September 2017 Issue 301
1 Dispatches: Andrew Stephens
Mikala Dwyer, Square Cloud Compound, 2010, Installation View, Musuem of Contemporary Art, Sydney; Fabric stockings, glass, beer, Champagne, Plastic, Ceramics, Found Things, Wood, Rocks, Lights, Paints, Acrylic, Cat and Bird ornaments, dimensions variable; image courtesy the artist; photo: Jessica MAurer
2 September in The Galleries: Chloé Wolifson
Desert Mob, 2016, exhibition opening, 8 September 2016; image courtesy Araluen Arts Centre, Alice Springs; Photo: Lisa Hatzimihail
3 The Young ones: Finding Philanthropy: Rhianna Walcott, Sydney
MCA Young Ambassadors at Tom Polo's Artspace Studio, Sydney, 16 May 2017; image courtesy the artist, Artspace, Sydney, and the Museum of Contemporary Art Australia, Sydney; Photo: Sam Whiteside
4 Greg Semu and Philjames: All that Glitters Is Not Gold: Elizabeth Reidy, Sydney
Greg Semu, Black Tracker Surrogate Family, 2016-17, from the 'Blood Red' series; pigment print on art paper, 80 x 106.75cm; image courtesy the artist and Alcaston Gallery, Melbourne
5 Revisiting Landscape and Identity with Anne Zahalka: Jacqui Durrant, Albury
Anne Zahalka, Outlawed!, 2017, archival Pigment Print, 90 x 121cm; image courtesy the artist and ARC ONE Gallery, Melbourne
6 Beneath The 'layered otherness' of Dacchi Dang: John Clark, Sydney
Dacchi Dang, An omen near and Far, Exhibition detail View, 4A Centre for Contemporary Asian Art, Sydney, 2017, with (from left): Spectacle I, 1996; Untitled, 1996, from the series 'Spectacle II'; image courtesy the artist; photo: Document Photography
7 Hilarie Mais: A geometary of Emotion: Michael Desmond, Sydney
Hilarie Mais, Cluster Ghost, 2016, Synthetic polymer paint on wood, 182 x 182 x 4.5cm; image courtesy and copyright the artist; photo: Jessica Maurer
8 Ella Dreyfus: Walking in Wiesbaden
Ella Dreyfus, brettheimer, dreyfus, juden, ransenberg (brettheimer, dreyfus, jews, ransenberg), No 2, Schulbergstrabe, Wiesbaden, 2017, from the series Walking in Wiesbaden (2017); chromogenic print, 60 x 84cm; image courtesy the artist
9 A Curated Vision for the 2017 NATSIAAs: Michael Fitzgerald, Darwin
Robert Fielding, Milkali Kutju - One Blood, 2017, synthetic polymer paint and ink on burnt and pierced paper, 153.5 x 140.5cm; image courtesy the artist and MAGNT, Darwin
10 'To attend, singing, to the trace of the fugitive gods' The Big Punchbowl Project: Delia Nicholls, Freycinet Peninsula
Poet Adrienne Eberhard and painter Sue Lovegrove at the Big Punchbowl, Tasmania, October 2016; Photo: Mathew Newton
11 The National ' Institution': Fernando de Campo, Sydney
The National 2017: New Australian Art, exhibition installation view, Carriageworks, Sydney, 2017; image courtesy Carriageworks, Sydney; photo: Zan Wimberley
