Summer 2018/19 Issue 313

1 Dispatches: andrew stephensKiria Asike with noni-dyed pandanus, ‘Women’s Wealth’ workshop, Nazareth Rehabilitation Centre, Chabai, 2017; photo: Taloi Havini — **1 Dispatches: andrew stephens**
Kiria Asike with noni-dyed pandanus, ‘Women’s Wealth’ workshop, Nazareth Rehabilitation Centre, Chabai, 2017; photo: Taloi Havini

2 Notes from the field: Chloé WolifsonRichard Bell, For the many, 2018, acrylic on linen, 180 x 240cm; image courtesy the artist and Milani Gallery, Brisbane — **2 Notes from the field: Chloé Wolifson**
Richard Bell, *For the many*, 2018, acrylic on linen, 180 x 240cm; image courtesy the artist and Milani Gallery, Brisbane

3 curating atp9: staying with the questions: zara stanhope, brisbaneAisha Khalid, Your way begins on the other side, 2014, detail; gold-plated steel pins and fabric; Aga Khan Museum, Toronto; image courtesy the artist and Aga Khan Museum, Toronto — 3 curating atp9: staying with the questions: zara stanhope, *brisbane*
Aisha Khalid, *Your way begins on the other side*, 2014, detail; gold-plated steel pins and fabric; Aga Khan Museum, Toronto; image courtesy the artist and Aga Khan Museum, Toronto

4 painting the streets of kabul: artlord’s omaid sharifi: Ally roche, CanberraArtLords, I See You, 2015, installation view, National Directorate of Security Building, Kabul; acrylic on concrete; image courtesy Omaid Sharifi — 4 painting the streets of kabul: artlord’s omaid sharifi: Ally roche, *Canberra*
ArtLords, *I See You*, 2015, installation view, National Directorate of Security Building, Kabul; acrylic on concrete; image courtesy Omaid Sharifi

5 revelations: ‘oceania’ at the royal academy: jenny harper, londonOceania, exhibition installation view, Royal Academy of Arts, London, featuring: Mata Aho Collective, Kiko Moana, 2017, polyethene tarpaulin and cotton thread, 11 x 4cm; photo: © Dav… — 5 revelations: ‘oceania’ at the royal academy: jenny harper, *london*
*Oceania*, exhibition installation view, Royal Academy of Arts, London, featuring: Mata Aho Collective, *Kiko Moana*, 2017, polyethene tarpaulin and cotton thread, 11 x 4cm; photo: © David Parry/Royal Academy of Arts

6 looking, rEADING AND THINKING: imants tillers’s ‘journey to nowhere’: jenny harper, rigaImants Tillers: Journey to Nowhere, exhibition installation view, Latvian National Museum of Art, Riga, 2018, featuring: Journey to Nowhere, 2017, acrylic, gou… — 6 looking, rEADING AND THINKING: imants tillers’s ‘journey to nowhere’: jenny harper, *riga*
*Imants Tillers: Journey to Nowhere*, exhibition installation view, Latvian National Museum of Art, Riga, 2018, featuring: *Journey to Nowhere*, 2017, acrylic, gouache on 90 canvas boards, 228.5 x 355cm; courtesy the artist and Roslyn Oxley9 Gallery, Sydney; photo: Otto Strazd

7 against alienation: speculating on the post-human at mona: oscar capezio, hobartToby Ziegler, Your shadow rising, exhibition installation view, Museum of Old and New Art (MONA), Hobart, 2018, with (from left): It'll soon be over (exquisite corpse)… — 7 against alienation: speculating on the post-human at mona: oscar capezio, *hobart*
Toby Ziegler, *Your shadow rising*, exhibition installation view, Museum of Old and New Art (MONA), Hobart, 2018, with (from left): It'll soon be over (exquisite corpse), 2018, and The human engine, 2018; image courtesy the artist and MONA, Hobart; photo: MONA/Jesse Hunniford

