Art Monthly Australasia-Issue 276 Summer 2014/15

Summer 2014/15 Issue 266

1 What’s new?: Tom MelickBoris Groys, On the New, trans G. M. Goshgarian, Verso Books, London and New York, 2014, 208 pages — **1 What’s new?: Tom Melick**
Boris Groys, *On the New,* trans G. M. Goshgarian, Verso Books, London and New York, 2014, 208 pages

2 A collaborative approach: Sasha Grishin’s Australian Art: A History: Louise MayhewSasha Grishin, Australian Art: A History, The Miegunyah Press, Melbourne, 2014, 570 pages, AU$175 — **2 A collaborative approach: Sasha Grishin’s Australian Art: A History: Louise Mayhew**
Sasha Grishin, *Australian Art: A History*, The Miegunyah Press, Melbourne, 2014, 570 pages, AU$175

3 Akio Makigawa’s forms of persuasion: Patrick HutchingsJackie Cooper (ed.), Akio Makigawa, Macmillan Art, Melbourne, 2014, 565 pages, AU$175 — **3 Akio Makigawa’s forms of persuasion: Patrick Hutchings**
Jackie Cooper (ed.), *Akio Makigawa*, Macmillan Art, Melbourne, 2014, 565 pages, AU$175

4 A meme on the Murray: Clive Murray-WhiteKevin Mortensen, Delicatessen, 1975, installation view, 6th Mildura Sculpture Triennial, 1975; (the work comprised a shop, several objects constructed by the artist hanging by hooks on railing, and an actor)… — **4 A meme on the Murray: Clive Murray-White**
Kevin Mortensen, *Delicatessen*, 1975, installation view, 6th Mildura Sculpture Triennial, 1975; (the work comprised a shop, several objects constructed by the artist hanging by hooks on railing, and an actor); photo: Ken Scarlett

5 Paused for contemplation: ‘Episodes: Australian Photography Now’: En Young AhnDong Gang Museum of Photography with 13th Dong Gang International Photo Festival posters featuring work by Koo Bohnchang and Christian Thompson, 2014; photo: En Young Ahn — **5 Paused for contemplation: ‘Episodes: Australian Photography Now’: En Young Ahn**
Dong Gang Museum of Photography with 13th Dong Gang International Photo Festival posters featuring work by Koo Bohnchang and Christian Thompson, 2014; photo: En Young Ahn

6 How to (read) things that don’t exist: Charles Esche in conversation with Zara StanhopeClara Ianni and Deborah Maria da Silva, Apelo (Plea), 2014, video, installation view, 31st Bienal de São Paulo, 2014; photo courtesy and © Pedro Ivo Trasferetti… — **6 How to (read) things that don’t exist: Charles Esche in conversation with Zara Stanhope**
Clara Ianni and Deborah Maria da Silva, *Apelo (Plea)*, 2014, video, installation view, 31st Bienal de São Paulo, 2014; photo courtesy and © Pedro Ivo Trasferetti/Fundação Bienal de São Paulo

7 Notes from the north: Julie EwingtonNiki de Saint Phalle, en train de viser, 1972, coloured black-and-white photograph from the film Daddy © Peter Whitehead — **7 Notes from the north: Julie Ewington**
Niki de Saint Phalle, *en train de viser*, 1972, coloured black-and-white photograph from the film Daddy © Peter Whitehead

8 In the ‘second degree’: Revisiting Paul Taylor’s ‘POPISM’ at the NGV: Anneke JaspersRobert Rooney, Portrait of Paul Taylor, 1984, cibachrome photograph, 20.1 x 30.4cm, Art Gallery of New South Wales, Sydney, purchased 1996; image courtesy Tolarno … — **8 In the ‘second degree’: Revisiting Paul Taylor’s ‘POPISM’ at the NGV: Anneke Jaspers**
Robert Rooney, *Portrait of Paul Taylor*, 1984, cibachrome photograph, 20.1 x 30.4cm, Art Gallery of New South Wales, Sydney, purchased 1996; image courtesy Tolarno Galleries, Melbourne, and Darren Knight Gallery, Sydney © Robert Rooney

9 Close encounters with hyperreality: Michael DesmondChuck Close, Emma, 2000, oil on canvas; image courtesy Pace Gallery, New York; photo: Ellen Page Wilson, Pace Gallery, New York © Chuck Close — **9 Close encounters with hyperreality: Michael Desmond**
Chuck Close, *Emma,* 2000, oil on canvas; image courtesy Pace Gallery, New York; photo: Ellen Page Wilson, Pace Gallery, New York © Chuck Close

10 Calculating the corporeal: ‘PULSE: Reflections on the Body’: Claire Capel-StanleyJude Rae, Interior # 178, Meg, 2004, oil on linen, 40.5 x 38 cm; Canberra Museum and Gallery Collection; image courtesy the artist. photo: Brenton McGeachie — **10 Calculating the corporeal: ‘PULSE: Reflections on the Body’: Claire Capel-Stanley**
Jude Rae, *Interior # 178*, Meg, 2004, oil on linen, 40.5 x 38 cm; Canberra Museum and Gallery Collection; image courtesy the artist. photo: Brenton McGeachie

11 Continuums: William Wright in conversation with Kon GouriotisWilliam Wright, Earth, 1996, acrylic on canvas, 196 x 196cm; image courtesy the estate of William Wright. photo: Geoff Kleem — **11 Continuums: William Wright in conversation with Kon Gouriotis**
William Wright, *Earth*, 1996, acrylic on canvas, 196 x 196cm; image courtesy the estate of William Wright. photo: Geoff Kleem

12 The undead exhibition: Ann StephenNouvelles histoires de fantômes [New Ghost Stories], installation view, Palais de Tokyo, Paris, 2014. photo: André Morin — **12 The undead exhibition: Ann Stephen**
*Nouvelles histoires de fantômes* [New Ghost Stories], installation view, Palais de Tokyo, Paris, 2014. photo: André Morin

Art Monthly Australasia

Art Monthly Australasia is Australasia’s flagship visual arts publication, providing a critical platform for its artists. Published since 1987 under six full-time editors (Peter Townsend, Peter Timms, Philippa Kelly, Deborah Clark, Maurice O’Riordan and, from 2014, Michael Fitzgerald), it is Australasia’s only monthly visual arts magazine placing visual arts in a contemporary, historical and regional context.

Based at the ANU School of Art in Canberra since 1992, Art Monthly Australasia is a non-profit charitable organisation whose income is derived from sales of the magazine, advertising, sponsorship and government funding. Its board comprises leaders in their fields of visual arts scholarship, practice and curating, along with business and finance.

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