick Selenitsch, *Untitled*, 2013, mixed-media installation, installation view *Inside Running*, 2013; image courtesy the artist; photo: Bo Wong

2 Todd McMillan: Ten Years of Tears: CARRIE MILLERTodd McMillan, By the Sea, 2004, cinematographer: Andrew Liversidge; 16mm film, 1min:12sec, looped, installation viewTen Years of Tears, MONA, 2013; image courtesy the artist and MONA Museum of Old a… — **2 Todd McMillan: Ten Years of Tears: CARRIE MILLER**
Todd McMillan, *By the Sea*, 2004, cinematographer: Andrew Liversidge; 16mm film, 1min:12sec, looped, installation viewTen Years of Tears, MONA, 2013; image courtesy the artist and MONA Museum of Old and New Art, Hobart; photo: MONA/Rémi Chauvin

3 Alex Seton: Roughing Out: KATE BRITTONAlex Seton, The Recursive Time Machine (detail), 2013, performance with the artist reproducing his right hand with pantograph machine, digital resin prints, marble, inside a plexiglass box, 200 x 200 x 200cm; … — **3 Alex Seton: Roughing Out: KATE BRITTON**
Alex Seton, *The Recursive Time Machine* (detail), 2013, performance with the artist reproducing his right hand with pantograph machine, digital resin prints, marble, inside a plexiglass box, 200 x 200 x 200cm; image courtesy the artist, Sullivan & Strumpf, Sydney, and Hazelhurst Regional Gallery & Arts Centre

4 Australia: The Exhibition: JEREMY ECCLESRover Thomas, Cyclone Tracy, 1991, natural earth pigments on canvas; Collection: National Gallery of Australia, Canberra; purchased 1991; © the artist's estate, courtesy Warmun Art Centre — **4 Australia: The Exhibition: JEREMY ECCLES**
Rover Thomas, *Cyclone Tracy*, 1991, natural earth pigments on canvas; Collection: National Gallery of Australia, Canberra; purchased 1991; © the artist's estate, courtesy Warmun Art Centre

5 ‘We Are Asia’: the global artworld seen from Singapore: JOHN MATEERIndonesian Pavilion, Art Stage 2013; all images this article courtesy Art Stage Singapore — **5 ‘We Are Asia’: the global artworld seen from Singapore: JOHN MATEER**
Indonesian Pavilion, Art Stage 2013; all images this article courtesy Art Stage Singapore

6 Punk, Pop & Pluralism: Mix Tape 1980s, NGV: ASHLEY CRAWFORDJuan Davila, Rat man, 1980, oil on canvas, 197.6 x 274cm; Collection: National Gallery of Victoria, Melbourne; Purchased, 1984; © Juan Davila, courtesy Kalli Rolfe Contemporary Art — **6 Punk, Pop & Pluralism: Mix Tape 1980s, NGV: ASHLEY CRAWFORD**
Juan Davila, *Rat man*, 1980, oil on canvas, 197.6 x 274cm; Collection: National Gallery of Victoria, Melbourne; Purchased, 1984; © Juan Davila, courtesy Kalli Rolfe Contemporary Art

7 Vocal Folds, Gertrude Contemporary: JARED DAVISValie Export, I turn over the pictures of my voice in my head, 2009, video still and performance documentation — **7 Vocal Folds, Gertrude Contemporary: JARED DAVIS**
Valie Export, *I turn over the pictures of my voice in my head*, 2009, video still and performance documentation

8 Yonder Perth Institute of Contemporary Arts: NIEN SCHWARZAndy Best, Butterfly: We See Further, 2010-12. Image courtesy the artist; photo: Bewely Shaylor — **8 Yonder Perth Institute of Contemporary Arts: NIEN SCHWARZ**
Andy Best, *Butterfly: We See Further*, 2010-12. Image courtesy the artist; photo: Bewely Shaylor

9 Notes on the commodification of street art: CDHWork by Kaffeine in Melbourne Central shopping centre, 2012 — **9 Notes on the commodification of street art: CDH**
Work by Kaffeine in Melbourne Central shopping centre, 2012

10 G3 Artspace, Parkdale - Melbourne: KIRSTEN RANNVicki Couzens, Tooram Marree Tooram Stones, print, shown as part of G3’s 2013 NAIDOC program; image courtesy the artist — **10 G3 Artspace, Parkdale - Melbourne: KIRSTEN RANN**
Vicki Couzens, *Tooram Marree Tooram Stones*, print, shown as part of G3’s 2013 NAIDOC program; image courtesy the artist

11 Daniel Taylor, Art of conservation: MAURICE O'RIORDANDaniel Taylor, Mountain Gorilla; acrylic on board; image courtesy the African Conservation Foundation — **11 Daniel Taylor, Art of conservation: MAURICE O'RIORDAN**
Daniel Taylor, *Mountain Gorilla*; acrylic on board; image courtesy the African Conservation Foundation

12 All you wanted to know about Maus (but were afraid to ask): CEFN RIDOUTArt Spiegelman, MetaMaus, Viking Press, New York, 2011; 300pp; rrp$45; ISBN: 9780670916832 — **12 All you wanted to know about Maus (but were afraid to ask): CEFN RIDOUT**
Art Spiegelman, *MetaMaus*, Viking Press, New York, 2011; 300pp; rrp$45; ISBN: 9780670916832

13 Van Gogh Sketchbooks: MAURICE O'RIORDANVan Gogh Sketchbooks, four sketchbooks, booklet, folio of loose sketchbook leaves, cloth-bound box, The Folio Society, London, in association with the Van Gogh Museum, Amsterdam, May 2013, rrp$845, limited e… — **13 Van Gogh Sketchbooks: MAURICE O'RIORDAN**
*Van Gogh Sketchbooks*, four sketchbooks, booklet, folio of loose sketchbook leaves, cloth-bound box, The Folio Society, London, in association with the Van Gogh Museum, Amsterdam, May 2013, rrp$845, limited edition

Art Monthly Australasia

Art Monthly Australasia is Australasia’s flagship visual arts publication, providing a critical platform for its artists. Published since 1987 under six full-time editors (Peter Townsend, Peter Timms, Philippa Kelly, Deborah Clark, Maurice O’Riordan and, from 2014, Michael Fitzgerald), it is Australasia’s only monthly visual arts magazine placing visual arts in a contemporary, historical and regional context.

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