April 2019 Issue 315
1 Dispatches: andrew stephens
kirsha kaechele; photo: rémi Chauvin
2 Notes from the field: Chloé Wolifson
Jan Albers, rOckrOughrOuge, 2019, epoxy resin and spray-paint on polystyrene; image courtesy the artist and Fox Jensen McCrory, Auckland
3 finding freedom; hirschfeld-Mack at geelong gallery: Sally groom geelong
Ludwig Hirschfeld-Mack, Musical instruments, 1950–65, monotype; Geelong Gallery, gift of Mrs Olive Hirschfeld, 1976
4 writing their own history; yang zhichao’s chinese bible: Michael young
Yang Zhichao, Panjiayuan flea market, Beijing, January 2015; photo: Michael Young
5 resonance; xiao lu’s impossible dialogue at 4a: julie ewington sydney
Xiao Lu, Polar (极地), 2016, installation detail view, 4A Centre for Contemporary Asian Art, Sydney, 2019; type-C prints and video documentation of performance, 23 October 2016; photos by Yi Zhilei; video filmed by Zhang Zhiqiang and Li Kai, edited by Zhang Li and Xiao Lu; courtesy the artist; photo: Kai Wasikowski
6 stockholm syndrome and neuroscience; two young chinese artists, the great firewall and the internet: luise guest
Miao Ying, Problematic GIFS – No Problem At All, 2016, GIF compilation on lightbox, flat-screen TV, 298 x 241 x 8cm; image courtesy White Rabbit Collection, Sydney
7 a poetic pilgrimage; anthony bond’s ken unsworth: gary sangster
Ken Unsworth, The weight of stone, 2011, installation view, Cockatoo Island, Sydney, 2011; angel, steel cages, religious books, remote-control trucks, river stone and smoke, dimensions variable; image courtesy the artist; photo: Paul Green
8 pushing from the edges; michael fitzgerald in conversation with clothilde bullen, anna davis, daniel mudie cunningham and isobel parker philip
The Unbound Collective (Ali Gumillya Baker, Faye Blanch, Natalie Harkin and Simone Tur), Sovereign Acts II, 2015; image courtesy and © the artists; photo: Steve Rendoulis
9 kwementyaye (kathleen) petyarre c. 1938 - 2018: christine nicholls
Kathleen Petyarre, Mountain Devil Lizard Dreaming, 1995, synthetic polymer paint on Belgian linen, 152 x 152cm; private collection, Sydney