Art Monthly Australasia-Issue 267 March 2014

1 Australia Platform: Art Stage Singapore 2014: ANNE-MARIE JEANJuz Kitson, Changing Skin (detail), 2013, installation view; porcelain and mixed media, 580 x 500 x 140cm; presented by GAGPROJECTS, Adelaide; image courtesy Art Stage Singapore — **1 Australia Platform: Art Stage Singapore 2014: ANNE-MARIE JEAN**
Juz Kitson, *Changing Skin* (detail), 2013, installation view; porcelain and mixed media, 580 x 500 x 140cm; presented by GAGPROJECTS, Adelaide; image courtesy Art Stage Singapore

2 Critical mass: Contemplating 'Melbourne Now': ALEXIE GLASS-KANTORDarren Sylvester, For you, 2013, installation view; based on Yves Saint Laurent Les Essentials rouge pur couture, La laque couture and Rouge pur couture range revolution lipsticks, M… — **2 Critical mass: Contemplating 'Melbourne Now': ALEXIE GLASS-KANTOR**
Darren Sylvester, *For you*, 2013, installation view; based on Yves Saint Laurent Les Essentials rouge pur couture, La laque couture and Rouge pur couture range revolution lipsticks, Marrakesh sunset palette, Palette city drive,*Ombres 5 lumiéres, Pure chromatic eyeshadows and Blush radiance;* illuminated dance floor, sound system, 605 x 1500 x 1980 cm; supported by VicHealth; assisted by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body

3 Environmentalist drift: Cai Guo-Qiang’s ‘Falling Back to Earth’: SOUCHOU YAOCai Guo-Qiang, Eucalyptus, 2013, installation view; spotted gum (Corymbia maculata), wooden stools, paper and pencils; length: 3150cm (approximate); commissioned for ‘Fall… — **3 Environmentalist drift: Cai Guo-Qiang’s ‘Falling Back to Earth’: SOUCHOU YAO**
Cai Guo-Qiang, *Eucalyptus*, 2013, installation view; spotted gum (Corymbia maculata), wooden stools, paper and pencils; length: 3150cm (approximate); commissioned for ‘Falling Back to Earth’; image courtesy Queensland Art Gallery/Gallery of Modern Art, Brisbane

4 An evocation of desire: Juliana Engberg and the 19th Biennale of Sydney: CHLOE WOLIFSONJim Lambie, Zobop (Fluorescent), 2006, vinyl tape, dimensions variable; installation view, La Colección Jumex, México, Museo Nacional de Arte, 2008; La Colecció… — **4 An evocation of desire: Juliana Engberg and the 19th Biennale of Sydney: CHLOE WOLIFSON**
Jim Lambie, *Zobop (Fluorescent)*, 2006, vinyl tape, dimensions variable; installation view, La Colección Jumex, México, Museo Nacional de Arte, 2008; La Colección Jumex; image courtesy the artist and The Modern Institute/Toby Webster Ltd, Glasgow; photo: Francisco Kochen

5 Into the light: Nick Mitzevich and the 13th Adelaide Biennial of Australian Art: WENDY WALKERShoufay Derz, I am death destroyer of words(detail), 2011, pigment print on cotton paper, custom-made cedar wood frame, stained indigo, 104 x 111cm; image… — **5 Into the light: Nick Mitzevich and the 13th Adelaide Biennial of Australian Art: WENDY WALKER**
Shoufay Derz, *I am death destroyer of words*(detail), 2011, pigment print on cotton paper, custom-made cedar wood frame, stained indigo, 104 x 111cm; image courtesy the artist; ©Shoufay Derz

6 Celestial bodies: The Kate Challis RAKA Award 2013: JANE RAFFANGarawan Wanambi, Marrangu (detail), natural pigments and synthetic binder on bark; installation view, Ian Potter Museum of Art, Melbourne, 2013; courtesy the artist, Buku-Larrnggay Mul… — **6 Celestial bodies: The Kate Challis RAKA Award 2013: JANE RAFFAN**
Garawan Wanambi, *Marrangu* (detail), natural pigments and synthetic binder on bark; installation view, Ian Potter Museum of Art, Melbourne, 2013; courtesy the artist, Buku-Larrnggay Mulka Centre, Yirrkala, and Niagara Galleries, Melbourne; photo: Vicki Petherbridge

7 Tribute: John Peart 1945-2013: JOE FROSTJohn Peart at Wedderburn; photo: Stephen Oxenbury — **7 Tribute: John Peart 1945-2013: JOE FROST**
John Peart at Wedderburn; photo: Stephen Oxenbury

8 Tribute: Gunter Christmann1936-2013: SIMON BARNEYGunter Christmann and Jenny Christmann, 1975; image courtesy The Commercial, Sydney — **8 Tribute: Gunter Christmann1936-2013: SIMON BARNEY**
Gunter Christmann and Jenny Christmann, 1975; image courtesy The Commercial, Sydney

9 Tribute: Martin Ritchie Sharp 1942-2013: CHRISTINE FRANCEMartin Sharp at Wirian, 2012; image courtesy Josef Lebovic Gallery, Sydney; photo: Robert McFarlane — **9 Tribute: Martin Ritchie Sharp 1942-2013: CHRISTINE FRANCE**
Martin Sharp at Wirian, 2012; image courtesy Josef Lebovic Gallery, Sydney; photo: Robert McFarlane

Art Monthly Australasia

Art Monthly Australasia is Australasia’s flagship visual arts publication, providing a critical platform for its artists. Published since 1987 under six full-time editors (Peter Townsend, Peter Timms, Philippa Kelly, Deborah Clark, Maurice O’Riordan and, from 2014, Michael Fitzgerald), it is Australasia’s only monthly visual arts magazine placing visual arts in a contemporary, historical and regional context.

Based at the ANU School of Art in Canberra since 1992, Art Monthly Australasia is a non-profit charitable organisation whose income is derived from sales of the magazine, advertising, sponsorship and government funding. Its board comprises leaders in their fields of visual arts scholarship, practice and curating, along with business and finance.

Since 2015, Art Monthly has also fostered critical discourse across the Asia-Pacific region with a new International Council, which, along with increased participation at international art fairs and biennales, is helping to provide a meaningful new context for its artists.