May 2019 Issue 316

1 Dispatches: andrew stephensBianca Beetson, Beerwah & Tibrogargan, 2015, digital photo on metallic paper, 84x 59cm; courtesy the artist — **1 Dispatches: andrew stephens**
Bianca Beetson, *Beerwah & Tibrogargan*, 2015, digital photo on metallic paper, 84x 59cm; courtesy the artist

2 Notes from the field: Chloé WolifsonTelly Tuita, from the series ‘A Professional Brown Man’, 2018, photographic work; image courtesy the artist and Weasel Gallery, Hamilton — **2 Notes from the field: Chloé Wolifson**
Telly Tuita, from the series ‘A Professional Brown Man’, 2018, photographic work; image courtesy the artist and Weasel Gallery, Hamilton

3 Peter Adsett’s ‘frame-work’ invites us to join in: patrick hutchingsPeter Adsett, frame-work no. 7, frame-work no. 8 andframe-work no. 9, 2019, acrylic paint, pencil, linen, wallpaper, 50 x 40cm (each); courtesy the artist and Yuill / Crowley, Syd… — **3 Peter Adsett’s ‘frame-work’ invites us to join in: patrick hutchings**
Peter Adsett, *frame-work no. 7*, *frame-work no. 8* andframe-work no. 9, 2019, acrylic paint, pencil, linen, wallpaper, 50 x 40cm (each); courtesy the artist and Yuill / Crowley, Sydney; photo: Felix Adsett

4 Encountering ‘afterness’; Dane Mitchell at the 58th venice biennale: andrew paul woodDane Mitchell, Iris, Iris, Iris, 2017, installation view, Auckland Art Gallery Toi o Tāmaki, 2018; courtesy the artist — **4 Encountering ‘afterness’; Dane Mitchell at the 58th venice biennale: andrew paul wood**
Dane Mitchell, *Iris, Iris, Iris*, 2017, installation view, Auckland Art Gallery Toi o Tāmaki, 2018; courtesy the artist

5 we shall assemble, play, dance and transgress; angela mesiti at the 58th venice biennale: dunja RmandićAngelica Mesiti, Relay League, 2017, still; three-channel HD video, 16:9, colour, sound, 9mins 11secs duration; courtesy the artist and Anna Sch… — **5 we shall assemble, play, dance and transgress; angela mesiti at the 58th venice biennale: dunja** **Rmandić**
Angelica Mesiti, *Relay League*, 2017, still; three-channel HD video, 16:9, colour, sound, 9mins 11secs duration; courtesy the artist and Anna Schwartz Gallery, Melbourne

6 beneath the juggernaut; encountering art basel hong kong: Michael fitzgerald, hong kong Gerasimos Floratos, Pressing into crowds, there is still space upstairs, 2018–19, installation view, ‘Encounters: Still We Rise’, Art Basel Hong Kong, 2019; w… — 6 beneath the juggernaut; encountering art basel hong kong: Michael fitzgerald, *hong kong*

Gerasimos Floratos, *Pressing into crowds, there is still space upstairs*, 2018–19, installation view, ‘Encounters: Still We Rise’, Art Basel Hong Kong, 2019; wood, canvas, oil paint, mixed media, dimensions variable; image courtesy the artist and Pilar Corrias, London

7 janet burchill and jennifer mccamley; culture jamming at heide: sophie Knezic, melbourneJanet Burchill and Jennifer McCamley, Inland Empire, 2008, installation view, Kellerberrin, Western Australia, 2008; neon tubing, electrical components, scaffo… — 7 janet burchill and jennifer mccamley; culture jamming at heide: sophie Knezic, *melbourne*
Janet Burchill and Jennifer McCamley, *Inland Empire*, 2008, installation view, Kellerberrin, Western Australia, 2008; neon tubing, electrical components, scaffolding, dimensions variable; image courtesy the artists and Neon Parc, Melbourne; © the artists

8 ildiko kovacs; a decade of mark making: rebecca blakeIldiko Kovacs, T.T., 2004, synthetic polymer paint on masonite, 63.5 x 64cm; Museum of Contemporary ArtAustralia, Sydney, donated through the Australian Government’s Cultural Gifts Program by An… — **8 ildiko kovacs; a decade of mark making: rebecca blake**
Ildiko Kovacs, *T.T.*, 2004, synthetic polymer paint on masonite, 63.5 x 64cm; Museum of Contemporary ArtAustralia, Sydney, donated through the Australian Government’s Cultural Gifts Program by Ann Lewis AO, 2009

Art Monthly Australasia

Art Monthly Australasia is Australasia’s flagship visual arts publication, providing a critical platform for its artists. Published since 1987 under six full-time editors (Peter Townsend, Peter Timms, Philippa Kelly, Deborah Clark, Maurice O’Riordan and, from 2014, Michael Fitzgerald), it is Australasia’s only monthly visual arts magazine placing visual arts in a contemporary, historical and regional context.

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