1 Olleywood: CHRISTINE FRANCEView of the ‘yellow room’ at the Margaret Olley Art Centre; image courtesy Tweed Regional Gallery, Murwillumbah — **1 Olleywood: CHRISTINE FRANCE**
View of the ‘yellow room’ at the Margaret Olley Art Centre; image courtesy Tweed Regional Gallery, Murwillumbah

2 Connecting the threads of string theory: SARAH PIRRIEDale Harding, bright eyed little dormitory girls (detail), 2013, hessian sacks, mohair wool; image courtesy and © the artist — **2 Connecting the threads of string theory: SARAH PIRRIE**
Dale Harding, *bright eyed little dormitory girls* (detail), 2013, hessian sacks, mohair wool; image courtesy and © the artist

3 An ongoing state of conflict: Richard Mosse’s The Enclave: SUSAN GIBBRichard Mosse, Higher Ground, 2012, still from The Enclave, 2012–13; 16mm infra-red film transferred to HD video, 39min:25sec; produced in eastern Democratic Republic of Congo; d… — **3 An ongoing state of conflict: Richard Mosse’s The Enclave: SUSAN GIBB**
Richard Mosse, *Higher Ground*, 2012, still from The Enclave, 2012–13; 16mm infra-red film transferred to HD video, 39min:25sec; produced in eastern Democratic Republic of Congo; director/producer Richard Mosse; image courtesy and © Richard Mosse, and Jack Shainman Gallery, New York

4 Animating Atua: In the presence of Polynesian gods: MARGARET JOLLYAncestor figure, part of a pou-tokomanawa, mid- to late 19th century; Māori, Aotearoa/New Zealand, southern Polynesia; attributed to Raharuhi Rukupo; wood, 80 x 26.5 x 20cm; NGA, Ca… — **4 Animating Atua: In the presence of Polynesian gods: MARGARET JOLLY**
*Ancestor figure, part of a pou-tokomanawa*, mid- to late 19th century; Māori, Aotearoa/New Zealand, southern Polynesia; attributed to Raharuhi Rukupo; wood, 80 x 26.5 x 20cm; NGA, Canberra; © NGA; all rights reserved

5 Then and now: The Stanley Gordon Moriarty Collection of Papua New Guinea Highlands art: Susan CochraneDancers wearing contemporary gaheisi (ceremonial dance banners), Goroka Show, 2011; photo: Natalie Wilso — **5 Then and now: The Stanley Gordon Moriarty Collection of Papua New Guinea Highlands art: Susan Cochrane**
Dancers wearing contemporary gaheisi (ceremonial dance banners), Goroka Show, 2011; photo: Natalie Wilso

6 ‘Navigation Pacifica 2013’: Community as subject: KON GOURIOTISIsrael Tangaroa Birch, Ara-i-te-uru, 2011, lacquer on stainless steel, 150 x 150 x 900cm; image courtesy of City Gallery Wellington; photo: Andrew Beck — **6 ‘Navigation Pacifica 2013’: Community as subject: KON GOURIOTIS**
Israel Tangaroa Birch, *Ara-i-te-uru*, 2011, lacquer on stainless steel, 150 x 150 x 900cm; image courtesy of City Gallery Wellington; photo: Andrew Beck

7 Future primitive and fugitive: ELIZABETH GERTSAKISRohan Wealleans, Keepers of the Crystal gaze, 2013, colour photograph, edition of 3, 1 AP, 60 x 48.6cm; courtesy the artist and Ivan Anthony Gallery, Auckland — **7 Future primitive and fugitive: ELIZABETH GERTSAKIS**
Rohan Wealleans, *Keepers of the Crystal gaze*, 2013, colour photograph, edition of 3, 1 AP, 60 x 48.6cm; courtesy the artist and Ivan Anthony Gallery, Auckland

8 Silver convention: MAURICE O'RIORDANMichael Cook and Ari Athans, Past, Present, Future (detail), 2013; courtesy Museum of Brisbane — **8 Silver convention: MAURICE O'RIORDAN**
Michael Cook and Ari Athans, *Past, Present, Future* (detail), 2013; courtesy Museum of Brisbane

9 Foreshadowing things to come: Western Australia’s state of art: ANDREW PURVISMounir Fatmi, Save Manhattan 01, 2003–04, books, strings, spotlight and table, 68.5 x 150 x 90cm; State Art Collection, Art Gallery of Western Australia, Perth, purchased… — **9 Foreshadowing things to come: Western Australia’s state of art: ANDREW PURVIS**
Mounir Fatmi, *Save Manhattan 01*, 2003–04, books, strings, spotlight and table, 68.5 x 150 x 90cm; State Art Collection, Art Gallery of Western Australia, Perth, purchased 2013; © Mounir Fatmi, 2003-04

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