8 energising emotion: sally smart and the ballets russes: caren florance, canberraSally Smart in her installation of ‘NGA Play’, National Gallery of Australia (NGA), Canberra, November 2018; image courtesy NGA, Canberra — 8 energising emotion: sally smart and the ballets russes: caren florance, *canberra*
Sally Smart in her installation of ‘NGA Play’, National Gallery of Australia (NGA), Canberra, November 2018; image courtesy NGA, Canberra

9 past and present: revisiting the artemis women’s art movement: annette pedersen, perthPenny Bovell, Down Pour, 2018, installation detail, ‘No Second Thoughts: Reflections on the ARTEMIS Women’s Art Forum’, Lawrence Wilson Art Gallery (LWAG), Unive… — 9 past and present: revisiting the artemis women’s art movement: annette pedersen, *perth*
Penny Bovell, *Down Pour*, 2018, installation detail, ‘No Second Thoughts: Reflections on the ARTEMIS Women’s Art Forum’, Lawrence Wilson Art Gallery (LWAG), University of Western Australia, Perth, 2018; image courtesy the artist and LWAG, Perth; photo: Ilkka K Photography

10 on opening our eyes: christine nichollsMax Dupain, First Exhibition of the Tutini (Pukumani Grave Posts) at the Art Gallery of New South Wales, 1959, silver gelatin photograph, 17.5 x 25.5cm; artists: Laurie Nelson Mungatopi, Bob One Apuatimi, Ja… — **10 on *opening our eyes:* christine nicholls**
Max Dupain, *First Exhibition of the Tutini (Pukumani Grave Posts) at the Art Gallery of New South Wales*, 1959, silver gelatin photograph, 17.5 x 25.5cm; artists: Laurie Nelson Mungatopi, Bob One Apuatimi, Jack Yarunga, Don Barukmadjua, Charlie Quiet Kwangdini and artist unknown; Art Gallery of New South Wales (AGNSW) Archive, Sydney; © AGNSW and estates of the artists

11 surfacing: the art of louise olsen and stephen ormandy: michael fitzgeraldLouise Olsen, Hidden Lake, 2018, oil on linen, 198 x 153cm; image courtesy the artist — **11 surfacing: the art of louise olsen and stephen ormandy: michael fitzgerald**
Louise Olsen, *Hidden Lake*, 2018, oil on linen, 198 x 153cm; image courtesy the artist

12 because of her, we can!: revisiting early women’s art at ernabella: hannah kotheMarea Gazzard, Yipati Kuyata Williams, Yayampi Brown and Nyukana (Daisy) Baker at a lighthouse, South Coast, New South Wales, 1971; image courtesy Sturt Permanent Col… — **12 because of her, we can!: revisiting early women’s art at ernabella: hannah kothe**
Marea Gazzard, Yipati Kuyata Williams, Yayampi Brown and Nyukana (Daisy) Baker at a lighthouse, South Coast, New South Wales, 1971; image courtesy Sturt Permanent Collection, Mittagong

13 Anita Angel 1963 - 2018: chips mackinoltyAnita Angel, 2010; image courtesy Charles Darwin University Art Collection and Art Gallery, Darwin; photo: Chris Knight, DigiFilm Australia Pty Ltd — **13 Anita Angel 1963 - 2018: chips mackinolty**
Anita Angel, 2010; image courtesy Charles Darwin University Art Collection and Art Gallery, Darwin; photo: Chris Knight, DigiFilm Australia Pty Ltd

14 kunmanara nampitjinpa M. boko (nee williams) 1953 - 2017Kunmanara M. Boko, Self Portrait, 2013; image courtesy Tangentyere Artists, Alice Springs; © the artist’s estate and Tangentyere Artists, Alice Springs — **14 kunmanara nampitjinpa M. boko (nee williams) 1953 - 2017**
Kunmanara M. Boko, *Self Portrait*, 2013; image courtesy Tangentyere Artists, Alice Springs; © the artist’s estate and Tangentyere Artists, Alice Springs

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Summer 2018/19 Issue 313

Art Monthly Australasia