August 2018 Issue 309
1 Dispatches: Andrew Stephens
brook andrew, 2015: image courtesy the biennale of sydney; photo: trent walter
2 notes from the field: Chloé Wolifson
danh vo, dos xx ambar, 2016, dos xx ambar beer box found in mexico city, gilded in thailand, 50 x 140cm; image courtesy the artist, arndt art agency (a3), berlin, and kurimanzutto, mexico city
3 Curating 'from will to form': emily cormack in conversation with amita kirpalani
starlie geikie, abri i, 2018, archival pigment inkjet print on hahnemühle photo rag, 74.5 x 111.8cm; image courtesy the artist
4 a celebration of life force: 'divided worlds': chris reid, adelaide
emily floyd, icelandic puffins, 2017, installation view, 'divided worlds', anne & gordon samstag museum of art, adelaide, 2018; photo: saul steed
5 reorient: surveying a region in the 'apb foundation signature art prize 2018': tai mitsuji, singapore
leung chi wo and sara wong, he was lost yesterday and we found him today, 2015, detail from photographic series; image courtesy the artists and blindspot gallery, hong kong
6 the dynamic terrain of the contemporary desert: kim mahood
kaylene whiskey work featured in the desert mob 2017 exhibition, araluen arts centre: cultural precinct, alice springs, 2017; image courtesy araluen arts centre, alice springs
7 eric bridgeman: 'kala büng (colours join together)'
eric bridgeman: my brother and the beast, 2018, exhibition installation view, gallerysmith, melbourne, 2018; image courtesy the artist and gallerysmith, melbourne; photos: ian hill
8 action and re-action: peter maloney and 'missing in action': caren florance, canberra
peter maloney: missing in action, exhibition installation view, drill hall gallery, canberra, 2018: image courtesy the artist and utopia art sydney; photo: rob little, rldi
9 polixeni papapetrou 1960-2018: natalie king
art monthly's july 2008 cover featuring polixeni papapetrou, olympia as lewis carroll's beatrice hatch before white cliffs, 2003, detail; type-C print
