Art Monthly Australasia-Issue 265 November 2013

1 Biennale fever in Indonesia: temporary sites for contemporary, art: ROY VORAGENAgus Suwage, Social Mirror #3, 2013, trumpet, copper, wood and car audio systems, 118 x 24 x 70cm; image courtesy the artist — **1 Biennale fever in Indonesia: temporary sites for contemporary, art: ROY VORAGEN**
Agus Suwage, *Social Mirror #3*, 2013, trumpet, copper, wood and car audio systems, 118 x 24 x 70cm; image courtesy the artist

2 Penang Diary, notes from a residency in Georgetown: JUMAADIChulia Street, Georgetown, Penang; photo: Jumaadi — **2 Penang Diary, notes from a residency in Georgetown: JUMAADI**
Chulia Street, Georgetown, Penang; photo: Jumaadi

3 A portrait of the nation by the artist: Browsing the 55th Venice Biennale: STEPHANIE CAHALANIraq Pavilion, ‘Welcome to Iraq’ (detail), Venice Biennale; image courtesy Venice Biennale; photo: Italo Rondinella — **3 A portrait of the nation by the artist: Browsing the 55th Venice Biennale: STEPHENIE CAHALAN**
Iraq Pavilion, ‘Welcome to Iraq’ (detail), Venice Biennale; image courtesy Venice Biennale; photo: Italo Rondinella

4 Robin Wallace-Crabbe: Word Score: MILLAN PINTOS-LOPEZRobin Wallace-Crabbe, Love and affection, (undated), digital print and charcoal on paper; installation view, Left Hand gallery, Braidwood, 2013; photo: Kelly Sturgis — **4 Robin Wallace-Crabbe: Word Score: MILLAN PINTOS-LOPEZ**
Robin Wallace-Crabbe, *Love and affection*, (undated), digital print and charcoal on paper; installation view, Left Hand gallery, Braidwood, 2013; photo: Kelly Sturgis

5 Drawn to Dust: Hill End reflections 2013: PAMELA FRENCHPamela French, Husband and wife, 2013, monotype, 10 x 12cm — **5 Drawn to Dust: Hill End reflections 2013: PAMELA FRENCH**
Pamela French, *Husband and wife*, 2013, monotype, 10 x 12cm

6 Out of Hill End: LENI SHILTONThe singing frogs, 2013, ink on paper, 22 x 32cm — **6 Out of Hill End: LENI SHILTON**
*The singing frogs*, 2013, ink on paper, 22 x 32cm

7 Fragmented Productivity: Here & Now 13: AMANDA CACHIALisa Uhl, Turtujarti (walnut trees), 2013, acrylic on canvas, 120 x 120cm, image courtesy the artist © the artist; photo: Mangkaja Arts Resource Agency — **7 Fragmented Productivity: Here & Now 13: AMANDA CACHIA**
Lisa Uhl, *Turtujarti (walnut trees)*, 2013, acrylic on canvas, 120 x 120cm, image courtesy the artist © the artist; photo: Mangkaja Arts Resource Agency

8 Playing the Fontanelle, Bowden, Adelaide: WENDY WALKERFontanelle Gallery exterior, Bowen, Adelaide, building façade painting by Sam Songailo — **8 Playing the Fontanelle, Bowden, Adelaide: WENDY WALKER**
Fontanelle Gallery exterior, Bowen, Adelaide, building façade painting by Sam Songailo

9 An artist in a waitress's body: Australian twenty-somethings pursuing an artistic career: NAIMA MORELLIJacqui Shelton, Framing everyday negotiations: never confuse movement with action, 2013, single channel video installation, 31:38 min — **9 An artist in a waitress's body: Australian twenty-somethings pursuing an artistic career: NAIMA MORELLI**
Jacqui Shelton, *Framing everyday negotiations: never confuse movement with action*, 2013, single channel video installation, 31:38 min

10 Frontman, Treaty, yeah?: MAURICE O'RIORDANCD cover image, Treaty – Filthy Lucre Remix, 1991, Mushroom Records, Australia; produced and mixed by Ga/ vin Campbell, Robert Goodge and Paul Main — **10 Frontman, Treaty, yeah?: MAURICE O'RIORDAN**
CD cover image, *Treaty – Filthy Lucre Remix*, 1991, Mushroom Records, Australia; produced and mixed by Ga/ vin Campbell, Robert Goodge and Paul Main

11 Conversing, re(in)verting …: DAVID HANSEN & ARTHUR WICKSArthur Wicks, Germinating Landscape, 1967, silkscreen print on MG Litho paper, 45 x 62cm — **11 Conversing, re(in)verting …: DAVID HANSEN & ARTHUR WICKS**
Arthur Wicks, *Germinating Landscape*, 1967, silkscreen print on MG Litho paper, 45 x 62cm

12 A Century of Readymades: MARK HOLSWORTHMarcel Duchamp, Bicycle wheel, 1913, reconstructed 1964, painted wooden stool and bicycle wheel; stool: 50.4 cm (h); wheel: 64.8cm (diam.); 126.5 cm (h) (overall); Collection: National Gallery of Australia,… — **12 A Century of Readymades: MARK HOLSWORTH**
Marcel Duchamp, *Bicycle wheel*, 1913, reconstructed 1964, painted wooden stool and bicycle wheel; stool: 50.4 cm (h); wheel: 64.8cm (diam.); 126.5 cm (h) (overall); Collection: National Gallery of Australia, Canberra; © Succession Marcel Duchamp/ADAGP/Paris; licensed by Viscopy 2013

13 artbooks: Caterpillars and Computers: Keith Haring in Australia: ANDREW ATCHISONHannah Mathews (ed.), Australian Centre for Contemporary Art Publications, Melbourne, commissioned by the City of Yarra's Arts & Culture Department, 2012; design:… — **13 artbooks: Caterpillars and Computers: Keith Haring in Australia: ANDREW ATCHISON**
Hannah Mathews (ed.), Australian Centre for Contemporary Art Publications, Melbourne, commissioned by the City of Yarra's Arts & Culture Department, 2012; design: Matthew Hinkley, 55pp; rrp$13

Art Monthly Australasia

Art Monthly Australasia is Australasia’s flagship visual arts publication, providing a critical platform for its artists. Published since 1987 under six full-time editors (Peter Townsend, Peter Timms, Philippa Kelly, Deborah Clark, Maurice O’Riordan and, from 2014, Michael Fitzgerald), it is Australasia’s only monthly visual arts magazine placing visual arts in a contemporary, historical and regional context.

Based at the ANU School of Art in Canberra since 1992, Art Monthly Australasia is a non-profit charitable organisation whose income is derived from sales of the magazine, advertising, sponsorship and government funding. Its board comprises leaders in their fields of visual arts scholarship, practice and curating, along with business and finance.

Since 2015, Art Monthly has also fostered critical discourse across the Asia-Pacific region with a new International Council, which, along with increased participation at international art fairs and biennales, is helping to provide a meaningful new context for its artists.