August 2017 Issue 300
1 Vieux*: Catherine townsend
From left: Studio International assistant editor John McEwen, Peter Townsend and André Cadere (with pole) outside the Bloomsbury pub, c. 1972–73; photo courtesy Catherine Townsend and André Cadere
2 Looking Into The Chinese Mirror: Peter Townsend
William Townsend, Peter Townsend, 1936–37, oil and pastel on canvas, 76 x 63cm; courtesy Catherine Townsend; photo: Sarah Ainslie
3 friends: Peter Townsend and China: Claire Roberts
Gu Yuan, Starvation, 1930s, woodcut, printed in black ink, from one block, 9.8 x 11.6cm, National Gallery of Australia, Canberra; Peter Townsend Collection, purchased with the assistance of the Australia-China Council 1985
4 Autres temps, autres moeurs: Michael Hobbs
No.1, June 1987: edited by Peter Townsend; production layout by Janet Gough; typesetting by Dawson Magazines Pty Ltd Cover caption (as published): Paddy Jumbaji from Turkey Creek, Western Australia uses natural earth pigments on hardboard, 82 x 102cm
5 From the Clock tower: David Williams
No.193, September 2006: edited by Deborah Clark; designed by bKathreen Ricketson Peter Townsend in the Art Monthly Australia office, in the clock tower of the ANU School of Art, Canberra, c. 1993; photo: Douglas Holleley
6 The Large Man At The Door: Julie Ewington
No.8, March 1988: edited by Peter Townsend; production layout by Janet Gough; typesetting by Dawson Magazines Pty Ltd John Brack, Portrait of Fred Williams, 1958, detail; oil on canvas, 112.7 x 90.8cm, Art Gallery of South Australia, Adelaide
7 Peter Townsend, Art Monthly and Asia: Alison Carroll
No.40, May 1991: edited by Peter Townsend; designed by ANU Graphic Design
8 300 Covers Art Monthly in Australia 1987-2017
300 covers: ART MONTHLY in Australia 1987–2017, exhibition installation views, Foyer Gallery, ANU School of Art & Design, Canberra, June 2017; photo: Aishah Kenton
9 Homage to Peter Townsend: Laurence Weiner
Lawrence Weiner’s homage to Peter Townsend first appeared as a projection at a memorial event for Peter Townsend at Tate Britain, London, in 2006; and subsequently in the exhibition ‘Five Issues of Studio International’, curated by Jo Melvin, at Raven Row, London, in 2015; and is kindly reproduced here courtesy the artist
